Tracklist

1Digital Media: Erster Teil
2Digital Media: Zweiter Teil
3Digital Media
#TitleArtistRatingLength
1Matthäuspassion, BWV 244: 53. Rezitativ und Chor. "Da nahmen die Kriegsknechte des Landpflegers" (Evangelist)
choir vocals:
Chor der J. S. Bach-Stiftung (in 2012)
tenor vocals [Evangelist]:
Charles Daniels (tenor) (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (in 2012)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:06
2Matthäuspassion, BWV 244: 54. Choral. "O Haupt voll Blut und Wunden"
choir vocals:
Chor der J. S. Bach-Stiftung (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 2012)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:26
3Matthäuspassion, BWV 244: 55. Rezitativ. "Und da sie ihn verspottet hatten" (Evangelist)
tenor vocals [Evangelist]:
Charles Daniels (tenor) (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 2012)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:52
4Matthäuspassion, BWV 244: 56. Rezitativ. "Ja freilich will in uns das Fleisch und Blut" (Bass)
bass vocals:
Wolf Matthias Friedrich (bass-baritone) (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 2012)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:34
5Matthäuspassion, BWV 244: 57. Arie. "Komm, süsses Kreuz" (Bass)
bass vocals:
Wolf Matthias Friedrich (bass-baritone) (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 2012)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:32
6Matthäuspassion, BWV 244: 58. Rezitativ und Chor. "Und da sie an die Stätte kamen" (Evangelist)Johann Sebastian Bach3:27
7Matthäuspassion, BWV 244: 59. Rezitativ. "Ach Golgatha, unselges Golgatha!" (Alt)
alto vocals:
Margot Oitzinger (mezzo-soprano) (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 2012)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:29
8Matthäuspassion, BWV 244: 60. Arie und Chor. "Sehet, Jesus hat die Hand" (Alt)
alto vocals:
Margot Oitzinger (mezzo-soprano) (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 2012)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:01
9Matthäuspassion, BWV 244: 61. Rezitativ und Chor. "Und von der sechsten Stunde an" (Evangelist, Jesus)
bass vocals [Jesus]:
Peter Harvey (bass-baritone) (in 2012)
tenor vocals [Evangelist]:
Charles Daniels (tenor) (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (in 2012)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:29
10Matthäuspassion, BWV 244: 62. Choral. "Wenn ich einmal soll scheiden"
choir vocals:
Chor der J. S. Bach-Stiftung (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 2012)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:08
11Matthäuspassion, BWV 244: 63. Rezitativ und Chor. "Und siehe da, der Vorhang im Temple zerriss" (Evangelist)
choir vocals:
Chor der J. S. Bach-Stiftung (in 2012)
tenor vocals [Evangelist]:
Charles Daniels (tenor) (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (in 2012)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:49
12Matthäuspassion, BWV 244: 64. Rezitativ. "Am Abend, da es kühle war" (Bass)
bass vocals:
Wolf Matthias Friedrich (bass-baritone) (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 2012)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:05
13Matthäuspassion, BWV 244: 65. Arie. "Mache dich, mein Herze, rein" (Bass)
bass vocals:
Wolf Matthias Friedrich (bass-baritone) (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 2012)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:50
14Matthäuspassion, BWV 244: 66. Rezitativ und Chor. "Und Joseph nahm den Leib" (Evangelist, Pilatus)
bass vocals [Pilatus]:
Wolf Matthias Friedrich (bass-baritone) (in 2012)
tenor vocals [Evangelist]:
Charles Daniels (tenor) (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 2012)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:44
15Matthäuspassion, BWV 244: 67. Rezitativ und Chor. "Nun ist der Herr zur Ruh gebracht" (Bass, Tenor, Alt, Sopran)
alto vocals:
Margot Oitzinger (mezzo-soprano) (in 2012)
bass vocals:
Wolf Matthias Friedrich (bass-baritone) (in 2012)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012)
tenor vocals:
Charles Daniels (tenor) (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 2012)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:57
16Matthäuspassion, BWV 244: 68. Chor. "Wir setzen uns mit Tränen nieder"
choir vocals:
Chor der J. S. Bach-Stiftung (in 2012)
orchestra:
Orchester der J. S. Bach-Stiftung (in 2012)
conductor:
Rudolf Lutz (Swiss organist, harpsichordist, conductor and composer) (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 2012)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:30