Gustav Mahler: Complete Edition

~ Release by Gustav Mahler (see all versions of this release, 1 available)

Tracklist

1▶CD: Symphony no. 1 / Blumine
2▶CD: Symphony no. 2
3▶CD: Symphony no. 3
4▶CD: Symphony no. 3
5▶CD: Symphony no. 4 / Totenfeier
6▶CD: Symphony no. 5
7▶CD: Symphony no. 6
8▶CD: Symphony no. 7
9▶CD: Symphony no. 7
10▼CD: Symphony no. 8
#TitleRatingLength
1Symphony no. 8 “Symphony of a Thousand”: Part I. I. “Veni, creator spiritus”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
1:27
2Symphony no. 8 “Symphony of a Thousand”: Part I. II. “Imple superna gratia”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
4:26
3Symphony no. 8 “Symphony of a Thousand”: Part I. III. “Infirma nostri corporis”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
6:20
4Symphony no. 8 “Symphony of a Thousand”: Part I. IV. “Accende lumen sensibus”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
4:44
5Symphony no. 8 “Symphony of a Thousand”: Part I. V. “Veni, creator spiritus”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
3:50
6Symphony no. 8 “Symphony of a Thousand”: Part I. VI. “Gloria sit Patri Domino”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
2:35
7Symphony no. 8 “Symphony of a Thousand”: Part II. I. Poco adagio - Chor und Echo “Waldung, sie schwankt heran”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
14:16
8Symphony no. 8 “Symphony of a Thousand”: Part II. II. Pater ecstaticus: “Ewiger Wonnebrand”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo baritone vocals [Pater Ecstaticus]:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
1:35
9Symphony no. 8 “Symphony of a Thousand”: Part II. III. Pater profundis: “Wie Felsenabgrund mir zu Füßen”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo bass vocals [Pater Profundus]:
Martti Talvela (operatic bass) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
4:42
10Symphony no. 8 “Symphony of a Thousand”: Part II. IV. Chor der Engel: “Gerettet ist das edle Glied”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
3:03
11Symphony no. 8 “Symphony of a Thousand”: Part II. V. Die vollendeteren Engel: “Uns bleibt ein Erdenrest”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
2:59
12Symphony no. 8 “Symphony of a Thousand”: Part II. VI. Doctor Marianus: “Höchste Herrscherin der Welt”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals [Doctor Marianus]:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
8:08
13Symphony no. 8 “Symphony of a Thousand”: Part II. VII. Magna Peccatrix: “Bei der Liebe, die den Füßen”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo contralto vocals [Maria Aegyptiaca]:
Helen Watts (contralto) (in 1971-09)
solo contralto vocals [Mulier Samaritana]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo soprano vocals [Magna Peccatrix]:
Heather Harper (soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
4:54
14Symphony no. 8 “Symphony of a Thousand”: Part II. VIII. Una Poenitentium: “Neige, du Ohnegleiche”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
5:18
15Symphony no. 8 “Symphony of a Thousand”: Part II. IX. Doctor Marianus: “Blicket auf zum Retterblick”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1971-08 until 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-08 until 1971-09) and Wiener Singverein (from 1971-08 until 1971-09)
solo soprano vocals [Mater Gloriosa]:
Arleen Augér (soprano) (from 1971-08 until 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (from 1971-08 until 1971-09)
solo tenor vocals [Doctor Marianus]:
René Kollo (tenor) (from 1971-08 until 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
4:47
16Symphony no. 8 “Symphony of a Thousand”: Part II. X. Chorus mysticus: “Alles Vergängliche ist nur ein Gleichnis”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1971-08 until 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-08 until 1971-09) and Wiener Singverein (from 1971-08 until 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (from 1971-08 until 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (from 1971-08 until 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (from 1971-08 until 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (from 1971-08 until 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (from 1971-08 until 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (from 1971-08 until 1971-09)
solo tenor vocals:
René Kollo (tenor) (from 1971-08 until 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
6:43
11▶CD: Symphony no. 9
12▶CD: Symphony no. 9
13▶CD: Symphony no. 10
14▶CD: Das Lied von der Erde
15▶CD: Des Knaben Wunderhorn
16▶CD: Lieder eines fahrenden Gesellen / Kindertotenlieder / Rückert-Lieder
17▶CD: Das klagende Lied
18▶CD: Lieder und Gesänge aus der Jugendzeit / Klavierquartettsatz / Weber arr Mahler: Die drei Pintos (Entrʼacte)