111 Years of Deutsche Grammophon

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Anmerkung

111 Years of Deutsche Grammophon was released in 3 box sets:
*This is the 6 disc box set
*There is also another 6 disc box set
*There is also a 55 disc box set
*There is also a 13 DVD box set

Anmerkung zuletzt geändert am 2011-05-17 18:35 UTC.

Titelliste

1▶CD: Abbado – Carreras
2▼CD: Chung – Hahn
Nr.TitelKünstlerBewertungLänge
1Carmen suite (Excerpts from suites nos. 1 & 2): Les toréadors
Orchester:
Orchestre de l’Opéra de la Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1991-03)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1991-03)
aufgenommen bei:
Opéra Bastille in Paris, Île-de-France, Frankreich (in 1991-03)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (in 1991-03)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
basiert auf:
Carmen : Prélude
Teil von:
Carmen Suite no. 1
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
Teil von:
Carmen Suite no. 2
Georges Bizet2:11
2Boogie Woogie Etude
Produzent(in):
Klaus Fischer-Dieskau (in 1955-12)
Klavier:
Shura Cherkassky (American pianist) (in 1955-12)
Tonmeister(in):
Werner Grimme (in 1955-12)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1955-12)
recording of:
Boogie-Woogie Etude
Komponist(in):
Morton Gould (American composer and conductor)
Morton Gould2:13
3Il trovatore, opera: Act III, Scene 2, XI. “Di quella pira”
Techniker(in):
Klaus Scheibe (editor/engineer)
leitende(r) Produzent(in):
Günther Breest (producer for classical music) und Robert Leslie (producer)
Produzent(in):
Hans Weber (producer/engineer)
Chorgesang:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1984, in 1984-04)
Mezzosoprangesang:
Rosalind Plowright (soprano / mezzo soprano)
Soprangesang:
Rosalind Plowright (soprano / mezzo soprano) (in 1984-04)
Soprangesang [Leonora]:
Rosalind Plowright (soprano / mezzo soprano) (in 1984)
Tenor-Gesang:
Plácido Domingo (tenor) (in 1984-04) und Walter Gullino (tenor) (in 1984-04)
Tenor-Gesang [Manrico]:
Plácido Domingo (tenor) (in 1984)
Tenor-Gesang [Ruiz]:
Walter Gullino (tenor) (in 1984)
vocals:
Walter Gullino (tenor)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984, in 1984-04)
conductor:
Carlo Maria Giulini (conductor) (in 1984, in 1984-04)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1984-04)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1984-04)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1984)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1853)
Librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:45
4Evening Bells
Chorgesang:
Don Cossack Choir (in 1959-02)
conductor:
Serge Jaroff
chorus master:
Сергей Жаров (Serge Jaroff) (in 1959-02)
arranger:
Сергей Жаров (Serge Jaroff)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1965)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1959-02)
recording of:
Вечерний звон («Вечерний звон, вечерний звон! Как много дум наводит он…»)
Komponist(in):
Александр Алябьев (Alexander Alyabyev, Russian composer) (in 1828)
Übersetzer:
Иван Козлов (Ivan Kozlov, Russian Romantic poet and translator) (in 1827)
[anonymous]2:52
5Estancia, danzas del Ballet: II. Danza del trigo
Orchester:
Orquesta Sinfónica Simón Bolívar (Simón Bolívar Symphony Orchestra)
conductor:
Gustavo Dudamel (conductor and violinist)
aufgenommen bei:
Centro de Acción Social por la Música in Caracas, Venezuela (in 2008-01)
live recording of:
Danzas de “Estancia”, op. 8a: II. Danza del trigo
Komponist(in):
Alberto Ginastera (Argentinean composer) (in 1941)
Teil von:
Danzas de “Estancia”, op. 8a
Alberto Ginastera3:47
6String quartet, no. 4, Sz. 91: IV. Allegretto pizzicato
Produzent(in):
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
Bratsche / Viola:
Lawrence Dutton (violist) (in 1988-02)
Cello:
David Finckel (in 1988-02)
Geige / Violine:
Eugene Drucker (in 1988-02) und Philip Setzer (violinist) (in 1988-02)
Streichquartett:
Emerson String Quartet (in 1988-02)
Tonmeister(in):
Peter Laenger (engineer/producer)
aufgenommen bei:
The American Academy of Arts and Letters in Washington Heights, New York, New York, Vereinigte Staaten (in 1988-02)
recording of:
