Oscar Peterson Plays (5 CD box containing 10 original vinyl LP's)

~ Pubblicazione di Oscar Peterson (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Two original albums per CD. Cole Porter, Irving Berlin CD1; George Gershwin, Duke Ellington CD2; Jerome Kern, Richard Rogers CD3; Vincent Youmans,Harry Warren CD4; Harold Arlen, Jimmy McHugh CD5

Annotazione modificata l'ultima volta il 2018-08-22 02:57 UTC.

Elenco tracce

1▼CD: Plays Cole Porter; Plays Irving Berlin
#TitoloValutazioneDurata
1What Is This Thing Called Love
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
3:10
2Begin the Beguine
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Begin the Beguine (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
3:12
3I've Got You Under My Skin
registrata a:
Los Angeles, California, Stati Uniti (dal 1952-11 al 1952-12, nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952, nel 1952-12)
contrabbasso [bass] :
Ray Brown (jazz bassist) (nel 1952)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952, nel 1952-12)
registrazione strumentale di:
I’ve Got You Under My Skin (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
registrazione strumentale di:
I’ve Got You Under My Skin (nel 1952)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
registrazione di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
2:30
4Love for Sale
registrata a:
Los Angeles, California, Stati Uniti (il 1951-11-25)
basso :
Ray Brown (jazz bassist) (il 1951-11-25)
chitarra :
Barney Kessel (il 1951-11-25)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1951-11-25)
registrazione strumentale di:
Love for Sale (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
3:12
5Let's Do It
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Let’s Do It (Let’s Fall in Love) (Paris musical) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1928)
parte di:
Can‐Can (1960 musical film)
parte di:
Paris (1928 musical)
2:54
6I Love You
registrata a:
Los Angeles, California, Stati Uniti (dal 1952-11 al 1952-12, nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952, nel 1952-12)
contrabbasso [bass] :
Ray Brown (jazz bassist) (nel 1952)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952, nel 1952-12)
registrazione strumentale di:
I Love You (Mexican Hayride musical) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
registrazione strumentale di:
I Love You (Mexican Hayride musical) (nel 1952)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
registrazione di:
I Love You (Mexican Hayride musical)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:06
7So Near and Yet So Far
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
So Near and Yet So Far (from “You’ll Never Get Rich”) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1941)
3:21
8Just One of Those Things
registrata a:
Los Angeles, California, Stati Uniti (il 1952-02-26)
batteria :
Alvin Stoller (il 1952-02-26)
chitarra :
Barney Kessel (il 1952-02-26)
contrabbasso [bass] :
Ray Brown (jazz bassist) (il 1952-02-26)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-02-26)
registrazione strumentale di:
Just One of Those Things (il 1952-02-26)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
3:02
9In the Still of the Night
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
In the Still of the Night (Cole Porter song) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1937)
editore:
Chappell (library/production music) e Chappell & Co., Inc. (USA)
3:00
10Night and Day
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Night and Day (Cole Porter; from “The Gay Divorce”) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
3:38
11Ev'ry Time We Say Goodbye
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:26
12Anything Goes
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Anything Goes (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd. e Warner Bros., Inc. (not for release label use!)
2:57
13I've Got My Love to Keep Me Warm
registrazione strumentale di:
I’ve Got My Love to Keep Me Warm
paroliere e compositore:
Irving Berlin (nel 1937)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:49
14Isn't This a Lovely Day?
registrazione strumentale di:
Isn’t This a Lovely Day? (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
parte di:
Top Hat (1935 film)
3:19
15Easter Parade
registrazione strumentale di:
Easter Parade (from “Easter Parade”)
paroliere e compositore:
Irving Berlin (nel 1933)
parte di:
Easter Parade (full musical)
3:15
16How Deep Is the Ocean (How High Is the Sky)
registrazione strumentale di:
How Deep Is the Ocean?
paroliere e compositore:
Irving Berlin (nel 1932)
editore:
Francis, Day & Hunter Ltd. e Irving Berlin Music Corp.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:05
17Remember
registrazione strumentale di:
Remember
paroliere e compositore:
Irving Berlin (nel 1925)
editore:
Irving Berlin Music Corp. e Williamson Music Company
3:20
18The Song Is Ended
registrazione strumentale di:
The Song Is Ended (but the Melody Lingers On)
paroliere:
Irving Berlin
compositore:
Irving Berlin (nel 1927)
editore:
Irving Berlin Music Corp. e Williamson Music Company
3:20
19Blue Skies
registrazione strumentale di:
Blue Skies
paroliere e compositore:
Irving Berlin (nel 1926)
editore:
Francis, Day & Hunter Ltd., Irving Berlin Music Company e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:02
20If I Had You
registrazione strumentale di:
If I Had You (obscure Irving Berlin song)
paroliere e compositore:
Irving Berlin
3:12
21Cheek to Cheek
registrazione strumentale di:
Cheek to Cheek (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
3:02
22Alexander's Ragtime Band
registrazione strumentale di:
Alexander’s Ragtime Band
paroliere e compositore:
Irving Berlin (nel 1911)
editore:
Williamson Music, Inc.
2:52
23Say It Isn't So
registrazione strumentale di:
Say It Isn’t So
paroliere e compositore:
Irving Berlin
editore:
Irving Berlin Music Corp.
3:09
24Always
registrazione strumentale di:
Always
paroliere e compositore:
Irving Berlin (nel 1925)
editore:
Francis, Day & Hunter Ltd., Irving Berlin Inc. e Irving Berlin Music
2:50
2▶CD: Plays George Gershwin; Plays Duke Ellington
3▶CD: Plays Jerome Kern; Plays Richard Rodgers
4▶CD: Plays Vincent Youmans; Plays Harry Warren
5▶CD: Plays Harold Arlen; Plays Jimmy McHugh

Accreditamenti

Pubblicazione

ASIN:US: B075SVKWFC [info]