Motown Anthems

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1I Heard It Through the Grapevine
Produzent(in):
Norman Whitfield
Bass [1962 Fender Precision Bass]:
James Jamerson (von 1967-02-03 bis 1967-04-10)
Conga und Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (von 1967-02-03 bis 1967-04-10)
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (von 1967-02-03 bis 1967-04-10)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (von 1967-02-03 bis 1967-04-10)
Hammond-Orgel [B-3]:
Earl Van Dyke (von 1967-02-03 bis 1967-04-10)
Instrumente:
The Funk Brothers (von 1967-02-03 bis 1967-04-10)
Schlagzeug:
Uriel Jones (von 1967-02-03 bis 1967-04-10)
Tom Tom:
Richard "Pistol" Allen (von 1967-02-03 bis 1967-04-10)
Waldhorn:
Don Ozga (von 1967-02-03 bis 1967-04-10) und Edwin Jones (von 1967-02-03 bis 1967-04-10)
Wurlitzer Electric Piano:
Johnny Griffith (von 1967-02-03 bis 1967-04-10)
Hintergrundgesang:
The Andantes (von 1967-02-03 bis 1967-04-10), Marlene Barrow (von 1967-02-03 bis 1967-04-10), Louvain Demps (von 1967-02-03 bis 1967-04-10) und Jackie Hicks (von 1967-02-03 bis 1967-04-10)
Sologesang:
Marvin Gaye (von 1967-02-03 bis 1967-04-10)
Orchester:
Detroit Symphony Orchestra (von 1967-02-03 bis 1967-04-10)
Saiteninstrumente arranger:
Paul Riser (von 1967-02-03 bis 1967-04-10)
Orchestrator(in):
Paul Riser (von 1967-02-03 bis 1967-04-10)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967-02-03 bis 1967-04-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 80), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 119) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 307)
cover recording of:
I Heard It Through the Grapevine (von 1967-02-03 bis 1967-04-10)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:15
2Jimmy Mack
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-03-02) und Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1964-03-02 bis 1967-01-17)
recording of:
Jimmy Mack (von 1964-03-02 bis 1967-01-17)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete (now‐defunct US music publisher, affiliated with BMI) und Stone Agate Music Division
Martha Reeves and the Vandellas12:52
3You Keep Me Hangin’ On
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
cover recording of:
You Keep Me Hangin’ On (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
recording of:
You Keep Me Hangin’ On
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Supremes3.42:40
4The Onion Song
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recording of:
The Onion Song
Verfasser(in):
Nickolas Ashford und Valerie Simpson
Marvin Gaye & Tammi Terrell2.52:57
5Got to Be There
Produzent(in):
Hal Davis
Sologesang:
Michael Jackson (“King of Pop”) (von 1970-06 bis 1970-07)
arranger:
Dave Blumberg
recording of:
Got to Be There (von 1971-06 bis 1971-07)
Texter und Komponist(in):
Elliot Willensky
vocals arranger:
Willie Hutch
Michael Jackson33:23
6What Becomes of the Brokenhearted
Produzent(in):
William "Mickey" Stevenson (Motown songwriter)
recording of:
What Becomes of the Brokenhearted
Verfasser(in):
James Dean (US soul songwriter), Paul Riser und William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (UK)
Jimmy Ruffin4.652:58
7Reach Out and Touch (Somebody’s Hand)
Diana Ross2:58
8You’re All I Need to Get By
Produzent(in):
Nickolas Ashford und Valerie Simpson
vocals:
Tammi Terrell
recording of:
You’re All I Need to Get By
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell42:49
9Reflections
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
recording of:
Reflections
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) und Stone Agate Music (in 1967)
Diana Ross & The Supremes2:50
10My Cherie Amour
Produzent(in):
Henry Cosby
Sologesang:
Stevie Wonder (von 1967 bis 1968)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967 bis 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 399)
recording of:
My Cherie Amour (von 1967 bis 1968)