String Quartet no. 4, Sz. 91, BB 95: IV. Allegretto pizzicato (in 1988-02)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1928)
Teil von:
String Quartet no. 4, Sz. 91, BB 95
Béla Bartók2:43
7Winterreise, D. 911: V. Der Lindenbaum
leitende(r) Produzent(in):
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Klavier:
Gerald Moore (pianist) (in 1971-08)
Baritongesang:
Dietrich Fischer‐Dieskau (baritone) (in 1971-08)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
aufgenommen bei:
UFA-Tonstudio in Berlin, Deutschland (in 1971-08)
recording of:
Winterreise, op. 89, D. 911: V. Der Lindenbaum (in 1971-08)
Texter:
Wilhelm Müller (German poet)
Komponist(in):
Franz Schubert (composer) (in 1827-02)
Teil von:
Winterreise, op. 89, D. 911
Franz Schubert4:42
8Suite for cello solo no. 1 in G major, BWV 1007: I. Prélude
recording engineer:
Karl-Heinz Schneider (producer) (in 1960-12)
Produzent(in):
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965) und Karl-Heinz Schneider (producer)
Cello:
Pierre Fournier (cellist) (in 1960-12)
Tonmeister(in):
Heinz Wildhagen (engineer, producer) (in 1960-12)
aufgenommen bei:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Deutschland (in 1960-12)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1960-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:52
9Messa da Requiem: IV. Sanctus
leitende(r) Produzent(in):
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
Produzent(in):
Wolfgang Lohse
Chorgesang:
Chor der St.-Hedwigs‐Kathedrale (von 1953-09-22 bis 1953-09-26) und RIAS-Kammerchor (German chamber choir) (von 1953-09-22 bis 1953-09-26)
Orchester:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (von 1953-09-22 bis 1953-09-26)
conductor:
Ferenc Fricsay (conductor) (von 1953-09-22 bis 1953-09-26)
Tonmeister(in):
Heinrich Keilholz
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (von 1953-09-22 bis 1953-09-26)
recording of:
Messa da requiem: IV. Sanctus (a doppio coro) (von 1953-09-22 bis 1953-09-26)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1874)
Teil von:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi2:31
10Symphony no. 88 in G major, Hob I/88: IV. Finale (Allegro con spirito)
Produzent(in):
Fred Hamel
Orchester:
Berliner Philharmoniker (von 1951-12-04 bis 1951-12-05)
conductor:
Wilhelm Furtwängler (conductor) (von 1951-12-04 bis 1951-12-05)
Tonmeister(in):
Heinrich Keilholz
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (von 1951-12-04 bis 1951-12-05)
recording of:
Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito (Symphonie Nr. 88 G-Dur, Hob. I:88: IV. Finale. Allegro con spirito) (von 1951-12-04 bis 1951-12-05)
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn3:40
11Lucrezia Borgia, opera: Act II, Scene XXXI. “Il segreto per esser felici”
Chorgesang:
Coro del Teatro Comunale di Bologna (in 2008-11)
Mezzosoprangesang:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2008-11)
Orchester:
Filarmonica del Teatro Comunale di Bologna (in 2008-11)
conductor:
Roberto Abbado (conductor) (in 2008-11)
aufgenommen bei:
Teatro Auditorium Manzoni in Bologna (Provinz Bologna), Emilia-Romagna, Italien (in 2008-11)
Gaetano Donizetti2:43
12Vespro della beata Vergine: Domine ad adiuvandum a 6
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Karl-August Naegler (balance engineer)
Chorgesang:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-05)
Tenor-Gesang:
Nigel Robson (tenor) (in 1989-05)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1989-05) und His Majestys Sagbutts and Cornetts (British early music group) (in 1989-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-05)
Tonmeister(in):
Ulrich Vette (engineer)
aufgenommen bei:
Basilica di San Marco in Venezia (Venice), Venezia, Veneto, Italien (in 1989-05)
live recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (in 1989-05)
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (catch all for arrangements) (in 1989-05)
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Arrangement von:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
Claudio Monteverdi2:10
13Piano Sonata no. 26 in E‐flat major, op. 81a “Les adieux”: III. Das Wiedersehn. Vivacissimamente
Produzent(in):
Günther Breest (producer for classical music)
