Atlantic Rhythm & Blues 1947–1974

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶CD: 1947–52
2▶CD: 1952–54
3▶CD: 1955–57
4▶CD: 1957–60
5▼CD: 1961–65
Nr.TitelKünstlerBewertungLänge
1Little Egypt
recorded in:
New York, New York, Vereinigte Staaten (am 1961-02-09)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Alan Hanlon (jazz guitarist) (am 1961-02-09), George Barnes (am 1961-02-09) und Sonny Forriest (am 1961-02-09)
Klavier:
Mike Stoller (am 1961-02-09)
Kontrabass [bass]:
Abie Baker (am 1961-02-09)
Perkussion:
Bobby Rosengarden (am 1961-02-09)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1961-02-09)
Tenorsaxophon:
King Curtis (saxophonist) (am 1961-02-09)
vocals:
The Coasters (am 1961-02-09)
arranger:
Mike Stoller
recording of:
Little Egypt (Ying Yang) (am 1961-02-09)
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music und Sony/ATV Songs LLC
The Coasters2:47
2Amor
recorded in:
New York, New York, Vereinigte Staaten (am 1961-03-29)
Produzent(in):
Leiber and Stoller (songwriting team)
flute:
Romeo Penque (am 1961-03-29)
Gitarre:
Alan Hanlon (jazz guitarist) (am 1961-03-29) und George Barnes (am 1961-03-29)
Klavier:
Moe Weschler (am 1961-03-29)
Kontrabass [bass]:
George Duvivier (am 1961-03-29)
Perkussion:
Ray Barretto (am 1961-03-29), Danny Kessler (am 1961-03-29), Phil Kraus (am 1961-03-29) und Bobby Rosengarden (am 1961-03-29)
Saiteninstrumente und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1961-03-29)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1961-03-29)
vocals:
Ben E. King (am 1961-03-29)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1961-03-29)
arranger:
Stan Applebaum (US composer, arranger and conductor) (am 1961-03-29)
cover recording of:
Amor (More and More Amor)
Texter:
Ricardo López Méndez (Mexican poet, lyricist and radio host)
Komponist(in):
Gabriel Ruiz (Mexican composer)
Teil von:
Broadway Rhythm (film)
Ben E. King43:05
3Last Night
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1961-09)
Produzent(in):
Chips Moman und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
Gitarre:
Steve Cropper (in 1961-09)
Orgel:
Booker T. Jones (in 1961-09)
Schlagzeug:
Terry Johnson (drums) (in 1961-09)
Tenorsaxophon:
Charles Axton (in 1961-09)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 28)
recording of:
Last Night (in 1961-09)
Verfasser(in):
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith und Floyd Newman
Komponist(in):
The Mar‐Keys
The Mar‐Keys42:39
4I’m Blue
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-10-12)
Produzent(in):
Ike Turner
vocals:
The Ikettes (am 1961-10-12)
conductor:
Ike Turner (am 1961-10-12)
arranger:
Ike Turner
recording of:
I’m Blue (am 1961-10-12)
Texter und Komponist(in):
Ike Turner
The Ikettes2:32
5You Don’t Miss Your Water
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1961)
Produzent(in):
Chips Moman
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961)
Klavier:
Marvell Thomas (in 1961)
Orgel:
Spooky Butler (in 1961)
Schlagzeug [drums]:
Howard Grimes (in 1961)
Tenorsaxophon und Trompete:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
vocals:
William Bell (in 1961)
recording of:
You Don’t Miss Your Water
Texter und Komponist(in):
William Bell
publisher:
Irving Music, Inc.
