Titelliste

1CD: Recorded 2017 – 2007
2CD: Recorded 2007- 1993
Nr.TitelKünstlerBewertungLänge
1Piano Sonata no. 28 in A major, op. 101: Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo)Ludwig van Beethoven4:02
2Bachianas Brasileiras no. 5, W. 389: Aria (Cantilena)
leitende(r) Produzent(in):
Christian Leins
Produzent(in):
Sid McLauchlan (engineer/producer)
Mezzosoprangesang:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
arranger:
[anonymous] (special purpose artist)
Tonmeister(in):
Hans‐Ulrich Bastin und Andrew Wedman (producer and engineer)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (in 2006-07)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (catch-all for arrangements) (in 2006-07)
Komponist(in):
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1936)
Arrangement von:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Heitor Villa‐Lobos6:19
3Die Schöpfung, Hob. XXI‐2, Erster Teil: 14. Chor und Terzett “Die Himmel erzählen die Ehre Gottes”
recording engineer:
Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Ludger Böckenhoff und Martin Derner
Instrumente:
English Baroque Soloists (The English Baroque Soloists)
Bass-Gesang [Raphael]:
Gerald Finley (bass-baritone) (von 1995-02-16 bis 1995-02-21)
Chorgesang:
Monteverdi Choir (English vocal Baroque ensemble) (von 1995-02-16 bis 1995-02-21)
Soprangesang [Gabriel]:
Sylvia McNair (soprano) (von 1995-02-16 bis 1995-02-21)
Tenor-Gesang [Uriel]:
Michael Schade (tenor) (von 1995-02-16 bis 1995-02-21)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (von 1995-02-16 bis 1995-02-21)
conductor:
John Eliot Gardiner (von 1995-02-16 bis 1995-02-21)
Tonmeister(in):
Rainer Maillard
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (von 1995-02-16 bis 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (von 1995-02-16 bis 1995-02-21)
Komponist(in):
Joseph Haydn (composer)
publisher:
Oxford University Press
Teil von:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:45
4Le nozze di Figaro, K. 492: Atto I. "Non so più cosa son, cosa faccio’’
recording engineer:
Wolf‐Dieter Karwatky (in 2005-12)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) (in 2005-12)
Produzent(in):
Marita Prohmann
Hammerklavier:
Jos van Immerseel (Belgian pianist and conductor) (in 2005-12)
Mezzosoprangesang:
Magdalena Kožená (Czech mezzo-soprano)
Soprangesang:
Magdalena Kožená (Czech mezzo-soprano) (in 2005-12)
Orchester:
Orchestra of the Age of Enlightenment (in 2005-12)
conductor:
Simon Rattle (conductor) (in 2005-12)
Tonmeister(in):
Ulrich Vette (engineer) (in 2005-12)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 2005-12)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 2005-12)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:38
5Organum
recording engineer:
Steve Parr
Produzent(in) und Mix:
Max Richter (German pianist and score composer)
elektronische Instrumente [electronics]:
Max Richter (German pianist and score composer)
Interpret(in):
Max Richter (German pianist and score composer)
recording of:
Organum
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter3:15
6Annie’s Song (Arranged by Charles Gerhardt, Adapted by Craig Leon)
Produzent(in):
Craig Leon (musician, arranger, composer and producer)
flute:
James Galway (flautist) (in 2004-06)
Orchester:
London Symphony Orchestra (in 2004-06)
conductor:
Klauspeter Seibel (conductor) (in 2004-06)
arranger:
Charles Gerhardt (conductor, producer, arranger) und Craig Leon (musician, arranger, composer and producer)
Tonmeister(in):
Jonathan Allen (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 2004-06) und Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 2004-06)
recording of:
Annie’s Song (John Denver song) (in 2004-06)
Texter:
John Denver (in 1973-01)
Komponist(in):
John Denver
gewidmet:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
Liedtexte geschrieben bei:
Aspen Mountain in Aspen, Colorado, Vereinigte Staaten (in 1973-01)
instrumental recording of:
Annie’s Song (John Denver song) (in 2004-06)
Texter:
John Denver (in 1973-01)
Komponist(in):
John Denver
gewidmet:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
Liedtexte geschrieben bei:
Aspen Mountain in Aspen, Colorado, Vereinigte Staaten (in 1973-01)
John Denver2:54
7Kinderszenen, op. 15: 7. Träumerei
Klavier:
Lang Lang (Chinese pianist) (in 2003-11)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 2003-11)
live recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 2003-11)
Komponist(in):
Robert Schumann (German classical composer) (in 1838)
Teil von:
Classic 100: Piano (2004) (Nummer: 17)
Teil von:
Kinderszenen, op. 15
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
Komponist(in):
Robert Schumann (German classical composer) (in 1838)
Teil von:
Classic 100: Piano (2004) (Nummer: 17)
Teil von:
Kinderszenen, op. 15
Robert Schumann3:23
8Violin Concerto no. 2 in E major, BWV 1042: 3. Allegro assai
assistierende(r) Techniker(in):
Sherri Hendrickson (in 2002-10)
Techniker(in):
Marc Stedman (in 2002-10)
Produzent(in):
Thomas Frost (classical music producer)
Geige / Violine:
Hilary Hahn (violinist) (in 2002-10)
Orchester:
Los Angeles Chamber Orchestra (in 2002-10)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2002-10)
Tonmeister(in):
Tom Lazarus (in 2002-10)
aufgenommen bei:
Zipper Hall in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2002-10)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (Violin Concerto in E major, BWV 1042: III. Allegro assai) (in 2002-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach2:23
9Requiem, op. 48: 4. Pie Jesu
Orgel:
Daniele Rossi (Italian organist) (in 1998-06)
Chorgesang:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1998-06)
Mezzosoprangesang:
Cecilia Bartoli (mezzo‐soprano) (in 1998-06)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1998-06)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1998-06)
chorus master:
Roberto Gabbiani (chorus master) (in 1998-06)
aufgenommen bei:
Auditorium Conciliazione in Roma (Rom), Roma, Lazio, Italien (in 1998-06)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1998-06)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
enthalten in:
CHAPTER IV PIE JESU (REST)
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:49
10Lohengrin, WWV 75: Akt III. Vorspiel zu Akt III
Orchester:
The Philadelphia Orchestra (in 1997-04)
conductor:
Christian Thielemann (German conductor) (in 1997-04)
aufgenommen bei:
Giandomenico Studios in Collingswood, New Jersey, Vereinigte Staaten (in 1997-04)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel (in 1997-04)
Komponist(in):
Richard Wagner (composer) (von 1846 bis 1848)
Teil von:
Lohengrin, WWV 75: Akt III
Richard Wagner3:05
11Messiah, HWV 56, Pt 2: “Hallelujah”
Produzent(in):
Christopher Alder (editor/engineer/producer)
Chorgesang:
Gabrieli Consort (in 1996-12)
Orchester:
Gabrieli Consort & Players (UK early music ensemble) und Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
Tonmeister(in):
Andrew Wedman (producer and engineer)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1996-12)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel3:35
12Die schöne Müllerin, op. 25, D. 795: Das Wandern
Klavier:
Justus Zeyen (pianist)
Baritongesang und bass-baritone vocals:
Thomas Quasthoff (bass-baritone)
recording of:
Die schöne Müllerin, D. 795: Nr. 1. Das Wandern
Texter:
Wilhelm Müller (German poet)
Komponist(in):
Franz Schubert (composer) (in 1823)
Teil von:
Die schöne Müllerin, D. 795
Joseph Haydn2:32
13Songs of Travel: 3. The Roadside Fire
Klavier:
Malcolm Martineau (pianist)
Baritongesang und bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
recording of:
Songs of Travel: III. The Roadside Fire
Texter:
Robert Louis Stevenson (Scottish writer)
Komponist(in):
Ralph Vaughan Williams (English composer) (von 1901 bis 1904)
Teil von:
Songs of Travel
Ralph Vaughan Williams2:18
14Baba‐Yaga, op. 56
recording engineer:
Reinhard Lagemann (in 1994-04)
Produzent(in):
Christian Gansch (conductor) (in 1994-04)
Editing:
Mark Bücker (recording engineer)
Orchester:
Russian National Orchestra (in 1994-04)
conductor:
Mikhail Pletnev (pianist & conductor) (in 1994-04)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moskauer Konservatorium: Großer Saal) in Moscow (Moskau), Russland (in 1994-04)
recording of:
Baba-Yaga, op. 56 (in 1994-04)
Komponist(in):
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer) (in 1905)
Teil von:
Works of Anatoly Lyadov by opus number (Nummer: op. 56)
Anatoly Liadov3:27
15String Quartet in C, op. 59, no. 3 “Rasumovsky”: 4. Allegro molto
Produzent(in) und Tonmeister(in):
Max Wilcox (engineer/editor/producer)
Bratsche / Viola:
Lawrence Dutton (violist) (in 1994-12)
Cello:
David Finckel (in 1994-12)
Geige / Violine:
Eugene Drucker (in 1994-12) und Philip Setzer (violinist) (in 1994-12)
Streichquartett:
Emerson String Quartet (in 1994-12)
aufgenommen bei:
The American Academy of Arts and Letters in Washington Heights, New York, New York, Vereinigte Staaten (in 1994-12)
Bearbeitung von:
String Quartet op. 59, no. 3: IV. Allegro molto von Emerson String Quartet
recording of:
String Quartet no. 9 in C major, op. 59 no. 3: IV. Allegro molto (in 1994-12)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1805 bis 1806)
Teil von:
String Quartet no. 9 in C major, op. 59 no. 3
Ludwig van Beethoven5:30
16Violin Sonata no. 7 in C minor, op. 30, no. 2: 3. Scherzo (Allegro)
assistierende(r) Techniker(in):
Jürgen Bulgrin (sound engineer)
Produzent(in) und Editing:
Wolfgang Stengel
Geige / Violine:
Gidon Kremer (violinist) (in 1993-12)
Klavier:
Martha Argerich (Argentine pianist) (in 1993-12)
Tonmeister(in):
Gregor Zielinsky (Balance engineer)
aufgenommen bei:
Auditorium Stravinski in Montreux, Vaud (Kanton Waadt), Schweiz (in 1993-12)
recording of:
Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro (in 1993-12)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1801 bis 1802)
Teil von:
Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2
Ludwig van Beethoven3:34
17Nocturnes, L. 91 (Orchestral Version): 2. Fêtes
Produzent(in):
Karl-August Naegler (balance engineer)
Orchester:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (composer and conductor) (in 1993-03)
Tonmeister(in):
Helmut Burk (in 1993-03)
aufgenommen bei:
TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten (in 1993-03)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (in 1993-03)
Komponist(in):
Claude Debussy (French composer) (von 1897-12 bis 1899-12)
Premiere bei:
[concert] (1900-12-09)
Teil von:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:32
3CD: Recorded 1992 – 1983
4CD: Recorded 1982 – 1966
5CD: Recorded 1966 – 1953
6CD: Recorded 1952 – 1935
7CD: Recorded 1935 – 1897

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