Klavier:
Emil Gilels (pianist) (in 1974-12)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
aufgenommen bei:
Johannesstift in Berlin, Deutschland (in 1974-12)
recording of:
Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehn. Vivacissimamente “Le Retour” (in 1974-12)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1809 bis 1810)
Teil von:
Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”
Ludwig van Beethoven6:01
14Pictures at an Exhibition, for orchestra, orchestrated by Ravel: II. “The Old Castle”
Produzent(in):
Günther Breest (producer for classical music)
Orchester:
Chicago Symphony Orchestra (in 1976-04)
conductor:
Carlo Maria Giulini (conductor) (in 1976-04)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
aufgenommen bei:
Medinah Temple in Chicago, Illinois, Vereinigte Staaten (in 1976-04)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) (in 1976-04)
Orchestrator(in):
Maurice Ravel (French composer) (in 1922)
Komponist(in):
Модест Петрович Мусоргский (Modest Mussorgski, composer) (von 1874-06-02 bis 1874-06-22)
Orchestrierung von:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
Teil von:
Tableaux d’une exposition (Bilder einer Ausstellung, orchestrated by Ravel)
Модест Петрович Мусоргский4:36
15Das Wohltemperierte Klavier, BWV 846‐869: Book I, I. Prelude in C major, BWV 846
Klavier:
Hélène Grimaud (French pianist) (in 2003-09)
aufgenommen bei:
Radiohuset in Stockholm, Stockholms län (Stockholm county), Schweden (in 2003-09)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 2003-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 29)
Teil von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Revision von:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
Bach Compendium (Nummer: BC L 80) und Bach-Werke-Verzeichnis (Nummer: BWV 846)
Teil von:
The Well-Tempered Clavier, Book I
Johann Sebastian Bach2:49
16Canon and Gigue in D major: I. Canon
Orchester:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1980-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 1980-09)
aufgenommen bei:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Deutschland (in 1980-09)
teilweise recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel3:13
17Piano sonata no. 17 in B‐flat major, KV 570: III. Allegretto
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Klavier:
Friedrich Gulda (pianist) (in 1978-09)
Tonmeister(in):
Klaus Hiemann (engineer/producer) (in 1978-09)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1978-09)
recording of:
Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto (in 1978-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Sonata for Piano no. 17 in B-flat major, K. 570
Wolfgang Amadeus Mozart4:01
18String quartet, no. 15 in D minor, KV 421: III. Minuetto. Allegretto
Streichquartett:
Hagen Quartett (Austrian string quartet) (in 1995-04)
aufgenommen bei:
Rittersaal in Rapperswil (Rapperswil SG), Sankt Gallen (Kanton St. Gallen), Schweiz (in 1995-04)
recording of:
Quartet for Strings no. 15 in D minor, K. 417b/421 “Haydn Quartetti”: III. Minuetto. Allegretto & Trio (in 1995-04)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Quartet for Strings no. 15 in D minor, K. 417b/421 “Haydn Quartetti”
Wolfgang Amadeus Mozart4:48
19Violin concerto no. 2 in E major, BWV 1042: III. Allegro assai
assistierende(r) Techniker(in):
Sherri Hendrickson (in 2002-10)
Techniker(in):
Marc Stedman (in 2002-10)
Produzent(in):
Thomas Frost (classical music producer)
Geige / Violine:
Hilary Hahn (violinist) (in 2002-10)
Orchester:
Los Angeles Chamber Orchestra (in 2002-10)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2002-10)
Tonmeister(in):
Tom Lazarus (in 2002-10)
aufgenommen bei:
Zipper Hall in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2002-10)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (Violin Concerto in E major, BWV 1042: III. Allegro assai) (in 2002-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach2:25
3▶CD: Hope – Ludwig
4▶CD: Leitner – Pogorelich
5▶CD: Pavarotti – Seefried
6▶CD: Segovia – Zimerman

Nennungen

Veröffentlichungsgruppe

Teil von:111 Years of Deutsche Grammophon celebratory compilations (Reihenfolge: 1)