Verfasser(in):
Henry Cosby, Sylvia Moy und Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:52
11There’s a Ghost in My House
recording of:
There’s a Ghost in My House (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und R. Dean Taylor (Canadian singer, songwriter and record producer)
R. Dean Taylor2:12
12Too Busy Thinking About My Baby
Produzent(in):
Norman Whitfield
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
cover recording of:
Too Busy Thinking About My Baby
Verfasser(in):
Janie Bradford, Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music
Marvin Gaye2.52:55
13The Happening
recording engineer:
Russ Terrana
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (am 1967-03-02)
Instrumente:
The Funk Brothers (am 1967-03-02)
Hintergrundgesang:
Florence Ballard (am 1967-03-02) und Mary Wilson (am 1967-03-02)
Sologesang:
Diana Ross (am 1967-03-02)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1967-03-02)
recording of:
The Happening (am 1967-03-08)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Frank De Vol, Lamont Dozier und Brian Holland (Motown producer & songwriter)
The Supremes52:50
14It’s a Shame
Produzent(in):
Stevie Wonder
recording of:
It’s a Shame (am 1970-04-29)
Texter und Komponist(in):
Lee Garrett, Syreeta (US singer‐songwriter active 1970s–80s) und Stevie Wonder
publisher:
Black Bull Music und Jobete Music (appears also as: Jobete Msc.)
The Spinners3.653:07
15Ain’t No Mountain High Enough
cover recording of:
Ain’t No Mountain High Enough
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross3:52
16Ben
Produzent(in):
The Corporation (Motown songwriters)
Sologesang:
Michael Jackson (“King of Pop”) (in 1972)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label)
recording of:
Ben (in 1972)
Texter:
Don Black (English lyricist)
Komponist(in):
Walter Scharf
publisher:
Jobette Music (in 1972)
Teil von:
The 45th Academy Award for Best Original Song (Nummer: 2)
Michael Jackson3.852:44
17Someday We’ll Be Together
Produzent(in):
Johnny Bristol
Gitarre:
Robert White (US funk/soul guitarist)
Gast vocals:
Johnny Bristol
Hintergrundgesang:
Merry Clayton, Julia Waters und Maxine Waters
Sologesang:
Diana Ross
arranger:
Wade Marcus
cover recording of:
Someday We’ll Be Together
Texter:
Harvey Fuqua
Komponist(in):
Jackey Beavers (rhythm and blues and gospel singer and songwriter) und Johnny Bristol
publisher:
Fuqua Pub., Jobete Music Co., Inc., Quazical Music und Stone Agate Music
Diana Ross & The Supremes53:32
18Ain’t Too Proud to Beg
Produzent(in):
Norman Whitfield
Instrumente:
The Funk Brothers (von 1966-01-04 bis 1966-01-11)
Hintergrundgesang:
Melvin Franklin (von 1966-01-04 bis 1966-01-11), Eddie Kendricks (von 1966-01-04 bis 1966-01-11), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1966-01-04 bis 1966-01-11) und Paul Williams (member of The Temptations) (von 1966-01-04 bis 1966-01-11)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1966-01-04 bis 1966-01-11)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1966-01-04 bis 1966-01-11)
recording of:
Ain’t Too Proud to Beg (von 1966-01-04 bis 1966-01-11)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) und Norman Whitfield
Komponist(in):
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music und Stone Agate Music Division
cover recording of:
Ain’t Too Proud to Beg
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) und Norman Whitfield
Komponist(in):
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music und Stone Agate Music Division
The Temptations4.352:31
19I’m Still Waiting
Produzent(in):
Hal Davis und Deke Richards (American songwriter and record producer)
arranger:
Gene Page (conductor, composer, arranger and record producer) und Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
I’m Still Waiting
Texter und Komponist(in):
Deke Richards (American songwriter and record producer)
publisher:
Jobete Music Co., Inc.
