Motion

~ Release by Lee Konitz (see all versions of this release, 5 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1I Remember You
recording engineer:
Dick Olmstead (on 1961-08-29)
producer:
Creed Taylor
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1961-08-29)
double bass:
Sonny Dallas (on 1961-08-29)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-08-29)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1961-08-29)
instrumental recording of:
I Remember You (on 1961-08-29)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
4:24
A2All of Me
recording engineer:
Dick Olmstead (on 1961-08-29)
producer:
Creed Taylor
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1961-08-29)
bass:
Sonny Dallas (on 1961-08-29)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-08-29)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1961-08-29)
instrumental recording of:
All of Me (on 1961-08-29)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
7:36
A3Foolin’ Myself
recording engineer:
Dick Olmstead (on 1961-08-29)
producer:
Creed Taylor
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1961-08-29)
double bass:
Sonny Dallas (on 1961-08-29)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-08-29)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1961-08-29)
instrumental recording of:
Foolin’ Myself (on 1961-08-29)
writer:
Jack Lawrence (US songwriter) and Peter Tinturin
publisher:
Chappell Music Co. Inc.
6:55
B1You’d Be So Nice to Come Home To
recording engineer:
Dick Olmstead (on 1961-08-29)
producer:
Creed Taylor
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1961-08-29)
double bass:
Sonny Dallas (on 1961-08-29)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-08-29)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1961-08-29)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1961-08-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
10:38
B2I’ll Remember April
recording engineer:
Dick Olmstead (on 1961-08-29)
producer:
Creed Taylor
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1961-08-29)
double bass:
Sonny Dallas (on 1961-08-29)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-08-29)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1961-08-29)
instrumental recording of:
I’ll Remember April (on 1961-08-29)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
9:01

Credits

Release

photography:Pete Turner (photographer)
liner notes:Nat Hentoff
Lee Konitz (jazz saxophonist)
Discogs:https://www.discogs.com/release/3977619 [info]

Release group

Discogs:https://www.discogs.com/master/258193 [info]
Wikidata:Q6917727 [info]