The Complete Deutsche Grammophon Recordings III

~ Release by Claudio Abbado, Berliner Philharmoniker (see all versions of this release, 4 available)

Tracklist

40CD: Mozart: Requiem / Betracht dies Herz und frage mich / Laudate dominum
42CD: Mozart: Arias, Motets and Scenes / Strauss: Orchestral Songs
43CD: Mussorgsky: Night on Bald Mountain / Pictures at an Exhibition / Choral Works
44CD: Prokofiev: Romeo and Juliet (excerpts)
45CD: Prokofiev: Piano Concertos nos. 1 & 3 (Kissin)
46CD: Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto (Argerich)
47CD: Rachmaninov: Piano Concertos nos. 2 & 3 (Zilberstein)
48CD: Schumann / Schoenberg: Piano Concertos (Pollini)
49CD: Strauss: Orchestral Songs / Vier letzte Lieder (Mattila)
50CD: Tchaikovsky: Piano Concerto no. 1 (Argerich)
51CD: Tchaikovsky: The Tempest / Slavonic March / Overtures
52CD: Verdi: Overtures and Preludes
53CD: Verdi: Falstaff (Acts I & II, Part I)
54CD: Falstaff (Act II, Part II & Act III)
55CD: Verdi: Arias (Alagna)
#TitleArtistRatingLength
1Luisa Miller: Atto II. “Oh! Fede negar potessi” (Rodolfo)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
partial recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi1:39
2Luisa Miller: Atto II. “Quando le sere al placido” (Rodolfo)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
partial recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi4:10
3I Lombardi alla prima crociata: Atto II. “La mia letizia infondere” (Oronte)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Oronte]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
Giuseppe Verdi2:22
4Aida: Atto I. “Se quel guerrier io fossi” (Radamès)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Radamès]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi0:55
5Aida: Atto I. “Celeste Aida” (Radamès)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Radamès]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi3:32
6Ernani: Atto I. “Mercé, diletti amici” (Ernani)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Ernani]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
partial recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi1:03
7Ernani: Atto I. “Come rugiada al cespite” (Ernani)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Ernani]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
partial recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi2:31
8Ernani: Atto I. “Dell'esilio nel dolore ... O tu che l'alma adora” (Ernani, chorus)
producer:
David Groves (classical music producer at EMI)
choir vocals:
London Voices (in 1997-02, in 1997-09)
tenor vocals [Ernani]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
chorus master:
Terry Edwards (British choir director) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:11
9Un ballo in maschera: Atto III. “Forse la soglia attinse” (Riccardo)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Riccardo]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:31
10Un ballo in maschera: Atto III. “Ma se m'è forza perderti” (Riccardo)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Riccardo]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:03
11Otello: Atto III. “Dio, mi potevi scagliar” (Otello)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Gaston] and tenor vocals [Otello]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
partial recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi2:21
12Otello: Atto IV. “Ma, o pianto, o duol!” (Otello)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Otello]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
partial recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
partial recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi2:36
13Otello: Atto IV. “Niun mi tema” (Otello, Cassio, Lodovico, Montano)
producer:
David Groves (classical music producer at EMI)
bass vocals [Cassio]:
Noel Mann (bass vocalist) (in 1997-02, in 1997-09)
bass vocals [Lodovico]:
Richard Fallas (in 1997-02, in 1997-09)
tenor vocals [Montano]:
Andrew Busher (tenor) (in 1997-02, in 1997-09)
tenor vocals [Otello]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi6:13
14La forza deel destino: Atto III. Introduzione
producer:
David Groves (classical music producer at EMI)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
La forza del destino: Sinfonia (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
recording of:
La forza del destino: Sinfonia (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi3:59
15La forza deel destino: Atto III. “La vita è inferno” (Alvaro)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Alvaro]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
La forza del destino: Atto III, scena 1. “La vita è inferno all'infelice" (Alvaro) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
recording of:
La forza del destino: Atto III, scena 1. “La vita è inferno all'infelice" (Alvaro) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi2:59
16La forza deel destino: Atto III. “O tu che in seno agli angeli” (Alvaro)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Alvaro]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
La forza del destino: Atto III, scena 1. “O tu che in seno agli angeli” (Alvaro) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
recording of:
La forza del destino: Atto III, scena 1. “O tu che in seno agli angeli” (Alvaro) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi3:49
17Macbeth: Atto IV. “O figli” (Macduff)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Macduff]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
Giuseppe Verdi1:14
18Macbeth: Atto IV. “Ah, la paterna mano” (Macduff)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Macduff]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
Giuseppe Verdi2:53
19Jérusalem: Acte II. « L'Émir auprès de lui m'appelle » (Gaston)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Gaston]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Jérusalem : Acte II, scène 2. « L'émir auprès de lui m'appelle » (Gaston) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte II.
recording of:
Jérusalem : Acte II, scène 2. « L'émir auprès de lui m'appelle » (Gaston) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte II.
Giuseppe Verdi2:53
20Jérusalem: Acte II. « Je veux encore entendre ta voix » (Gaston)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Gaston]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Jérusalem : Acte II, scène 2. « Je veux encore entendre ta voix » (Gaston) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte II.
recording of:
Jérusalem : Acte II, scène 2. « Je veux encore entendre ta voix » (Gaston) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte II.
Giuseppe Verdi3:27
21Il trovatore: Atto III. “Ah sì, ben mio” (Manrico)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Manrico]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:19
22Il trovatore: Atto III. “Di quella pira” (Manrico, Leonora, chorus)
producer:
David Groves (classical music producer at EMI)
choir vocals:
London Voices
soprano vocals [Leonora]:
Angela Gheorghiu (Romanian soprano) (in 1997-02, in 1997-09)
tenor vocals [Manrico]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
chorus master:
Terry Edwards (British choir director)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-02, in 1997-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1997-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:27
56CD: Wagner: Tannhäuser / Parsifal / Tristan und Isolde (Orchestral Music)
57CD: Wagner: Holländer / Meistersinger / Tannhäuser / Parsifal / Walküre (Terfel)
58CD: Wagner Gala 1993
59CD: Berlin Gala 1997: A Salute to Carmen
60CD: Berlin Gala 1998