Collected Jazz Songs: Music for Cool & Calm Moments

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Mad About the Boy
basso :
Keter Betts (il 1952-03-24)
batteria :
Jimmy Cobb (US jazz drummer) (il 1952-03-24)
pianoforte :
Wynton Kelly (il 1952-03-24)
voce:
Dinah Washington (il 1952-03-24)
orchestra:
Walter Rodell and His Orchestra (il 1952-03-24)
registrazione cover di:
Mad About the Boy (il 1952-03-24)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington4.653:00
2Whatever Lola Wants
voce:
Sarah Vaughan (il 1955-03-17)
direttore d'orchestra:
Hugo Peretti (il 1955-03-17)
arrangiatore:
Hugo Peretti
registrazione cover di:
Whatever Lola Wants (Damn Yankees) (il 1955-03-17)
paroliere e compositore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
parte di:
Damn Yankees (1955 musical)
Sarah Vaughan2:36
3These Foolish Things
Bob Manning3:10
4But Not for Me
produttore:
Richard Bock (record producer)
batteria :
Bob Neel (il 1954-02-15)
contrabbasso :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-02-15)
registrazione cover di:
But Not for Me (il 1954-02-15)
paroliere:
Ira Gershwin (nel 1930)
compositore:
George Gershwin (composer) (nel 1930)
editore:
WB Music Corp. (1929–2019) (fino al 2019-05-28), New World Music Co. (nel 1930) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Chet Baker33:04
5What a Little Moonlight Can Do
registrazione di:
What a Little Moonlight Can Do
paroliere e compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) e Warner Brothers Music Inc.
Billie Holiday3:12
6My Baby Just Cares for Me
June Hutton3:30
7If I May
registrazione di:
If I May
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
Nat King Cole3:04
8Sugar
registrazione cover di:
Sugar (That Sugar Baby o’ Mine)
autore:
Edna Pinkard, Sidney Mitchell e Maceo Pinkard
compositore:
Edna Alexander, Sidney Mitchell e Maceo Pinkard
editore:
EMI Robbins Catalog (ASCAP) e Robbins Music Corp.
Peggy Lee2:31
9Long Long Ago
basso :
Charlie Harris (jazz bassist) (il 1954-09-07)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1954-09-07)
chitarra :
John Collins (US jazz guitarist) (il 1954-09-07)
pianoforte :
Lew Brown (il 1954-09-07)
sassofono baritono :
Chuck Gentry (il 1954-09-07)
sassofono contralto :
Skeets Herfurt (il 1954-09-07) e Harry Klee (il 1954-09-07)
sassofono tenore :
Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1954-09-07)
tromba :
Johnny Best (jazz trumpeter) (il 1954-09-07), Conrad Gozzo (il 1954-09-07) e Manny Klein (il 1954-09-07)
trombone :
Ed Kusby (il 1954-09-07), Murray McEachern (il 1954-09-07) e Si Zentner (il 1954-09-07)
voce:
Nat King Cole (nel 1954, il 1954-09-07) e Dean Martin (American singer/actor) (nel 1954, il 1961-09-07)
orchestra:
Billy May and His Orchestra (nel 1954) e Billy May & His Orchestra (il 1954-09-07)
direttore d'orchestra:
Billy May (il 1954-09-07)
arrangiatore:
Billy May
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1954)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-09-07)
registrazione di:
Long, Long Ago (Dean Martin & Nat King Cole version) (il 1954-09-07)
autore:
Roy Alfred (Tin Pan Alley lyricist and composer) e Marvin Fisher
versione di:
Long, Long Ago (Original version for voice and piano)
Dean Martin & Nat King Cole2:19
10Thanks for the Memory
registrazione cover di:
Thanks for the Memory
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Ralph Rainger
editore:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Paramount Music Corporation
parte di:
The 11th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1938 winner)
Ella Fitzgerald2:28
11Just One of These Things
registrazione di:
Just One of Those Things
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
Frank Sinatra3:15
12The Best Things in Life Are Free
registrazione di:
The Best Things in Life Are Free (Good News)
paroliere:
Lew Brown e Buddy DeSylva
compositore:
Ray Henderson
editore:
Chappell & Co.
parte di:
Good News (1947 film)
Jo Stafford2:23
13Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:56
14Cold Cold Heat
pianoforte :
John Bunch (jazz pianist)
voce:
Tony Bennett (US jazz/standards vocalist) e Tony Bennett (US jazz/standards vocalist)
orchestra:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione cover di:
Cold, Cold Heart
paroliere e compositore:
Hank Williams (country music legend)
editore:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. e Acuff-Rose Publications, Inc. (BMI) (il 1951-02-16)
Tony Bennett2:39
15Baby, It's Cold Outside
produttore:
Johnny Mercer
voce:
Johnny Mercer (il 1949-03-18) e Margaret Whiting (il 1949-03-18)
orchestra:
Paul Weston and His Orchestra (il 1949-03-18)
registrazione di:
Baby, It’s Cold Outside (1948 song by Frank Loesser) (il 1949-03-18)
paroliere e compositore:
Frank Loesser
editore:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
The 22nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1949 winner)
Johnny Mercer & Margaret Whiting2:50
16Do Nothin' Till You Hear From Me
registrazione di:
Do Nothin’ Till You Hear From Me
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1943)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1943)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Sony/ATV Harmony
versione di:
Concerto for Cootie
Duke Ellington2:35
17Love Me or Leave Me
registrazione cover di:
Love Me or Leave Me
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
Sammy Davis Jr.2:57
18Keep Me in Mind
Sheila Buxton & Ronnie Harris2:02
19You're a Heavenly Thing
Mel Tormé2:33
20Georgia on My Mind
registrazione cover di:
Georgia on My Mind
inno di:
Georgia, Stati Uniti (dal 1979 a oggi)
paroliere:
Stuart Gorrell (nel 1930)
compositore:
Hoagy Carmichael (nel 1930)
editore:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (dal 1930 a oggi) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (dal 1930 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangiamento di:
Georgia on My Mind (Solo piano arrangement)
Dean Martin3:00

Accreditamenti