The World of Early Music: From the Middle Ages to the Dawn of the Enlightenment

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD: Medieval and Renaissance Music
#TitleArtistRatingLength
1Kyrie
soprano vocals:
Manuela Schenale (Soprano)
conductor:
Alberto Turco
performer:
In Dulci Jubilo (Italian women's gregorian choir)
[anonymous]21:39
2Ego sum resurrectio: In paradisum
choir vocals:
Aurora Surgit (in 1994-08)
orchestra:
Aurora Surgit (in 1994-08)
conductor:
Alessio Randon (in 1994-08)
recorded at:
Parish Church of Quatrelle in Mantova (Mantua), Mantova, Lombardia, Italy (in 1994-08)
[anonymous]1:37
3O pastor animarum
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O Pastor animarum (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen1:29
4Ja nuis homs pris
engineer:
Gary Cole (classical producer / engineer, founder of Regent Records) (from 1995-04-18 until 1995-04-20)
conductor:
Graham Derrick (from 1995-04-18 until 1995-04-20)
performer:
Estampie (British ensemble around Graham Derrick) (from 1995-04-18 until 1995-04-20)
recorded at:
High Denton Farm, Ilkley, North Yorkshire in Ilkley, Bradford (City of Bradford), West Yorkshire, England, United Kingdom (from 1995-04-18 until 1995-04-20)
recording of:
Ja nus hons pris (from 1995-04-18 until 1995-04-20)
lyricist and composer:
Richard I (king of England)
Richard I.2:26
5Palästinalied
engineer:
Gary Cole (classical producer / engineer, founder of Regent Records) (from 1995-04-18 until 1995-04-20)
conductor:
Graham Derrick (from 1995-04-18 until 1995-04-20)
performer:
Estampie (British ensemble around Graham Derrick) (from 1995-04-18 until 1995-04-20)
recorded at:
High Denton Farm, Ilkley, North Yorkshire in Ilkley, Bradford (City of Bradford), West Yorkshire, England, United Kingdom (from 1995-04-18 until 1995-04-20)
recording of:
Nu alrest lebe ich mir werde (Palästinalied) (from 1995-04-18 until 1995-04-20)
lyricist, writer and composer:
Walther von der Vogelweide
Walther von der Vogelweide3:12
6Cantigas de Santa Maria: Entre Av'e Eva
orchestra and performer:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
conductor:
Michael Posch (Recorder and flute player)
recording of:
Cantiga de Santa María no. 60 "Entre Av'e Eva"
composer:
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
part of:
Cantigas de Santa Maria (number: 60)
part of:
Cantigas de Santa María
[anonymous]2:23
7Chominciamento di gioia: Saltarello
orchestra and performer:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
recording of:
Saltarello No. 1 (From a document in the British Library in London (Ms.29987))
composer:
[anonymous] (special purpose artist)
[anonymous]2:40
8Puis qu'en oubli
orchestra:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Puis qu'en oubli (a 3)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:53
9Codex Faenza: Jay grant espoir
orchestra:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
conductor:
Michael Posch (Recorder and flute player)
[anonymous]2:51
10Ce jour de l'an
orchestra:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
conductor:
Michael Posch (Recorder and flute player)
recording of:
Ce jour de l'an
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay2:22
11Ay je rien fet
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
instruments and orchestra:
Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1995-12-03 until 1995-12-06)
choir vocals:
Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1995-12-03 until 1995-12-06)
conductor:
Michael Posch (Recorder and flute player) (from 1995-12-03 until 1995-12-06)
recorded at:
Lutherische Stadtkirche in Innere Stadt, Wien (Vienna), Austria (from 1995-12-03 until 1995-12-06)
recording of:
Ay je rien fet (from 1995-12-03 until 1995-12-06)
composer:
Alexander Agricola (Franco-Flemish Renaissance composer, c. 1446-1506)
arranger:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
Alexander Agricola3:13
12Missa L'homme armé: Kyrie
orchestra:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Missa L'homme armé: Kyrie
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa L’homme armé
Johannes Ockeghem3:08
13Absalon, fili mi
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) and John Taylor (classical producer/engineer, often associated with Naxos recordings)
choir vocals:
Oxford Camerata (English chamber choir) (from 1995-04-20 until 1995-04-21)
orchestra:
Oxford Camerata (English chamber choir) (from 1995-04-20 until 1995-04-21)
conductor:
Jeremy Summerly (conductor) (from 1995-04-20 until 1995-04-21)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1995-04-20 until 1995-04-21)
recording of:
Absalon, fili mi (from 1995-04-20 until 1995-04-21)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez4:28
14Missa Prolationum: Sanctus
orchestra:
Musica Ficta (Danish vocal ensemble)
conductor:
Bo Holten (Danish composer, conductor)
recording of:
Missa prolationum: Sanctus
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa prolationum (a4)
Johannes Ockeghem3:18
15Sephardic Songs: A la nana
instruments:
Accentus Austria
mezzo-soprano vocals:
Carmen Cano (mezzo-soprano)
conductor:
Thomas Wimmer (viola-da-gamba player)
recording of:
A la nana y a la buba
lyricist and composer:
[traditional] (special purpose artist)
[anonymous]3:14
16Saltarello, "La traditora"
lute:
