A Selection from The Penguin Guide to Bargain Compact Discs and Cassettes

~ Release by Ivan March, Edward Greenfield and Robert Layton (see all versions of this release, 1 available)

Annotation

a cut out cd insert is provided

Annotation last modified on 2019-04-13 19:44 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Concerto in D major, P 175: I. Allegro molto
harpsichord:
Raymond Leppard (conductor and harpsichordist)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recording of:
Concerto in D major, RV 121: I. Allegro molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in D major, RV 121
Antonio Vivaldi2:24
2Horn Concerto no. 4 in E flat major, K. 495: III. Rondo. Allegro vivace
horn:
Alan Civil (British horn player)
orchestra:
Royal Philharmonic Orchestra
conductor:
Rudolf Kempe (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart3:31
3Symphony no. 5 in E minor, op. 64: III. Allegro moderato
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1990-12)
conductor:
Sian Edwards (English conductor) (in 1990-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (in 1990-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky6:02
4The Barber of Seville: Act I. Scene 2. “Una voce poco fa”
soprano vocals:
Mirella Freni (soprano)
orchestra:
Glyndebourne Festival Orchestra
conductor:
Vittorio Gui (conductor and composer)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:35
5Symphony no. 5: IV. Adagietto “Sehr langsam”
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-01-11 until 1990-01-13)
conductor:
Charles Mackerras (Australian conductor) (from 1990-01-11 until 1990-01-13)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-01-11 until 1990-01-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1990-01-11 until 1990-01-13)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1990-01-11 until 1990-01-13)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler10:02
6Water Music, Suite no. 1: Menuet-Trio
engineer and editor:
Neville Boyling (engineer)
producer:
Victor Olof
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:09
7Water Music, Suite no. 1: Bourrée
engineer and editor:
Neville Boyling (engineer)
producer:
Victor Olof
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VII. Bourrée. Presto
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel1:25
8The Marriage of Figaro: Act II. Canzona. “Voi, che sapete”
producer:
Lawrance Collingwood
soprano vocals [Cherubino]:
Risë Stevens (Opera director, actress, mezzo-soprano) (from 1955-07-04 until 1955-07-12)
orchestra:
Glyndebourne Festival Orchestra (from 1955-07-04 until 1955-07-12)
conductor:
Vittorio Gui (conductor and composer) (from 1955-07-04 until 1955-07-12)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1955-07-04 until 1955-07-12)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1955-07-04 until 1955-07-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:53
9Suite bergamesque: III. Clair de lune
piano:
Daniel Adni (pianist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
included in:
Granblue Fantasy (video game soundtrack)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy4:46
10Violin Concerto no. 1 in G minor: III. Allegro energico
recording engineer:
Mike Hatch (engineer/editor) (from 1989-06-30 until 1989-07-01)
producer:
Andrew Keener (engineer/editor/producer)
violin:
Tasmin Little (violinist) (from 1989-06-30 until 1989-07-01)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1989-06-30 until 1989-07-01)
conductor:
Vernon Handley (conductor) (from 1989-06-30 until 1989-07-01)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1989-06-30 until 1989-07-01)
recording of:
Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico (from 1989-06-30 until 1989-07-01)
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch7:37
11Symphony no. 9 “From the New World”: III. Scherzo “Molto vivace”
recording engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1982-01)
producer:
Martin Compton (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1982-01)
conductor:
Zdeněk Mácal (conductor) (in 1982-01)
phonographic copyright (℗) by:
Music for Pleasure Limited (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1982-01) and Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (in 1982-01)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 “From the New World”: III. Scherzo. Molto vivace – Poco sostenuto) (in 1982-01)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák7:59
12Tosca: Act II. Final Scene. “Vissi d’arte, vissi d’amore”
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
conductor:
Georges Prêtre (French conductor) (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1964-12-03 until 1964-12-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1964-12-07 until 1964-12-12)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (on 1964-12-14)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (on 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini33:03
13Peer Gynt, Suite no. 1: Morning
producer:
David C. Mottley (Producer)
orchestra:
Bournemouth Symphony Orchestra (in 1973-06)
conductor:
Paavo Berglund (conductor) (in 1973-06)
balance engineer:
Stuart Eltham (engineer) (in 1973-06)
recorded at:
O₂ Guildhall Southampton in Southampton, England, United Kingdom (in 1973-06)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1973-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:15
14Die Meistersinger von Nürnberg: Act III. Dance of the Apprentices
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1983-03)
producer:
Steve C. Smith (engineer/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1983-03)
conductor:
Karl Anton Rickenbacher (conductor) (in 1983-03)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-03)
recording of:
Excerpt from Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. Tanz der Lehrbuben (Dance of the Apprentices) (in 1983-03)
composer:
Richard Wagner (composer) (from 1863 until 1867)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!"
Richard Wagner2:51
15Pomp & Circumstance Marches, op. 39: no. 4 in G major
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1981-02)
producer:
Barry McCann (Producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-02)
conductor:
Vernon Handley (conductor) (in 1981-02)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (in 1981-02)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (in 1981-02)
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar4:46

Credits

Release

manufactured in:Austria
Discogs:https://www.discogs.com/release/8255685 [info]