William Bell3:01
6I Found a Love
recorded in:
Detroit, Michigan, Vereinigte Staaten (in 1961-06)
Produzent(in):
Robert West (US songwriter)
alto saxophone:
Ralph "Pee Wee" Middlebrook
Bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
Bass [electric bass]:
Marshall Jones (US bassist & songwriter, member of Ohio Players) (in 1961-06)
Blechblasinstrumente:
Ralph "Pee Wee" Middlebrook (in 1961-06)
Gitarre:
Lance Finnie, Lance Finnie (in 1961-06) und Robert Ward (guitar, blues musician) (in 1961-06)
Klarinette und Klavier:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
Schlagzeug:
Cornelius Johnson (Drummer in The Ohio Untouchables) (, in 1961-06)
Tenorsaxophon:
Clarence Satchell (, in 1961-06)
Sologesang:
Wilson Pickett
vocals:
Eddie Floyd (in 1961-06), Mack Rice (in 1961-06), Ben Night (in 1961-06), Wilson Pickett (in 1961-06) und Joe Stubbs (in 1961-06)
zusätzlich vocals:
Eddie Floyd und Sir Mack Rice
Interpret(in):
The Ohio Untouchables (in 1961-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
King Studios in Cincinnati, Ohio, Vereinigte Staaten (in 1962-01)
recording of:
I Found a Love (in 1961-06)
Verfasser(in):
Wilson Pickett, Willie Schofield und Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music und Unichappell Music, Inc.
The Falcons2:59
7Cry to Me
recorded in:
New York, New York, Vereinigte Staaten (am 1961-12-06)
Techniker(in):
Tom Dowd und Phil Iehle
Produzent(in):
Bert Berns und Jerry Wexler
alto saxophone:
Leon Cohen (woodwind player) (am 1961-12-06)
Gitarre:
Don Arnone (am 1961-12-06), Everett Barksdale (am 1961-12-06), Al Caiola (am 1961-12-06) und Bucky Pizzarelli (am 1961-12-06)
Klavier:
Hank Jones (piano) (am 1961-12-06)
Kontrabass [bass]:
Art Davis (US jazz double bassist) (am 1961-12-06)
Orgel:
Robert Mosely (US rhythm & blues singer/songwriter) (am 1961-12-06)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1961-12-06)
Tenorsaxophon:
Jesse Powell (US jazz saxophonist) (am 1961-12-06)
Vibraphon [vibes]:
Phil Kraus (am 1961-12-06)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1961-12-06)
vocals:
Solomon Burke (am 1961-12-06)
conductor:
Klaus Ogerman (am 1961-12-06)
arranger:
Klaus Ogerman
recording of:
Cry to Me
Texter und Komponist(in):
Bert Russell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sloopy II Music, Sony/ATV Songs LLC und Unichappell Music, Inc.
Solomon Burke2.052:36
8Don’t Play That Song (You Lied)
recorded in:
New York, New York, Vereinigte Staaten (am 1962-03-03)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Al Caiola (am 1962-03-03), Charles Macey (am 1962-03-03) und Art Ryerson (am 1962-03-03)
Klavier:
Robert Mosely (US rhythm & blues singer/songwriter) (am 1962-03-03)
Kontrabass [bass]:
Jack Lesberg (am 1962-03-03)
Posaune:
Eddie Bert (am 1962-03-03)
Saiteninstrumente [eight strings] und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1962-03-03)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1962-03-03)
vocals:
Ben E. King (am 1962-03-03)
conductor:
Jimmy Haskell (am 1962-03-03)
arranger:
Jimmy Haskell
recording of:
Don’t Play That Song (You Lied) (am 1962-03-03)
Verfasser(in):
Ahmet Ertegun (US songwriter/producer) und Betty Nelson
publisher:
Carlin Music Corporation und Unichappell Music, Inc.