Shirley Rumsey (lutenist)
recording of:
La traditora
composer:
Marco Dall’Aquila
Marco Dall'Aquila2:27
17Fantasia sexta
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) and Christopher Wilson (lute and theorbo player)
lute:
Shirley Rumsey (lutenist) (on 1993-03-01) and Christopher Wilson (lute and theorbo player) (on 1993-03-01)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (on 1993-03-01)
recording of:
Fantasia sexta (on 1993-03-01)
composer:
Francesco Canova da Milano (Italian composer & lutist, 1497-1543)
Francesco Canova da Milano2:01
18Cancionero musical de Palacio: Todos los bienes del mundo
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1995-05-09 until 1995-05-12)
performer:
Ensemble Accentus (from 1995-05-09 until 1995-05-12)
recording of:
Todos los bienes del mundo (from 1995-05-09 until 1995-05-12)
composer:
Juan del Encina (Spanish composer, poet, priest, playwright, c. 1468-1529/30)
part of:
Cancionero de Palacio
Juan del Encina3:05
19Motets, Book II: Super flumina Babylonis
engineer:
Giovanni Melloncelli
producer:
Syliva Melloncelli (producer)
choir vocals:
Soloists of the Cappella Musicale di S. Petronio di Bologna (in 1995-10)
conductor:
Sergio Vartolo (Italian harpsichordist & conductor) (in 1995-10)
recorded at:
Chiesa di San Zeno a Cavalo in Verona, Verona, Veneto, Italy (in 1995-10)
recording of:
Offertoria, Secunda Pars: L. Super flumina Babylonis (Dominica XX post Pentecosten) (in 1995-10)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Offertoria, Secunda Pars
Giovanni Pierluigi da Palestrina3:24
20Missa Bell' amfitrit' altera: Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Schola Cantorum of Oxford (from 1993-03-14 until 1993-03-16)
conductor:
Jeremy Summerly (conductor) (from 1993-03-14 until 1993-03-16)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-03-14 until 1993-03-16)
recording of:
Missa Bell' Amfirit'altera, H. viii/55: I. Kyrie (from 1993-03-14 until 1993-03-16)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Bell' Amfirit'altera, H. viii/55
Orlande de Lassus3:15
21Missa O quam gloriosum: Gloria
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (in 1992-04)
producer:
Murray Khouri (clarinettist and producer) (in 1992-04)
choir vocals:
Oxford Camerata (English chamber choir) (from 1992-04-07 until 1992-04-08)
orchestra:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor) (from 1992-04-07 until 1992-04-08)
recorded at:
New College Chapel in Oxford, Oxfordshire, England, United Kingdom (from 1992-04-07 until 1992-04-08)
recording of:
Missa O Quam Gloriosum: II. Gloria
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Missa O Quam Gloriosum
Tomás Luis de Victoria4:03
22Peccantem me quotidie, W. 8 No. 36
engineer:
Dave Harries (engineer)
producer:
Chris Craker (UK musician, producer, engineer and label manager)
choir vocals:
Oxford Camerata (English chamber choir) (from 1992-09-21 until 1992-09-23)
conductor:
Jeremy Summerly (conductor) (from 1992-09-21 until 1992-09-23)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1992-09-21 until 1992-09-23)
recording of:
Sacrarum cantionum quinque vocibus, Liber primus: XIV. Peccantem me quotidie (from 1992-09-21 until 1992-09-23)
composer:
Carlo Gesualdo (composer) (in 1603)
part of:
Sacrarum cantionum quinque vocibus, Liber primus (for 5 voices, SATTB)
Carlo Gesualdo5:29
23Psalm 128: Bienheureux est quiconque
orchestra:
Ensemble Claude Goudimel (French vocal ensemble)
conductor:
Christine Morel
recording of:
Psaume 128 "Bienheureux est quiconque"
composer:
Claude Goudimel (French composer & music publisher, c. 1514/20-1572)
Claude Goudimel1:28
24Second Booke of Songes, No. 2: Flow, my teares
lute:
Dorothy Linell
countertenor vocals:
Steven Rickards (countertenor)
recorded at:
Fordham Town Hall in New York, United States (from 1995-10-26 until 1995-10-30)
recording of:
The Second Booke of Songs or Ayres, No. 2: "Flow My Tears" (from 1995-10-26 until 1995-10-30)
composer:
John Dowland (composer and lutenist) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland4:05
25I care not for these Ladies
engineer and producer:
Douglas R. Dillon
lute:
Dorothy Linell (from 1996-02-06 until 1996-02-09)
countertenor vocals:
Steven Rickards (countertenor) (from 1996-02-06 until 1996-02-09)
recorded at:
The Lodge in Indianapolis, Indiana, United States (from 1996-02-06 until 1996-02-09)
recording of:
I Care Not for These Ladies (from 1996-02-06 until 1996-02-09)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) and Thomas Campion (English composer, poet & physician, 1567–1620)
Thomas Campion2:37
26La zia Bernadina
choir vocals:
Coro della Radio Svizzera, Lugano
orchestra:
Sonatori de la Gioiosa Marca
conductor:
Diego Fasolis (conductor)
Adriano Banchieri2:04
27Pavan á 6 in C major
choir vocals:
Red Byrd (Medieval music group)
orchestra:
Rose Consort of Viols
recording of:
Pavan and Galliard a 6 in C major: Pavan
composer:
William Byrd (English composer)
William Byrd4:05
28A Mask: The Fairest Nymph, MB 43
choir vocals:
Red Byrd (Medieval music group)
orchestra:
Rose Consort of Viols
recording of:
Mask (for keyboard), MB 43: The Fairest nymph
composer:
Orlando Gibbons (composer)
part of:
Musica Britannica Volume 20's catalogue of Orlando Gibbons' keyboard works (number: 43)
Orlando Gibbons1:34
2▶CD: The Baroque