| # | Title | Rating | Length |
|---|
| 1 | Brass & Batons- additional recording engineer:
- Richard Bosworth
- recording engineer:
- Bob Bullock and Russ Martin
- additional engineer:
- Bill Dooley
- producer:
- Jimmy Bowen and Kim Carnes
- mixer:
- Chuck Ainlay, Niko Bolas, Jimmy Bowen and Bob Bullock
- acoustic guitar:
- Billy Joe Walker, Jr.
- additional accordion:
- Bruce Hornsby
- additional fiddle, additional mandola and additional mandolin:
- Mark O’Connor
- additional harmonica:
- Kirk “Jellyroll” Johnson
- additional synthesizer:
- Kim Carnes
- bass guitar:
- Leland Sklar
- drums (drum set) and percussion:
- Craig Krampf
- electric guitar:
- Craig Hull, Josh Leo and Billy Joe Walker, Jr.
- piano [acoustic piano] and synthesizer:
- John Jarvis
- slide guitar:
- Craig Hull
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1988)
- produced for:
- Lynwood Productions
- additionally recorded at:
- Galaxy Sound Studio in Hollywood, Los Angeles, California, United States
- recorded at:
- Emerald Studio in Nashville, Tennessee, United States and Soundstage Studios in New York, New York, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States, Masterfonics in Nashville, Tennessee, United States and Soundstage in New York, New York, United States
- recording of:
- Brass & Batons
- writer:
- Kim Carnes and Donna Weiss
- publisher:
- Donna Weiss Music, Inc. (in 1988) and Moonwindow Music (in 1988)
| | 5:23 |
| 2 | Just to Spend Tonight With You- additional recording engineer:
- Richard Bosworth
- recording engineer:
- Bob Bullock and Russ Martin
- additional engineer:
- Bill Dooley
- producer:
- Jimmy Bowen and Kim Carnes
- mixer:
- Chuck Ainlay, Niko Bolas, Jimmy Bowen and Bob Bullock
- acoustic guitar:
- Billy Joe Walker, Jr.
- additional accordion:
- John Cascella
- additional fiddle, additional mandola and additional mandolin:
- Mark O’Connor
- additional harmonica:
- Kirk “Jellyroll” Johnson
- bass guitar:
- Leland Sklar
- drums (drum set) and percussion:
- Craig Krampf
- electric guitar:
- Craig Hull, Josh Leo and Billy Joe Walker, Jr.
- piano [acoustic piano] and synthesizer:
- John Jarvis
- slide guitar:
- Craig Hull
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1988)
- produced for:
- Lynwood Productions
- additionally recorded at:
- Galaxy Sound Studio in Hollywood, Los Angeles, California, United States
- recorded at:
- Emerald Studio in Nashville, Tennessee, United States and Soundstage Studios in New York, New York, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States, Masterfonics in Nashville, Tennessee, United States and Soundstage in New York, New York, United States
- recording of:
- Just to Spend Tonight With You
- writer:
- Kim Carnes and Donna Weiss
- publisher:
- Donna Weiss Music, Inc. (in 1988) and Moonwindow Music (in 1988)
| | 4:51 |
| 3 | Heartbreak Radio- additional recording engineer:
- Richard Bosworth
- recording engineer:
- Bob Bullock and Russ Martin
- additional engineer:
- Bill Dooley
- producer:
- Jimmy Bowen and Kim Carnes
- mixer:
- Chuck Ainlay, Niko Bolas, Jimmy Bowen and Bob Bullock
- acoustic guitar:
- Billy Joe Walker, Jr.
- additional accordion:
- John Cascella
- additional fiddle, additional mandola and additional mandolin:
- Mark O’Connor
- additional harmonica:
- Kirk “Jellyroll” Johnson
- additional washboard, drums (drum set) and percussion:
- Craig Krampf
- bass guitar:
- Leland Sklar
- electric guitar:
- Craig Hull, Josh Leo and Billy Joe Walker, Jr.
- piano [acoustic piano] and synthesizer:
- John Jarvis
- slide guitar:
- Craig Hull
- background vocals [harmony vocals]:
- Vince Gill
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1988)
- produced for:
- Lynwood Productions
- additionally recorded at:
- Galaxy Sound Studio in Hollywood, Los Angeles, California, United States
- recorded at:
- Emerald Studio in Nashville, Tennessee, United States and Soundstage Studios in New York, New York, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States, Masterfonics in Nashville, Tennessee, United States and Soundstage in New York, New York, United States
- cover recording of:
- Heartbreak Radio
- composer:
- Frankie Miller and Troy Seals
| | 3:19 |
| 4 | Crazy in Love- additional recording engineer:
- Richard Bosworth
- recording engineer:
- Bob Bullock and Russ Martin
- additional engineer:
- Bill Dooley
- producer:
- Jimmy Bowen and Kim Carnes
- mixer:
- Chuck Ainlay, Niko Bolas, Jimmy Bowen and Bob Bullock
- acoustic guitar:
- Billy Joe Walker, Jr.