Ben E. King52:49
9Green Onions
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-06)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Lewie Steinberg (in 1962-06)
Gitarre:
Steve Cropper (in 1962-06)
Hammond-Orgel:
Booker T. Jones (in 1962-06)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 181) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 418)
recording of:
Green Onions (in 1962-06)
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & the MG’s3.852:54
10Up on the Roof
recorded in:
New York, New York, Vereinigte Staaten (am 1962-06-28)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Don Arnone (am 1962-06-28), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1962-06-28), Bob Bushnell (am 1962-06-28) und Al Casamenti (am 1962-06-28)
Keyboard:
Ernie Hayes (American pianist, organist and arranger) und Carole King (am 1962-06-28)
Kontrabass [bass]:
George Duvivier (am 1962-06-28)
Perkussion:
George Devens (am 1962-06-28) und Bobby Rosengarden (am 1962-06-28)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-06-28) und Frank Saracco (am 1962-06-28)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1962-06-28)
Trompete:
Jimmy Nottingham (am 1962-06-28) und Jimmy Sedlar (am 1962-06-28)
Baritongesang:
Dock Green (am 1962-06-28)
Bass-Gesang:
Tommy Evans (US r&b bass vocalist for The Drifters) (am 1962-06-28)
Sologesang:
Rudy Lewis (am 1962-06-28)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1962-06-28)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1962-06-28)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) und Bert Keyes (piano, soul/funk producer/writer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 113) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 375)
recording of:
Up on the Roof (am 1962-06-28)
Texter:
Gerry Goffin und Carole King
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Drifters52:37
11See See Rider
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
andere Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Bass:
Russ Saunders (jazz bass player) (am 1962-09-26)
Gitarre:
Everett Barksdale (am 1962-09-26), Joe "Groundhog" Richardson (US soul/rhythm & blues artist, producer and songwriter) (am 1962-09-26) und Carl Lynch (am 1962-09-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1962-09-26)
membranophone:
Sticks Evans (am 1962-09-26)
Orgel:
Ernest Hayes (American pianist, organist and arranger) (am 1962-09-26)
Tenorsaxophon:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (am 1962-09-26)
vocals:
LaVern Baker (US rhythm & blues singer) (am 1962-09-26)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1962-09-26)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
See See Rider Blues (am 1962-09-26)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 10056)
LaVern Baker42:29
12I (Who Have Nothing)
recorded in:
New York, New York, Vereinigte Staaten (am 1963-02-11)
Produzent(in):
Leiber and Stoller (songwriting team)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1963-02-11)
vocals:
Ben E. King (am 1963-02-11)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1963-02-11)
conductor:
Klaus Ogerman (am 1963-02-11)
arranger:
Klaus Ogerman
recording of:
I (Who Have Nothing) (am 1963-02-11)
Texter:
Jerry Leiber und Mike Stoller
Verfasser(in):
Mogol (Italian lyricist)
Komponist(in):
Carlo Donida
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orange Sky Music Ltd., Shapiro Bernstein & Co. Ltd., Sony/ATV Songs LLC, Cotillion Music Inc. (BMI) (in 1961, in 1963), Milky Way Publishing Co., Inc. (in 1961, in 1963), Trio Music Co., Inc. (in 1961, in 1963), Walden Music (publisher) (in 1979) und Yellow Dog Music (in 1979)
übersetzte Version von:
Uno dei tanti
Ben E. King2:27
13If You Need Me
recorded in:
New York, New York, Vereinigte Staaten (am 1963-03-15)
Techniker(in):
Tom Dowd und Phil Iehle
Produzent(in):
Bert Berns und Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1963-03-15)
Bass [electric bass]:
Russ Saunders (jazz bass player) (am 1963-03-15)
Gitarre:
George Barnes (am 1963-03-15) und Bob Bushnell (am 1963-03-15)
Klavier:
Artie Butler (am 1963-03-15)
Schlagzeug:
Bobby Donaldson (am 1963-03-15)
Tamburin:
Phil Kraus (am 1963-03-15)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1963-03-15) und Ben Smith (US saxophonist Benjamin J. Smith) (am 1963-03-15)
Trompete:
Marky Markowitz (am 1963-03-15) und Ernie Royal (am 1963-03-15)
Chorgesang:
unidentified female choir ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1963-03-15)
vocals:
Solomon Burke (am 1963-03-15)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1963-03-15)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
cover recording of:
If You Need Me (am 1963-03-15)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett und Sonny Sanders
publisher:
Belinda (beendet), Cotillion Music Inc. (BMI) und Lupine Music
Solomon Burke2:33
14These Arms of Mine
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-10)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1962-10)
Bassgitarre:
Lewie Steinberg (in 1962-10)
Gitarre:
Steve Cropper (in 1962-10) und Johnny Jenkins (US blues guitarist) (in 1962-10)
Klavier:
Steve Cropper (in 1962-10)
Orgel:
Booker T. Jones (in 1962-10)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1962-10)
Tenorsaxophon:
Charles “Packy” Axton (in 1962-10)
vocals:
Otis Redding (in 1962-10)
recording of:
These Arms of Mine (in 1962-10)
Texter und Komponist(in):
Otis Redding
publisher:
Irving Music, Inc. und Regent Music Corp. (BMI)
Otis Redding3.52:31
15Hello Stranger
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1963-01-16)
Produzent(in):
Ollie McLaughlin
Bass, Gitarre, Klavier, Orgel und Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1963-01-16)
vocals:
The Dells (am 1963-01-16) und Barbara Lewis (am 1963-01-16)
conductor:
Riley Hampton (am 1963-01-16)
arranger:
Riley Hampton
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 27)
recording of:
Hello Stranger (am 1963-01-16)
Texter und Komponist(in):
Barbara Lewis
Barbara Lewis2:41
16On Broadway
recorded in:
New York, New York, Vereinigte Staaten (am 1963-01-22)
Produzent(in):
Leiber and Stoller (songwriting team)
Bass:
Russ Saunders (jazz bass player) (am 1963-01-22)
Gitarre:
Everett Barksdale (am 1963-01-22), Bill Suyker (am 1963-01-22), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1963-01-22) und Billy Butler (jazz guitarist) (am 1963-01-22)
Perkussion:
Martin Grupp (am 1963-01-22), Phil Kraus (am 1963-01-22) und Nick Rodriquez (percussionist) (am 1963-01-22)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1963-01-22)
Trompete:
Joe Newman (US jazz trumpeter) (am 1963-01-22) und Ernie Royal (am 1963-01-22)
Baritongesang:
Eugene Pearson (am 1963-01-22)
Bass-Gesang:
Tommy Evans (US r&b bass vocalist for The Drifters) (am 1963-01-22)
Hintergrundgesang:
Doris Troy (am 1963-01-22), Dee Dee Warwick (am 1963-01-22) und Dionne Warwick (am 1963-01-22)
Sologesang:
Rudy Lewis (am 1963-01-22)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1963-01-22)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1963-01-22)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 6)
recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters) (am 1963-01-22)
Verfasser(in):
Barry Mann und Cynthia Weil
zusätzliche(r) Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Version von:
On Broadway (original Mann/Weil version)
The Drifters53:00
17Just One Look
recorded in:
New York, New York, Vereinigte Staaten (am 1963-03-05)
Produzent(in):
Artie Ripp
Bass:
Barney Richmond (am 1963-03-05)
Gitarre:
Napoleon "Snags" Allen (am 1963-03-05)
Klavier:
Horace Ott (am 1963-03-05)
Schlagzeug:
Bruno Carr (am 1963-03-05)
Hintergrundgesang [harmony vocals] und Sologesang:
Doris Troy (am 1963-03-05)
vocals:
Doris Troy (am 1963-03-05)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 7) und Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 29)
recording of:
Just One Look (am 1963-03-05)
Verfasser(in):
Gregory Carroll und Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:31
18Mashed Potatoes
recorded in:
Miami, Florida, Vereinigte Staaten
Produzent(in):
Henry Stone
Bassgitarre [bass]:
Bernard Odum
Gitarre:
Fats Gonder (US pianist and organist from Macon, GA) und Bobby Roach
Schlagzeug:
Nat Kendricks
Tenorsaxophon:
J.C. Adams
sonstiger Gesang [vocal interjections]:
King Coleman
Nat Kendrick & the Swans3:29
19Land of 1000 Dances
Produzent(in):
Allen Toussaint
vocals:
Chris Kenner (am 1963-05-17)
arranger:
Allen Toussaint
recording of:
Land of 1000 Dances
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
Chris Kenner42:29
20Walkin’ the Dog
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1963-08-21)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Gitarre:
Steve Cropper (am 1963-08-21)
vocals:
Rufus Thomas (US blues & funk singer & songwriter) (am 1963-08-21)
recording of:
Walking the Dog (am 1963-08-21)
Texter und Komponist(in):
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und East/Memphis Music
Rufus Thomas2:34
21Release Me
Produzent(in):
Lelan Rogers
vocals:
Esther Phillips (Little Esther) (in 1962)
arranger:
Cliff Parman
cover recording of:
Release Me (in 1962)
Verfasser(in):
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) und Robert Yount (songwriter)
zusätzliche(r) Verfasser(in):
W.S. Stevenson
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing und Sony/ATV Music Publishing Ltd.
