80 Hits : Années 60

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Les Copains d’abord
acoustic guitar:
Georges Brassens (on 1964-10-24) and Barthélémy Rosso (on 1964-10-24)
additional acoustic guitar:
Barthélémy Rosso
double bass:
Pierre Nicolas (on 1964-10-24)
vocals:
Georges Brassens (on 1964-10-24)
recording of:
Les Copains d’abord (in 1964)
lyricist and composer:
Georges Brassens
publisher:
Éditions Musicales 57
Georges Brassens54:00
2I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Nina Simone4.252:35
3California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:38
4Ma biche
vocals:
Frank Alamo (in 1963)
orchestra:
Jacques Loussier et son orchestre (in 1963)
recording of:
Ma biche (in 1963)
composer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
translator:
Vline Buggy
translated version of:
Sweets for My Sweet
Frank Alamo2:19
5Il fait trop beau pour travailler
phonographic copyright (℗) by:
Phonogram France (company credits only; do not use as release label!) (in 1964)
recording of:
Il fait trop beau pour travailler
lyricist:
Frank Gérald (French lyricist, composer)
composer:
Claude Bolling
publisher:
Meridian (publisher) and Vendôme
Les Parisiennes2:17
6You Never Can Tell
producer:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
You Never Can Tell (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
Chuck Berry4.152:41
7Stop! In the Name of Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (from 1965-01-05 until 1965-01-11)
background vocals:
The Andantes (from 1965-01-05 until 1965-01-11), Florence Ballard (from 1965-01-05 until 1965-01-11) and Mary Wilson (from 1965-01-05 until 1965-01-11)
lead vocals:
Diana Ross (from 1965-01-05 until 1965-01-11)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1965-01-05 until 1965-01-11)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 13) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 254)
recording of:
Stop! In the Name of Love (from 1965-01-05 until 1965-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes4.152:52
8La Leçon de Twist
recording of:
Leçon de twist (Twistin' the Twist)
composer:
Jerry Mengo
translator:
Danyel Gérard (French pop singer) and Lucien Morisse (Lyricist and radio producer)
version of:
Twistin' the Twist
Les Chaussettes Noires2:15
9Un verre de Whisky
recording of:
Un verre de whisky
lyricist:
Monty (real name: Jacques Bulostin)
composer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
version of:
Can I Get a Witness
Monty2:14
10Fais attention
vocals:
Ronnie Bird (in 1965)
conductor:
Antoine Rubio and Paul Rako
recording of:
Fais attention (in 1965)
writer:
Dennis Lambert and Lewis Pegues
translator:
Claude Righi
translated version of:
Find My Way Back Home
Ronnie Bird2:19
11Le monde est gris, le monde est bleu
recording of:
Le monde est gris, le monde est bleu (in 1967)
lyricist:
Éric Charden and Monty (real name: Jacques Bulostin)
composer:
Éric Charden
Éric Charden3:02
12Dans mes bras oublie ta peine
recording of:
Dans mes bras, oublie ta peine
lyricist:
Mya Simille (Micheline Helyett)
composer:
Mark Barkan and Ben Raleigh
version of:
Let Me Make You Smile Again
Michèle Torr2:26
13T’en va pas comme ça
recording of:
T'en vas pas comme ça (Don't Make Me Over) (in 1963)
lyricist:
Pierre Delanoë
composer:
Burt Bacharach
translated version of:
Don’t Make Me Over
Nancy Holloway2:50
14La Passionata
Guy Marchand2:54
15My Guy
later releases:
My Guy by Mary Wells (Motown singer)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 24)
recording of:
My Guy
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
cover recording of:
My Guy
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells2:48
16Demain tu te maries
recording of:
Demain tu te maries (arrête, arrête, ne me touche pas) (in 1963)
writer:
Patricia Carli
composer:
Léo Missir (Leon MISSIR)
Patricia Carli2:54
17Chez Laurette
vocals:
Michel Delpech (in 1965)
conductor:
Roland Vincent (in 1965)
phonographic copyright (℗) by:
Warner Chappell Music France
recording of:
Chez Laurette (in 1965)
lyricist:
Michel Delpech
composer:
Roland Vincent
Michel Delpech43:30
18Capri c’est fini
vocals:
Hervé Vilard (in 1965)
conductor:
Jacques Denjean (in 1965)
recording of:
Capri c’est fini (in 1965)
lyricist and composer:
Hervé Vilard
Hervé Vilard3:35
19The More I See You
Chris Montez2:40
20Sunny
recording of:
Sunny
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Bobby Hebb2:46
3▶CD
4▶CD