The Ultimate Movie Music Collection

~ Release by Erich Kunzel, Cincinnati Pops Orchestra (see all versions of this release, 1 available)

Annotation

All selections have previously been released on Telarc.

Annotation last modified on 2019-05-08 15:21 UTC.

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Batman Theme from ‘Batman’
recording engineer:
Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (in 1989)
edit of:
Suite from 'Batman': Batman Theme / The Bat Cave / Batman to the Rescue / The Joker’s Poem / Batsuit / Charge of the Batmobile / Waltz to the Death / Finale by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
recording of:
Main Theme (Batman, 1989) (in 1989)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Batman (1989)
2:37
2Bicycle Chase from ‘E.T. the Extra‐Terrestrial’
orchestra:
Cincinnati Pops Orchestra (on 1983-11-21)
conductor:
Erich Kunzel (conductor) (on 1983-11-21)
phonographic copyright (℗) by:
TELARC International Corporation (in 1984)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States
recording of:
The Bicycle Chase (E.T. the Extra-Terrestrial) (on 1983-11-21)
composer:
John Williams (American score composer and conductor)
publisher:
Universal/MCA Music (music publisher; do not use as release label!)
3:53
3Suite from ‘Independence Day’
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
orchestrator:
Nicholas Dodd (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1996-06-02 until 1996-09-03)
recording of:
Independence Day (Main Theme)
composer:
David Arnold (English score composer)
5:47
4Love Theme from ‘Romeo & Juliet’
recording engineer:
Jack Renner (engineer for Telarc) and Robert Woods (classical music producer, founder of TELARC)
producer:
Robert Woods (classical music producer, founder of TELARC)
piano:
William Tritt
orchestra:
Cincinnati Pops Orchestra (from 1987-05-10 until 1987-09-15)
conductor:
Erich Kunzel (conductor) (from 1987-05-10 until 1987-09-15)
arranger:
Carmen Dragon
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1987-05-10 until 1987-09-15)
instrumental recording of:
What Is a Youth (Love Theme from Romeo and Juliet, 1968 film) (from 1987-05-10 until 1987-09-15)
lyricist:
Eugene Walter
composer:
Nino Rota (Italian composer)
publisher:
Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:14
5Theme from ‘Back to the Future’
recording engineer:
Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Rosalind Ilett (Telarc editor) and Elaine Martone (engineer)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States
recording of:
Back to the Future (Theme) (title theme from the 1985 film of the same name)
composer:
Alan Silvestri (US score composer)
part of:
Back to the Future (original score and soundtrack of the 1985 film of the same name)
3:22
6End Credits from ‘Contact’
recording engineer:
Michael Bishop (Telarc engineer/producer) (on 1999-06-07)
producer:
Robert Woods (classical music producer, founder of TELARC) (on 1999-06-07)
orchestra:
Cincinnati Pops Orchestra (on 1999-06-07)
conductor:
Erich Kunzel (conductor) (on 1999-06-07)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (on 1999-06-07)
recording of:
End Credits (Contact)
composer:
Alan Silvestri (US score composer)
4:02
7Theme from ‘Breakfast at Tiffany’s’
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
vocals:
The Henry Mancini Chorus
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
Theme from Breakfast at Tiffany’s
composer:
Henry Mancini (US composer, conductor & arranger)
2:42
8Main Theme from ‘Star Trek (The Movie)’
recording engineer:
Jack Renner (engineer for Telarc) (on 1984-09-17)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (on 1984-09-17)
conductor:
Erich Kunzel (conductor) (on 1984-09-17)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (on 1984-09-17)
recording of:
Main Theme (Star Trek: The Motion Picture) (on 1984-09-17)
composer:
Jerry Goldsmith (American score composer)
publisher:
Sony/ATV Melody
version of:
Where No Man Has Gone Before (original Star Trek title theme)
3:56
9May It Be and Themes from ‘The Lord of the Rings: The Fellowship of the Ring’
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
arranger:
Joseph D. Price
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States
instrumental recording of:
May It Be (Enya song for Lord of the Rings soundtrack)
orchestrator:
Howard Shore (Canadian score composer)
lyricist:
Roma Ryan
composer:
Enya (Irish singer-songwriter) and Nicky Ryan
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
part of:
The 74th Academy Award for Best Original Song (number: 2)
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
6:21
10Love Theme from ‘Cousins’
recording engineer:
Jack Renner (engineer for Telarc)
assistant engineer:
Michael Bishop (Telarc engineer/producer) and Thomas Knab (editor)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Erica Brenner (producer/editor), Rosalind Ilett (Telarc editor) and Thomas Knab (editor)
piano:
William Tritt
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1990-12-15 until 1990-12-16)
recording of:
Cousins: Love Theme
composer:
Angelo Badalamenti (American score composer)
publisher:
Sony/ATV Harmony
2:51
11Sean’s Theme from ‘Minority Report’
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
arranger:
Joseph D. Price
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States
recording of:
Sean’s Theme (Minority Report)
composer:
John Williams (American score composer and conductor)
part of:
Minority Report (2002 film score)
3:21
12I Will Wait for You from ‘The Umbrellas of Cherbourg’
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (in 1992-12)
instrumental recording of:
Les Parapluies de Cherbourg: Devant le garage (aka “Les Parapluies de Cherbourg”) (in 1992-12)
lyricist:
Jacques Demy
composer:
Michel Legrand
publisher:
PFL SARL and Warner Chappell Music France
part of:
Les Parapluies de Cherbourg
3:51
13Theme from ‘Rocky’
recording engineer:
Jack Renner (engineer for Telarc) and Robert Woods (classical music producer, founder of TELARC)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1987-05-10 until 1987-09-15)
conductor:
Erich Kunzel (conductor) (from 1987-05-10 until 1987-09-15)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1987-05-10 until 1987-09-15)
instrumental recording of:
Gonna Fly Now
lyricist:
Carol Connors and Ayn Robbins
composer:
Bill Conti
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 49th Academy Award for Best Original Song (number: 2)
2:32
14The Sand Volcano from ‘The Mummy’
recording engineer:
Michael Bishop (Telarc engineer/producer) (on 1999-06-07)
producer:
Robert Woods (classical music producer, founder of TELARC) (on 1999-06-07)
orchestra:
Cincinnati Pops Orchestra (on 1999-06-07)
conductor:
Erich Kunzel (conductor) (on 1999-06-07)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (on 1999-06-07)
recording of:
The Sand Volcano (The Mummy)
composer:
Jerry Goldsmith (American score composer)
4:12
15The Raiders’ March from ‘Raiders of the Lost Ark’
orchestra:
Cincinnati Pops Orchestra (on 1983-11-21)
conductor:
Erich Kunzel (conductor) (on 1983-11-21)
phonographic copyright (℗) by:
TELARC International Corporation (in 1984)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States
recording of:
The Raiders March (Raiders of the Lost Ark) (on 1983-11-21)
composer:
John Williams (American score composer and conductor)
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
5:15
3▶CD
4▶CD

Credits

Release

ASIN:US: B000BFH26Y [info]