Esther Phillips3:18
22Mercy, Mercy
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-18)
Produzent(in):
Horace Ott
Gitarre:
Jimi Hendrix (am 1964-05-18)
vocals:
Don Covay (am 1964-05-18)
arranger:
Horace Ott
recording of:
Mercy, Mercy (am 1964-05-18)
Verfasser(in):
Don Covay und R.A. Miller (US songwriter Ronald Alonzo Miller)
publisher:
Cotillion Music Inc. (BMI) und Vonglo Music (BMI-affiliated)
Don Covay12:27
23Under the Boardwalk
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-21)
Produzent(in):
Bert Berns und Mike Leander
Gitarre:
Everett Barksdale (am 1964-05-21), Bill Suyker (am 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1964-05-21) und Bob Bushnell (am 1964-05-21)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1964-05-21)
Kontrabass [bass]:
Milt Hinton (am 1964-05-21)
Saiteninstrumente [nine strings]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1964-05-21)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1964-05-21)
Vibraphon [vibes]:
George Devens (am 1964-05-21)
Baritongesang:
Gene Pearson (am 1964-05-21)
Bass-Gesang:
Winifred Terry (am 1964-05-21)
Sologesang:
Johnny Moore (soul/rnb vocalist for The Drifters) (am 1964-05-21)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) und Teacho Wiltshire
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 304) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 487)
recording of:
Under the Boardwalk (am 1964-05-21)
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. und Trio Music Company
The Drifters4.352:42
24And I Love Him
recorded in:
New York, New York, Vereinigte Staaten (am 1964-10-01)
Techniker(in):
Tom Dowd
Produzent(in):
Bert Berns und Ahmet Ertegun (US songwriter/producer)
flute:
Hubert Laws (am 1964-10-01)
Gitarre:
Mundell Lowe (am 1964-10-01)
Klavier:
Dave McKenna (am 1964-10-01)
Kontrabass [bass]:
Milt Hinton (am 1964-10-01)
Posaune:
Billy Byers (am 1964-10-01), Buddy Morrow (am 1964-10-01), Santo Russo (Sonny Russo, trombone) (am 1964-10-01) und Bart Varsalona (am 1964-10-01)
Saiteninstrumente [ten strings]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1964-10-01)
Schlagzeug [drums]:
Mel Lewis (American jazz drummer) (am 1964-10-01)
vocals:
Esther Phillips (Little Esther) (am 1964-10-01)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1964-10-01)
arranger:
Ray Ellis (US producer, arranger and conductor)
cover recording of:
And I Love Her (am 1964-10-01)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Unart Music Corp. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Esther Phillips32:42
25Hold What You’ve Got
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1964-11-06)
recording engineer:
Tom Dowd
Produzent(in):
Buddy Killen
baritone saxophone:
Mack Williams (saxophone) (am 1964-11-06)
Bass:
Warren Jones (bass, Soul) (am 1964-11-06)
E-Bass [electric bass]:
Clarence Hadley (am 1964-11-06)
Gitarre:
Lee Royal Hadley (guitar, Soul) (am 1964-11-06)
Schlagzeug:
Clyde Williams (US drummer) (am 1964-11-06)
Tenorsaxophon:
Eddie Williams (saxophone) (am 1964-11-06)
vocals:
Joe Tex (American southern soul musician) (am 1964-11-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 26)
recording of:
Hold What You’ve Got (von 1964 bis 1964-11-06)
Texter und Komponist(in):
Joe Tex (American southern soul musician)
publisher:
Fort Knox Music Inc., Sony/ATV Tree Publishing und Trio Music Company
Joe Tex3:07
26Mr. Pitiful
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1964-12-28)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (am 1964-12-28)
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1964-12-28)
Gitarre:
Steve Cropper (am 1964-12-28)
Klavier:
Booker T. Jones (am 1964-12-28)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (am 1964-12-28)
Tenorsaxophon:
Charles “Packy” Axton (am 1964-12-28)
Trompete:
Sammy Coleman (am 1964-12-28)
vocals:
Otis Redding (am 1964-12-28)
recording of:
Mr. Pitiful (am 1964-12-28)
Texter und Komponist(in):
Steve Cropper und Otis Redding
publisher:
Irving Music, Inc.
Otis Redding3.62:42
27Baby I’m Yours
Produzent(in):
Bert Berns und Ollie McLaughlin
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1965-01-08)
Gitarre:
Bill Suyker (am 1965-01-08)
Klavier:
Paul Griffin (American pianist, session musician) (am 1965-01-08)
Kontrabass [bass]:
Jimmy Lewis (jazz bassist) (am 1965-01-08)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1965-01-08) und Tony Studd (am 1965-01-08)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1965-01-08)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1965-01-08)
Tenorsaxophon:
Charlie Brown (saxophonist) (am 1965-01-08)
Trompete:
Dud Bascomb (Sr., jazz trumpeter) (am 1965-01-08) und Clark Terry (American swing trumpeter) (am 1965-01-08)
Hintergrundgesang:
vocal group ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1965-01-08)
vocals:
Barbara Lewis (am 1965-01-08)
conductor:
Teacho Wiltshire (am 1965-01-08)
arranger:
Teacho Wiltshire
Remaster von:
Baby, I’m Yours von Barbara Lewis
Samples von:
Hello Stranger: The Best of Barbara Lewis von Barbara Lewis
recording of:
Baby, I’m Yours (am 1965-01-08)
Texter und Komponist(in):
Van McCoy
publisher:
EMI Blackwood Music Inc. und Van McCoy Music
Barbara Lewis2:30
6▶CD: 1965–67
7▶CD: 1967–69
8▶CD: 1970–74

Nennungen

Veröffentlichung

art direction:Bob Defrin (US art director & graphic designer)
liner notes:Peter Grendysa
Robert Pruter
leitende(r) Produzent(in):Ahmet Ertegun (US songwriter/producer)
Produzent(in):Aziz Goksel (Aufgabe: compilation)
Bob Porter (American record producer) (Aufgabe: compilation)
mastering:Zal Schreiber (sound engineer, guitarist & bassist)
Steve Innocenzi
artwork:Fred Otnes (American illustrator) (Aufgabe: cover art)
transferrer:Jimmy Douglass (engineer)
Bobby Warner
Discogs:https://www.discogs.com/release/3773974 [Info]
ASIN:US: B000002IRS [Info]

Veröffentlichungsgruppe

Teil von:Music Genre Tree (canonical album list from musicgenretree.org – one representative release per genre)
Atlantic R&B 1947-1974 (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/474792 [Info]
andere Datenbanken:https://www.45cat.com/cdalbum/cd/nc485740uk [Info]