- additional fiddle, additional mandola and additional mandolin:
- Mark O’Connor
- additional harmonica:
- Kirk “Jellyroll” Johnson
- bass guitar:
- Leland Sklar
- drums (drum set) and percussion:
- Craig Krampf
- electric guitar:
- Craig Hull, Josh Leo and Billy Joe Walker, Jr.
- piano [acoustic piano] and synthesizer:
- John Jarvis
- slide guitar:
- Craig Hull
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1988)
- produced for:
- Lynwood Productions
- additionally recorded at:
- Emerald Studio in Nashville, Tennessee, United States, Galaxy Sound Studio in Hollywood, Los Angeles, California, United States and Soundstage Studio in New York, New York, United States
- recorded at:
- Emerald Studio in Nashville, Tennessee, United States and Soundstage Studios in New York, New York, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States, Masterfonics in Nashville, Tennessee, United States and Soundstage in New York, New York, United States
- music videos:
- Crazy in Love by Kim Carnes
- cover recording of:
- Crazy in Love
- writer:
- Randy McCormick and Even Stevens
| | 3:52 |
| 5 | If You Don’t Want My Love- additional recording engineer:
- Richard Bosworth
- recording engineer:
- Bob Bullock and Russ Martin
- additional engineer:
- Bill Dooley
- producer:
- Jimmy Bowen and Kim Carnes
- mixer:
- Chuck Ainlay, Niko Bolas, Jimmy Bowen and Bob Bullock
- acoustic guitar:
- Billy Joe Walker, Jr.
- additional fiddle, additional mandola and additional mandolin:
- Mark O’Connor
- additional harmonica:
- Kirk “Jellyroll” Johnson
- bass guitar:
- Leland Sklar
- drums (drum set) and percussion:
- Craig Krampf
- electric guitar:
- Craig Hull, Josh Leo and Billy Joe Walker, Jr.
- piano [acoustic piano] and synthesizer:
- John Jarvis
- slide guitar:
- Craig Hull
- background vocals [harmony vocals]:
- Steve Wariner
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1988)
- produced for:
- Lynwood Productions
- additionally recorded at:
- Galaxy Sound Studio in Hollywood, Los Angeles, California, United States
- recorded at:
- Emerald Studio in Nashville, Tennessee, United States and Soundstage Studios in New York, New York, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States, Masterfonics in Nashville, Tennessee, United States and Soundstage in New York, New York, United States
- cover recording of:
- If You Don’t Want My Love
- lyricist and composer:
- John Prine and Phil Spector
- publisher:
- Big Ears Music (in 1981) and Carlin Music Corporation (in 1981)
| | 3:18 |
| 6 | Willie and the Hand Jive- additional recording engineer:
- Richard Bosworth
- recording engineer:
- Bob Bullock and Russ Martin
- additional engineer:
- Bill Dooley
- producer:
- Jimmy Bowen and Kim Carnes
- mixer:
- Chuck Ainlay, Niko Bolas, Jimmy Bowen and Bob Bullock
- acoustic guitar:
- Billy Joe Walker, Jr.
- additional fiddle, additional mandola and additional mandolin:
- Mark O’Connor
- additional harmonica:
- Kirk “Jellyroll” Johnson
- bass guitar:
- Leland Sklar
- drums (drum set) and percussion:
- Craig Krampf
- electric guitar:
- Craig Hull, Josh Leo and Billy Joe Walker, Jr.
- piano [acoustic piano] and synthesizer:
- John Jarvis
- slide guitar:
- Craig Hull
- background vocals [harmony vocals]:
- Dave Ellingson
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1988)
- produced for:
- Lynwood Productions
- additionally recorded at:
- Galaxy Sound Studio in Hollywood, Los Angeles, California, United States
- recorded at:
- Emerald Studio in Nashville, Tennessee, United States and Soundstage Studios in New York, New York, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States, Masterfonics in Nashville, Tennessee, United States and Soundstage in New York, New York, United States
- cover recording of:
- Willie and the Hand Jive
- lyricist and composer:
- Johnny Otis
- publisher:
- Eldorado Music Company
| | 4:08 |
| 7 | Speed of the Sound of Loneliness- additional recording engineer:
- Richard Bosworth
- recording engineer:
- Bob Bullock and Russ Martin
- additional engineer:
- Bill Dooley
- producer:
- Jimmy Bowen and Kim Carnes
- mixer:
- Chuck Ainlay, Niko Bolas, Jimmy Bowen and Bob Bullock
- acoustic guitar:
- Billy Joe Walker, Jr.
- additional accordion:
- John Cascella
- additional fiddle, additional mandola and additional mandolin:
- Mark O’Connor
- additional harmonica:
- Kirk “Jellyroll” Johnson
- bass guitar:
- Leland Sklar
- drums (drum set) and percussion:
- Craig Krampf
- electric guitar:
- Craig Hull, Josh Leo and Billy Joe Walker, Jr.