Diana Ross33:42
20I’ll Be There
Produzent(in):
Nickolas Ashford, Hal Davis und Valerie Simpson
arranger:
Bob West (US session bassist, producer & songwriter)
recording of:
I’ll Be There (in 1970-06)
Verfasser(in):
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy und Willie Hutch
publisher:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. und Stone Diamond Music Corporation
Teil von:
MJ: The Musical
The Jackson 54.353:57
21What’s Going On
Produzent(in):
Marvin Gaye
Mix:
Lawrence Miles (am 1971-05-06)
Instrumente:
Detroit Symphony Orchestra (am 1971-05-06) und The Funk Brothers (am 1971-05-06)
Klavier, Perkussion [box drum] und Sologesang:
Marvin Gaye (am 1971-05-06)
Hintergrundgesang:
Lem Barney (am 1971-05-06), Mel Farr (am 1971-05-06) und Marvin Gaye (am 1971-05-06)
conductor:
David Van dePitte (am 1971-05-06)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1971)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1971-05-06)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 102) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
What’s Going On (am 1971-05-06)
Texter und Komponist(in):
Renaldo Benson, Al Cleveland (songwriter 1930-1996) und Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. und Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Marvin Gaye4.23:53
22For Once in My Life
Produzent(in):
Henry Cosby
Sologesang:
Stevie Wonder (in 1967)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1968)
cover recording of:
For Once in My Life (in 1967)
Texter:
Ronald Miller (Motown songwriter Ronald Norman Miller)
Komponist(in):
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Stevie Wonder4.12:48
23Stoned Love
Produzent(in):
Frank Wilson (Motown singer/songwriter)
Sologesang:
Jean Terrell
arranger:
David Van dePitte
recording of:
Stoned Love
Texter und Komponist(in):
Ken Thomas (British producer and engineer) und Frank Wilson (Motown singer/songwriter)
Verfasser(in):
Yennek Samoht und Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music (UK) Ltd.
The Supremes3.752:59
24ABC
Produzent(in):
The Corporation (Motown songwriters)
E-Bass:
Wilton Felder (in 1970-01) und Bob West (US session bassist, producer & songwriter) (in 1970-01)
Gitarre:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) und David T. Walker (in 1970-01)
Keyboard:
Freddie Perren (in 1970-01)
Schlagzeug:
Gene Pello (in 1970-01)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) und Tito Jackson (in 1970-01)
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”) (in 1970-01)
Sologesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) und Tito Jackson (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970-01)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 174)
recording of:
ABC (in 1970-01)
Verfasser(in):
Berry Gordy, Fonce Mizell, Freddie Perren und Deke Richards (American songwriter and record producer)
Komponist(in):
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc.
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Teil von:
MJ: The Musical
The Jackson 54.12:57
25The Tears of a Clown
Gitarre:
Marvin Tarplin (am 1966-09-26)
Instrumente:
The Funk Brothers (am 1966-09-26)
Hintergrundgesang:
Warren “Pete” Moore (am 1966-09-26), Claudette Robinson (am 1966-09-26), Bobby Rogers (am 1966-09-26) und Ronald White (soul singer, founding member of The Miracles) (am 1966-09-26)
Sologesang:
Smokey Robinson (am 1966-09-26)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1970)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1966-09-26)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 190) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 313)
recording of:
The Tears of a Clown (am 1966-09-26)
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
The Miracles3.93:00
26The Love You Save
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970-01)
Produzent(in):
The Corporation (Motown songwriters)
Bassgitarre:
Wilton Felder (in 1970-01)
Gitarre:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) und David T. Walker (in 1970-01)
Keyboard:
Freddie Perren (in 1970-01)
Schlagzeug:
Gene Pello (in 1970-01)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) und Tito Jackson (in 1970-01)
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”) (in 1970-01)
Sologesang:
Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1970-01)
Musikvideos:
The Love You Save von The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 16)
recording of:
The Love You Save (in 1970-01)
Verfasser(in):
Berry Gordy, Fonce Mizell, Freddie Perren und Deke Richards (American songwriter and record producer)
publisher:
Jobete Music Co., Inc.
Teil von:
MJ: The Musical
The Jackson 54.353:05
3▶CD
4▶CD

Nennungen

Veröffentlichung

ASIN:UK: B009VD1ZNS [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0002447275 [Info]