Hail! Bright Cecilia / Music for Queen Mary

~ Release by Purcell; Monteverdi Choir, John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

LC0200 printed on CD
Erato veritas x2 printed on front, spine, back and CD
Warner Classics printed on front, back and CD

Annotation last modified on 2022-01-21 20:45 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Come, ye Sons of Art: Overture
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: I. Ouverture (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell4:12
2Come, ye Sons of Art: Come, ye Sons of Art
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
brass:
Equale Brass Ensemble (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
orchestra:
Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: II. Come, ye sons of Art, come away (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:00
3Come, ye Sons of Art: Sound the Trumpet
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
brass:
Equale Brass Ensemble (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
orchestra:
Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:27
4Come, ye Sons of Art: Come, ye Sons of Art
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
brass:
Equale Brass Ensemble (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
orchestra:
Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IV. Come, ye sons of Art, come away (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell1:23
5Come, Ye Sons of Art: Strike the Viol
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: V. Strike the viol (in 1976-02)
lyricist and librettist:
Nahum Tate
composer:
Henry Purcell (Baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell4:45
6Come, Ye Sons of Art: The Day that such a Blessing Gave
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VI. The day that such a blessing (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:33
7Come, Ye Sons of Art: Bid the Virtues
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VII. Bid the Virtues (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:32
8Come, Ye Sons of Art: These are the Sacred Charms
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VIII. These, are the sacred charms (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell1:40
9Come, Ye Sons of Art: See Nature, Rejoicing
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IX. See Nature, rejoicing (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:01
10Music for the Funeral of Queen Mary: March
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860 (in 1976-02)
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:17
11Music for the Funeral of Queen Mary: Man that is Born of Woman
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman" (in 1976-02)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 27)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell3:49
12Music for the Funeral of Queen Mary: Canzona
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860 (in 1976-02)
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell1:43
13Music for the Funeral of Queen Mary: In the Midst of Life we are in Death
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: IV. In the midst of life, Z. 17 (in 1976-02)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 17)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell5:56
14Music for the Funeral of Queen Mary: Canzona
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: V. Canzona, Z. 860 (in 1976-02)
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell0:53
15Music for the Funeral of Queen Mary: Thou Know'st, Lord, the Secrets of Our Hearts
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord" (in 1976-02)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 58b)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:22
16Music for the Funeral of Queen Mary: March
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: VII. March, Z. 860 (in 1976-02)
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:16

Credits

Release

liner notes:Simon Heighes (musicologist)
liner notes translator:Gudrun Meier (linernotes, Übersetzung)
Michel Roubinet (translation English-French)
Discogs:https://www.discogs.com/release/12014181 [info]

Release group

includes:Hail! Bright Cecilia by Henry Purcell (Baroque composer); Monteverdi Choir (English vocal Baroque ensemble), English Baroque Soloists (The English Baroque Soloists), John Eliot Gardiner
Music for Queen Mary by Purcell (Baroque composer); Monteverdi Choir (English vocal Baroque ensemble) & Orchestra, Equale Brass Ensemble, Sir John Eliot Gardiner (John Eliot Gardiner)