Mass in B minor

~ Release by Bach; Arleen Augér, Ann Murray, Marjana Lipovšek, Peter Schreier, Anton Scharinger, Staatskapelle Dresden (see all versions of this release, 2 available)

Tracklist

1▶CD: I. Missa
2▼CD: II. Symbolum Nicenum / III. Sanctus IV. Osanna
#TitleArtistRatingLength
13Mass in B minor, BWV 232: Credo: Credo in unum Deum
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:47
14Mass in B minor, BWV 232: Credo: Patrem omnipotentem
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:50
15Mass in B minor, BWV 232: Credo: Et in inum Dominum
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:38
16Mass in B minor, BWV 232: Credo: Et incarnatus est
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:59
17Mass in B minor, BWV 232: Credo: Crucifixus
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:52
18Mass in B minor, BWV 232: Credo: Et resurrexit
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:09
19Mass in B minor, BWV 232: Credo: Et in Spiritum Sanctum
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:20
20Mass in B minor, BWV 232: Credo: Confiteor unum baptista
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:36
21Mass in B minor, BWV 232: Credo: Et expecto resurrectionem
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:57
22Mass in B minor, BWV 232: Sanctus: Sanctus
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:45
23Mass in B minor, BWV 232: Sanctus: Osanna in excelsis (I)
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:45
24Mass in B minor, BWV 232: Sanctus: Benedictus
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:06
25Mass in B minor, BWV 232: Sanctus: Osanna in excelsis (II)
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:45
26Mass in B minor, BWV 232: Agnus Dei: Agnus Dei
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:10
27Mass in B minor, BWV 232: Agnus Dei: Dona nobis pacem
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:53