Hey, Mr. Producer! The Musical World of Cameron Mackintosh

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1The Phantom of the Opera: The Phantom of the Opera
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Lisa Vroman (from 1998-06-07 until 1998-06-08) and Colm Wilkinson (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
The Phantom of the Opera (Christine, The Phantom) (from 1998-06-07 until 1998-06-08)
additional lyricist:
Mike Batt
lyricist:
Charles Hart (British lyricist) and Richard Stilgoe
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
revision of:
The Phantom of the Opera (lyrics without Charles Hart’s words)
Lisa Vroman & Colm Wilkinson3:01
2The Phantom of the Opera: Music of the Night
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Colm Wilkinson (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
The Music of the Night (The Phantom of the Opera) (from 1998-06-07 until 1998-06-08)
additional lyricist:
Richard Stilgoe
lyricist:
Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
Colm Wilkinson4:36
3Follies: Broadway Baby
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Maria Friedman (from 1998-06-07 until 1998-06-08), Julia McKenzie (English actress, singer, presenter, and theatre director) (from 1998-06-07 until 1998-06-08) and Bernadette Peters (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Follies: Broadway Baby (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Stephen Sondheim
publisher:
WB Music Corp. (1929–2019)
part of:
Follies
Maria Friedman, Julia McKenzie, Bernadette Peters & The Broadway Babies3:53
4Oklahoma! Oh, What a Beautiful Mornin’
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Hugh Jackman (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!) (from 1998-06-07 until 1998-06-08)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Hugh Jackman2:45
5Carousel: Carousel Waltz / Ballet
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Carousel Waltz / Ballet (from 1998-06-07 until 1998-06-08)
composer:
Richard Rodgers (composer)
Vadim Bondar, Dana Stackpole & Company5:33
6Carousel: Porch Scene
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
spoken vocals:
Hal Fowler (from 1998-06-07 until 1998-06-08), Barbara King (UK musical theatre performer) (from 1998-06-07 until 1998-06-08), Joanna Riding (from 1998-06-07 until 1998-06-08) and Dana Stackpole (from 1998-06-07 until 1998-06-08)
vocals:
Hal Fowler (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live partial recording of:
If I Loved You (Carousel) (from 1998-06-07 until 1998-06-08)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Hal Fowler & Joanna Riding, Dana Stackpole & Barbara King3:14
7Carousel: You’ll Never Walk Alone
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Joanna Riding (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
You’ll Never Walk Alone (Carousel) (from 1998-06-07 until 1998-06-08)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Joanna Riding & Company1:55
8Introduction
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
Ned Sherrin0:50
9Company: Side by Side
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
David Kernan (from 1998-06-07 until 1998-06-08), Millicent Martin (from 1998-06-07 until 1998-06-08), Julia McKenzie (English actress, singer, presenter, and theatre director) (from 1998-06-07 until 1998-06-08) and Ned Sherrin (English broadcaster, author and stage director.) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Company: Side by Side by Side (from 1998-06-07 until 1998-06-08)
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation
part of:
Company
David Kernan, Millicent Martin, Julia McKenzie, Ned Sherrin & Stephen Sondheim1:10
10Company: You Could Drive a Person Crazy
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Maria Friedman (from 1998-06-07 until 1998-06-08), Ruthie Henshall (from 1998-06-07 until 1998-06-08), Millicent Martin (from 1998-06-07 until 1998-06-08) and Lea Salonga (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Company: You Could Drive a Person Crazy (from 1998-06-07 until 1998-06-08)
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation
part of:
Company
Maria Friedman, Ruthie Henshall, Millicent Martin & Lea Salonga2:45
11A Little Night Music: Send in the Clowns
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Judi Dench (actress) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Send In the Clowns (A Little Night Music) (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
A Little Night Music (musical)
Judi Dench4:34
12Follies: Losing My Mind
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Follies: Losing My Mind (Follies) (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation (ended) and Herald Square Music, Inc.
part of:
Follies
Michael Ball3:32
13Company: Being Alive
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Bernadette Peters (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Company: Being Alive (from 1998-06-07 until 1998-06-08)
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation, Quartet Music Inc., Range Road Music Inc. and Rilting Music, Inc.
part of:
Company
Bernadette Peters2:35
14Gypsy: You’ve Gotta Have a Gimmick
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter) (from 1998-06-07 until 1998-06-08), Judi Dench (actress) (from 1998-06-07 until 1998-06-08), Maria Friedman (from 1998-06-07 until 1998-06-08), Ruthie Henshall (from 1998-06-07 until 1998-06-08), David Kernan (from 1998-06-07 until 1998-06-08), Millicent Martin (from 1998-06-07 until 1998-06-08), Julia McKenzie (English actress, singer, presenter, and theatre director) (from 1998-06-07 until 1998-06-08), Bernadette Peters (from 1998-06-07 until 1998-06-08) and Lea Salonga (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
You Gotta Have a Gimmick (from “Gypsy”) (from 1998-06-07 until 1998-06-08)
lyricist:
Stephen Sondheim
composer:
Jule Styne
part of:
Gypsy
Ruthie Henshall, Julia McKenzie, Bernadette Peters, Michael Ball, Judi Dench, Maria Friedman, David Kernan, Millicent Martin & Lea Salonga4:18
15Introduction
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
Stephen Sondheim0:42
16Duelling Pianos
