Complete Recordings on Deutsche Grammophon

~ Release by Maria João Pires (see all versions of this release, 1 available)

Tracklist

1▶CD: Bach: Partita no. 1 / English Suite no. 3 / French Suite no. 2
2▶CD: Beethoven: Violin Sonatas nos. 1–4
3▶CD: Beethoven: Violin Sonatas nos. 5 “Spring”, 8 & 9 “Kreutzer”
4▶CD: Beethoven: Violin Sonatas nos. 6, 7 & 10
5▶CD: Beethoven: Piano Sonatas nos. 13, 14 “Moonlight” & 30
6▶CD: Brahms: Piano Trios nos. 1 & 2
7▶CD: Brahms: Violin Sonatas nos. 1–3
8▶CD: Chopin: Piano Concerto no. 1 / Fantaisie, op. 49 / Fantaisie‐Impromptu, op. 66 / Berceuse, op. 57
9▶CD: Chopin: Piano Concerto no. 2 / 24 Préludes, op. 28
10▶CD: Chopin: Piano Sonata no. 3 / 2 Nocturnes, op. 62 / 3 Mazurkas, op. 59
11▶CD: Chopin: Polonaise‐Fantaisie, op. 61 / Mazurkas / 3 Valses, op. 64 / Cello Sonata, op. 65 / Étude, op. 25 no. 7
12▶CD: Chopin: Nocturnes nos. 1–10
13▶CD: Chopin: Nocturnes nos. 10–21
14▶CD: Franck: Violin Sonata in A major / Debussy: Violin Sonata in G minor / Ravel: 3 Pieces
15▶CD: Grieg: Violin Sonatas nos. 1–3
16▶CD: Mozart: Piano Concertos nos. 14 & 26 “Coronation” / Concert Aria “Ch’io mi scordi di te?”
17▶CD: Mozart: Piano Concertos nos. 17 & 21
18▶CD: Mozart: Piano Concertos nos. 27 & 20
19▶CD: Mozart: Piano Concerto no. 23
20▶CD: Mozart: Piano Trios, K 496 & 502 / Divertimento for Piano, Violin & Cello, K 254
21▶CD: Mozart: Violin Sonatas, K 301, 304, 378 & 379
22▶CD: Mozart: Piano Sonatas, K 310, 333 & 545
23▶CD: Mozart: Fantasias, K 397 & 475 / Piano Sonatas, K. 331 “Alla turca” & 457
24▶CD: Mozart: Piano Sonatas, K 279, 280, 311 & 576
25▶CD: Mozart: Piano Sonatas, K 281, 282 & 533
26▶CD: Mozart: Piano Sonatas, K 283, 284 & 330
27▶CD: Mozart: Piano Sonatas, K 309, 332 & 570
28▶CD: Schubert: Piano Sonata, D 784 / 6 Moments musicaux, D 780 / 2 Scherzi, D 593
29▶CD: Schubert: 4 Impromptus, D 899 / Allegretto, D 915
30▶CD: Schubert: 4 Impromptus, D 935 / 3 Piano Pieces, D 946
31▶CD: Schubert: Fantasia for Piano 4 Hands, D 940 / Rondo for Piano 4 Hands, D 951 / Piano Sonata, D 664
32▶CD: Schubert: Piano Sonate, D 784 / Allegro for Piano 4 Hands, D 947 “Lebensstürme”
33▶CD: Schubert: Piano Sonatas, D 845 & 960
34▶CD: Schumann: Piano Concerto, op. 54 / Piano Quintet, op. 44
35▶CD: Schumann: 3 Romances for Oboe and Piano, op. 94 / Adagio and Allegro, op. 70 / Fantasiestücke, op. 73 / 5 Stücke im Volkston, op. 102 / Abendlied, op. 85 no. 12
36▼CD: Schumann: Waldszenen, op. 82 / Arabeske, op. 18 / 3 Romances, op. 28 / Faschingsschwank aus Wien, op. 26
#TitleArtistRatingLength
1Waldszenen, op. 82: I. Eintritt. Nicht zu schnell
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: I. Eintritt. Nicht zu schnell (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann1:53
2Waldszenen, op. 82: II. Jäger auf der Lauer. Höchst lebhaft
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: II. Jäger auf der Lauer. Höchst lebhaft (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann1:19
3Waldszenen, op. 82: III. Einsame Blumen. Einfach
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: III. Einsame Blumen. Einfach (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann1:49
4Waldszenen, op. 82: IV. Verrufene Stelle. Ziemlich langsam
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: IV. Verrufene Stelle. Ziemlich langsam (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann3:04
5Waldszenen, op. 82: V. Freundliche Landschaft. Schnell
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: V. Freundliche Landschaft. Schnell (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann1:02
6Waldszenen, op. 82: VI. Herberge. Mäßig
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: VI. Herberge. Mäßig (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann2:01
7Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann2:57
8Waldszenen, op. 82: VIII. Jagdlied. Rasch, kräftig
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: VIII. Jagdlied. Rasch, kräftig (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann2:24
9Waldszenen, op. 82: IX. Abschied. Nicht schnell
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: IX. Abschied. Nicht zu schnell (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann3:08
10Arabeske, op. 18: Leicht und zart -
recording engineer:
Rainer Hebborn (in 1991-10)
producer:
Karl-August Naegler (balance engineer)
piano:
Maria João Pires (pianist) (in 1991-10)
balance engineer:
Karl-August Naegler (balance engineer) (in 1991-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
partial recording of:
Arabeske in C major, op. 18 (in 1991-10)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Works of Robert Schumann by opus number (number: op. 18)
Robert Schumann0:55
11Arabeske, op. 18: Minore I – Etwas langsamer -
recording engineer:
Rainer Hebborn (in 1991-10)
producer:
Karl-August Naegler (balance engineer)
piano:
Maria João Pires (pianist) (in 1991-10)
balance engineer:
Karl-August Naegler (balance engineer) (in 1991-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
partial recording of:
Arabeske in C major, op. 18 (in 1991-10)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Works of Robert Schumann by opus number (number: op. 18)
Robert Schumann3:03
12Arabeske, op. 18: Minore II – Etwas langsamer -
recording engineer:
Rainer Hebborn (in 1991-10)
producer:
Karl-August Naegler (balance engineer)
piano:
Maria João Pires (pianist) (in 1991-10)
balance engineer:
Karl-August Naegler (balance engineer) (in 1991-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
partial recording of:
Arabeske in C major, op. 18 (in 1991-10)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Works of Robert Schumann by opus number (number: op. 18)
Robert Schumann1:40
13Arabeske, op. 18: Zum Schluss (Coda) – Langsam
recording engineer:
Rainer Hebborn (in 1991-10)
producer:
Karl-August Naegler (balance engineer)
piano:
Maria João Pires (pianist) (in 1991-10)
balance engineer:
Karl-August Naegler (balance engineer) (in 1991-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
partial recording of:
Arabeske in C major, op. 18 (in 1991-10)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Works of Robert Schumann by opus number (number: op. 18)
Robert Schumann1:34
143 Romances, op. 28: I. Sehr markiert
recording engineer:
Klaus Behrens (engineer) (in 1992-09)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (in 1992-09)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Musica Théâtre (1837-2003) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1992-09)
recording of:
Drei Romanzen für Pianoforte, op. 28: I. Sehr markiert (in 1992-09)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann3:48
153 Romances, op. 28: II. Einfach
recording engineer:
Klaus Behrens (engineer) (in 1992-09)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (in 1992-09)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Musica Théâtre (1837-2003) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1992-09)
recording of:
Drei Romanzen für Pianoforte, op. 28: II. Einfach (in 1992-09)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann4:46
163 Romances, op. 28: III. Sehr markiert – Intermezzo I. Presto – Intermezzo II. Etwas langsamer – Wie vorher
recording engineer:
Klaus Behrens (engineer) (in 1992-09)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (in 1992-09)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Musica Théâtre (1837-2003) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1992-09)
recording of:
Drei Romanzen für Pianoforte, op. 28: III. Sehr markiert (in 1992-09)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann8:03
17Faschingsschwank aus Wien, op. 26: I. Allegro. Sehr lebhaft
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: I. Allegro. Sehr lebhaft (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann9:49
18Faschingsschwank aus Wien, op. 26: II. Romanze. Ziemlich langsam
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: II. Romanze. Ziemlich langsam (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann2:22
19Faschingsschwank aus Wien, op. 26: III. Scherzino
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: III. Scherzino (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann2:07
20Faschingsschwank aus Wien, op. 26: IV. Intermezzo. Mit größter Energie
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: IV. Intermezzo. Mit größter Energie (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann2:31
21Faschingsschwank aus Wien, op. 26: V. Finale. Höchst lebhaft
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: V. Finale. Höchst lebhaft (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann5:59
37▶CD: The Wigmore Hall Recital
38▶CD: Schumann: Kinderszenen op. 15 / D’Almeida: Fados