| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | All Fired Up | Pat Benatar | 5 | 4:29 |
| 2 | Rooms on Fire | Stevie Nicks | | 4:21 |
| 3 | All I Need Is a Miracle | Mike & the Mechanics | | 5:30 |
| 4 | Sanctify Yourself | Simple Minds | 4 | 3:55 |
| 5 | Road to Nowhere | Talking Heads | 4 | 4:02 |
| 6 | Some Like It Hot | The Power Station | 4 | 4:50 |
| 7 | Rush Hour | Jane Wiedlin | | 4:04 |
| 8 | Missing You- assistierende(r) Techniker(in):
- Ken Stiger
- Techniker(in):
- Gary Hellman
- Produzent(in):
- Gary Gersh, David Thoener und John Waite
- Mix und Editing:
- John Luongo
- phonographisches Urheberrecht (℗) von:
- Capitol Records (in 1984), Capitol Records, LLC (in 1984), EMI America Records (in 1984) und EMI–Manhattan Records (in 1984)
- recording of:
- Missing You
- Texter:
- John Waite
- Komponist(in):
- Mark Leonard, Chas Sandford und John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
| John Waite | 5 | 4:01 |
| 9 | When You Walk in the Room | Paul Carrack | 2.65 | 3:29 |
| 10 | The Power of Love- recording engineer:
- Jim Gaines und Robert Missbach
- assistierende(r) Techniker(in):
- Rob Beaton, Alex Haas , Tom Size und Jim “Watts” Vereecke
- zusätzliche(r) Techniker(in):
- Michael Christopher , Phil Kaffel und Malcolm Pollack
- Produzent(in):
- Bob Clearmountain, Jellybean und Huey Lewis and the News
- Mix:
- Robert Missbach
- Bassgitarre:
- Mario Cipollina
- Gitarre:
- Johnny Colla und Chris Hayes
- Keyboard:
- Sean Hopper
- Mundharmonika:
- Huey Lewis
- Perkussion und Schlagzeug:
- Bill Gibson
- Saxophon:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper und Huey Lewis
- phonographisches Urheberrecht (℗) von:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
- aufgenommen bei:
- Fantasy Studios in Berkeley, California , Vereinigte Staaten, Studio D Recording in Sausalito, California , Vereinigte Staaten und The Plant Studios in Sausalito, California , Vereinigte Staaten
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, Vereinigte Staaten
- Musikvideos:
- The Power of Love von Huey Lewis and the News
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 108)
- recording of:
- The Power of Love
- Verfasser(in):
- Johnny Colla , Chris Hayes und Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music und WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division und Yamaha Music Entertainment Holdings, Inc.
- Teil von:
- The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
- Teil von:
- Back to the Future: the Musical
| Huey Lewis & the News | 4 | 3:52 |
| 11 | Simply Irresistible | Robert Palmer | 3.6 | 4:13 |
| 12 | Call Me- Techniker(in):
- Harold Faltermeyer
- Produzent(in):
- Giorgio Moroder
- Bassgitarre [bass]:
- Nigel Harrison (in 1980-01)
- Gitarre:
- Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
- Hybrid-Piano:
- Jimmy Destri (in 1980-01)
- Schlagzeug [drums]:
- Clem Burke (in 1980-01)
- zusätzlich Synthesizer:
- Giorgio Moroder (in 1980-01)
- Sologesang:
- Debbie Harry (in 1980-01)
- phonographisches Urheberrecht (℗) von:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) und Capitol Records, LLC (in 2002)
- aufgenommen bei:
- Westlake Audio in Los Angeles, California , Vereinigte Staaten (in 1979) und The Power Station in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California , Vereinigte Staaten
- Teil von:
- Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (Nummer: 78) und Billboard: The 500 Best Pop Songs (Nummer: 157)
- recording of:
- Call Me (in 1980-01)
- Texter:
- Deborah Harry
- Komponist(in):
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
| Blondie | 4.2 | 3:30 |
| 13 | Rebel Yell- recording of:
- Rebel Yell
- Texter und Komponist(in):
- Billy Idol und Steve Stevens
- publisher:
- BMG Monarch, Boneidol Music, Chrysalis Music , Chrysalis Music Holdings GmbH , Chrysalis Music Ltd. , Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. , Neue Welt Musikverlag GmbH & Co. KG , Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. , Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. und WC Music Corp.
| Billy Idol | | 4:27 |
| 14 | Black Night- E-Bass:
- Roger Glover (in 1970-05)
- E-Gitarre:
- Ritchie Blackmore (in 1970-05)
- Hammond-Orgel:
- Jon Lord (in 1970-05)
- Schlagzeug:
- Ian Paice (in 1970-05)
- Sologesang:
- Ian Gillan (in 1970-05)
- aufgenommen bei:
- De Lane Lea Studios in Soho, Westminster, London , England, Vereinigtes Königreich (in 1970-05)
- recording of:
- Black Night (in 1970-05)
- Verfasser(in):
- Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
- publisher:
- EMI Music Publishing , Glenwood Music Corp., HEC Music und Henrees Music co.
- sub-publisher:
- EMI Music Publishing France, EMI Music Publishing Japan C.F. division (bis 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (vom 2021-07-01 bis heute)
| Deep Purple | 4.45 | 3:25 |
| 15 | Nutbush City Limits- Produzent(in):
- Ike Turner
- Sologesang:
- Tina Turner
- phonographisches Urheberrecht (℗) von:
- Capitol Records, LLC (in 1973), EMI Records USA (in 1973), United Artists (in 1973) und EMI Records Ltd. (in 2004)
- recording of:
- Nutbush City Limits
- Texter und Komponist(in):
- Tina Turner
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing , EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
| Ike & Tina Turner | 3.75 | 2:58 |
| 16 | Daytona Demon | Suzi Quatro | 4 | 3:58 |
| 17 | My Sharona- Bass:
- Prescott Niles (in 1979-04)
- Gitarre [lead guitar]:
- Berton Averre (in 1979-04)
- Gitarre [rhythm guitar] und Sologesang:
- Doug Fieger (in 1979-04)
- Schlagzeug:
- Bruce Gary (in 1979-04)
- phonographisches Urheberrecht (℗) von:
- Capitol Records, Inc. (in 1979, in 2002), Capitol Records, LLC (in 1979), Union Square Music Ltd. (in 2018) und Universal Music Operations Ltd. (in 2018)
- recording of:
- My Sharona (in 1979-04)
- Verfasser(in):
- Berton Averre und Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia und Wise Brothers Music LLC
| The Knack | 4.2 | 4:00 |
| 18 | A Hard Rain’s A-Gonna Fall | Bryan Ferry | 4 | 4:16 |