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
piano:
Andrew Lloyd Webber (English composer and impresario of musical theatre) (from 1998-06-07 until 1998-06-08) and Stephen Sondheim (from 1998-06-07 until 1998-06-08)
vocals:
Andrew Lloyd Webber (English composer and impresario of musical theatre) (from 1998-06-07 until 1998-06-08) and Stephen Sondheim (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
recording of:
Duelling Pianos (medley of parodies of Sondheim's and Lloyd Webber's musical hits) (from 1998-06-07 until 1998-06-08)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Stephen Sondheim
parody version of:
Send In the Clowns (A Little Night Music)
parody version of:
The Music of the Night (The Phantom of the Opera)
Andrew Lloyd Webber & Stephen Sondheim3:10
17Tom Foolery: Poisoning Pigeons in the Park
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Tom Lehrer (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
music videos:
Poisoning Pigeons in the Park (live, 1998-06: Lyceum Theater, London, UK) by Tom Lehrer
live recording of:
Poisoning Pigeons in the Park (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Tom Lehrer
publisher:
Maelstrom Music (Tom Lehrer’s publisher)
part of:
Tomfoolery
Tom Lehrer3:37
18Cats: Jellicle Songs
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Brian Blessed (English actor) (from 1998-06-07 until 1998-06-08) and Paul Nicholas (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
The Song of the Jellicles (from 1998-06-07 until 1998-06-08)
additional lyricist:
Trevor Nunn
lyricist:
T. S. Eliot
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
part of:
Cats (Andrew Lloyd Webber musical)
Brian Blessed, Paul Nicholas & Company5:15
19Cats: Memory
recording engineer:
David Hamilton-Smith (engineer)
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
lead vocals:
Elaine Paige
vocals:
Elaine Paige (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
David Firman (conductor) and Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
orchestrator:
David Cullen (composer, arranger, orchestrator) and Andrew Lloyd Webber (English composer and impresario of musical theatre)
phonographic copyright (℗) by:
The Really Useful Company Limited (in 1981) and Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Memory (Cats) (from 1998-06-07 until 1998-06-08)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
recording of:
Memory (Cats)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
Elaine Paige4:10
20Les Misérables: At the End of the Day
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
At the End of the Day (Poor, Workers, Factory Girls, Fantine, Valjean, Foreman) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd. and Faber Music
translated version of:
La journée est finie
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Company1:36
21Les Misérables: Stars
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Philip Quast (Australian actor and singer) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Stars (Javert, Gavroche) (from 1998-06-07 until 1998-06-08)
lyricist:
Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd. and Faber Music
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Philip Quast2:05
22Les Misérables: Do You Hear the People Sing?
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Hal Fowler (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Do You Hear the People Sing? (Enjolras, Combeferre, Courfeyrac, Students, Feuilly, The People) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd. and Faber Music
translated version of:
À la volonté du peuple
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Hal Fowler & Company1:16
23Les Misérables: On My Own
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Lea Salonga (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
On My Own (Éponine) (from 1998-06-07 until 1998-06-08)
lyricist:
Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd. and Faber Music
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Lea Salonga2:00
24Les Misérables: Bring Him Home
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Colm Wilkinson (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Bring Him Home (Valjean) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music, Alain Boublil Music Ltd., Faber Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Colm Wilkinson1:43
25Les Misérables: One Day More
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter) (from 1998-06-07 until 1998-06-08), Hal Fowler (from 1998-06-07 until 1998-06-08), Ruthie Henshall (from 1998-06-07 until 1998-06-08), Tammi Jacobs (from 1998-06-07 until 1998-06-08), Teddy Kempner (from 1998-06-07 until 1998-06-08), Philip Quast (Australian actor and singer) (from 1998-06-07 until 1998-06-08), Lea Salonga (from 1998-06-07 until 1998-06-08), Colm Wilkinson (from 1998-06-07 until 1998-06-08) and Marie Zamora (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
One Day More (Valjean, Marius, Cosette, Éponine, Enjolras, Javert, Thénardier, Madame Thénardier, Students, Company) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd. and Faber Music
version of:
Demain (Final 2e acte)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Michael Ball, Hal Fowler, Ruthie Henshall, Tammi Jacobs, Teddy Kempner, Philip Quast, Lea Salonga, Colm Wilkinson, Marie Zamora & Company3:22
26Salad Days: We Said We Wouldn’t Look Back
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Cameron Mackintosh (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
We Said We Wouldn’t Look Back (from 1998-06-07 until 1998-06-08)
lyricist:
Dorothy Reynolds (lyricist) and Julian Slade (English composer)
composer:
Julian Slade (English composer)
publisher:
Francis, Day & Hunter Ltd.
part of:
Salad Days
Cameron Mackintosh1:30

Credits

Release

printed in:U.S.A.
design:Dewynters PLC London (entertainment marketing firm)
manufactured by and marketed by:PolyGram Classics & Jazz (a division of PolyGram Records, Inc., US)
copyrighted (©) by:CML (in 1998)
licensed from:First Night Records
ASIN:US: B00000AE2Z [info]
purchase for mail-order:http://first-night-records.co.uk/catalog/product_info.php?products_id=50 [info]