- piano [acoustic piano] and synthesizer:
- John Jarvis
- slide guitar:
- Craig Hull
- background vocals [harmony vocals]:
- Lyle Lovett
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1988)
- produced for:
- Lynwood Productions
- additionally recorded at:
- Galaxy Sound Studio in Hollywood, Los Angeles, California, United States
- recorded at:
- Emerald Studio in Nashville, Tennessee, United States and Soundstage Studios in New York, New York, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States, Masterfonics in Nashville, Tennessee, United States and Soundstage in New York, New York, United States
- cover recording of:
- Speed of the Sound of Loneliness
- lyricist and composer:
- John Prine
- publisher:
- Big Ears Music, Inc. and Bruised Oranges
| | 3:28 |
| 8 | Blood From the Bandit- additional recording engineer:
- Richard Bosworth
- recording engineer:
- Bob Bullock and Russ Martin
- additional engineer:
- Bill Dooley
- producer:
- Jimmy Bowen and Kim Carnes
- mixer:
- Chuck Ainlay, Niko Bolas, Jimmy Bowen and Bob Bullock
- acoustic guitar:
- Billy Joe Walker, Jr.
- additional fiddle, additional mandola and additional mandolin:
- Mark O’Connor
- additional harmonica:
- Kirk “Jellyroll” Johnson
- bass guitar:
- Leland Sklar
- drums (drum set) and percussion:
- Craig Krampf
- electric guitar:
- Craig Hull, Josh Leo and Billy Joe Walker, Jr.
- piano [acoustic piano] and synthesizer:
- John Jarvis
- slide guitar:
- Craig Hull
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1988)
- produced for:
- Lynwood Productions
- additionally recorded at:
- Galaxy Sound Studio in Hollywood, Los Angeles, California, United States
- recorded at:
- Emerald Studio in Nashville, Tennessee, United States and Soundstage Studios in New York, New York, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States, Masterfonics in Nashville, Tennessee, United States and Soundstage in New York, New York, United States
- recording of:
- Blood From the Bandit
- writer:
- Kim Carnes and Donna Weiss
- publisher:
- Donna Weiss Music, Inc. (in 1988) and Moonwindow Music (in 1988)
| | 3:21 |
| 9 | Fantastic Fire of Love- additional recording engineer:
- Richard Bosworth
- recording engineer:
- Bob Bullock and Russ Martin
- additional engineer:
- Bill Dooley
- producer:
- Jimmy Bowen and Kim Carnes
- mixer:
- Chuck Ainlay, Niko Bolas, Jimmy Bowen and Bob Bullock
- acoustic guitar:
- Billy Joe Walker, Jr.
- additional fiddle, additional mandola and additional mandolin:
- Mark O’Connor
- additional harmonica:
- Kirk “Jellyroll” Johnson
- bass guitar:
- Leland Sklar
- drums (drum set) and percussion:
- Craig Krampf
- electric guitar:
- Craig Hull, Josh Leo and Billy Joe Walker, Jr.
- piano [acoustic piano] and synthesizer:
- John Jarvis
- slide guitar:
- Craig Hull
- background vocals [harmony vocals]:
- Dave Ellingson
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1988)
- produced for:
- Lynwood Productions
- additionally recorded at:
- Galaxy Sound Studio in Hollywood, Los Angeles, California, United States
- recorded at:
- Emerald Studio in Nashville, Tennessee, United States and Soundstage Studios in New York, New York, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States, Masterfonics in Nashville, Tennessee, United States and Soundstage in New York, New York, United States
- recording of:
- Fantastic Fire of Love
- lyricist and composer:
- Kim Carnes
- publisher:
- Moonwindow Music (in 1988)
| | 4:13 |
| 10 | Crimes of the Heart- additional recording engineer:
- Richard Bosworth
- recording engineer:
- Bob Bullock, Bill Cuomo and Russ Martin
- additional drum machine programming:
- Bill Cuomo
- additional engineer:
- Bill Dooley
- producer:
- Jimmy Bowen , Kim Carnes and Bill Cuomo
- mixer:
- Chuck Ainlay, Niko Bolas, Jimmy Bowen and Bob Bullock
- acoustic guitar:
- Billy Joe Walker, Jr.
- additional fiddle, additional mandola and additional mandolin:
- Mark O’Connor
- additional harmonica:
- Kirk “Jellyroll” Johnson
- additional synthesizer:
- Bill Cuomo
- bass guitar:
- Leland Sklar
- drums (drum set) and percussion:
- Craig Krampf
- electric guitar:
- Craig Hull, Josh Leo and Billy Joe Walker, Jr.
- piano [acoustic piano] and synthesizer:
- John Jarvis
- slide guitar:
- Craig Hull
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1988)
- produced for:
- Lynwood Productions and Pants Down Productions
- additionally recorded at:
- Galaxy Sound Studio in Hollywood, Los Angeles, California, United States
- recorded at:
- Emerald Studio in Nashville, Tennessee, United States, Manzanita Recording Studio and Soundstage Studio in New York, New York, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States, Masterfonics in Nashville, Tennessee, United States and Soundstage in New York, New York, United States
- recording of:
- Crimes of the Heart
- writer:
- Kim Carnes and Donna Weiss
- publisher:
- Donna Weiss Music, Inc. (in 1988) and Moonwindow Music (in 1988)
| | 3:09 |
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