Cole Porter: A Great American Songwriter

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Begin the Beguine
recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Artie Shaw3:13
2You’re the Top
Mel Tormé1:43
3Don’t Fence Me In
recording of:
Don’t Fence Me In
lyricist:
Robert Fletcher (US poet) (in 1934) and Cole Porter (composer) (in 1934)
composer:
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Bing Crosby2:39
4What Is This Thing Called Love
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1955-02-09)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Peggy Lee2:14
5I Love Paris
Lionel Hampton3:35
6You’d Be So Nice to Come Home To
recorded in:
Hollywood, Los Angeles, California, United States (on 1942-07-30)
vocals:
Dinah Shore (on 1942-07-30)
orchestra:
Orchestra conducted by Paul Weston (on 1942-07-30)
conductor:
Paul Weston (on 1942-07-30)
recording of:
You’d Be So Nice to Come Home To (on 1942-07-30)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Dinah Shore2:55
7Night and Day
double bass:
Pierre Michelot (in 1953-03, on 1953-03-10)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (in 1953-03, on 1953-03-10)
guitar:
Django Reinhardt (French jazz guitarist and composer) (in 1953-03, on 1953-03-10)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1953-03, on 1953-03-10)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1953-03-10)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1953-03)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Django Reinhardt2:50
8Love for Sale
Annie Ross4:22
9My Heart Belongs to Daddy
recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Mary Martin3:02
10Night and Day
recorded in:
New York, New York, United States (on 1939-12-13)
alto saxophone:
Earle Warren (on 1939-12-13) and Jack Washington (on 1939-12-13)
double bass:
Walter Page (on 1939-12-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1939-12-13)
guitar:
Freddie Green (on 1939-12-13)
piano:
Joe Sullivan (piano, USA) (on 1939-12-13)
tenor saxophone:
Lester Young (saxophonist) (on 1939-12-13)
trumpet:
Buck Clayton (on 1939-12-13) and Harry Edison (on 1939-12-13)
vocals:
Billie Holiday (on 1939-12-13)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1939-12-13)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Billie Holiday43:04
11It’s De‐Lovely
recording of:
It’s De‐Lovely
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
Dinah Shore2:34
12Easy to Love
recorded in:
Hollywood, Los Angeles, California, United States (in 1938)
vocals:
Judy Garland (in 1938)
orchestra:
MGM Studio Orchestra (in 1938)
recording of:
Easy to Love (in 1938)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
Judy Garland1:52
13Let’s Be Buddies
recording of:
Let’s Be Buddies (Panama Hattie musical)
lyricist and composer:
Cole Porter (composer) (in 1940)
part of:
Panama Hattie (1940 Cole Porter musical)
part of:
Panama Hattie (1942 film)
Doris Day3:04
14I Concentrate on You
Mel Tormé2:05
15I Get a Kick Out of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Sarah Vaughan2:50
16I’ve Got You Under My Skin
producer:
Voyle Gilmore (on 1959-01-02)
tenor saxophone:
Sam Butera (on 1959-01-02)
trumpet:
Louis Prima (on 1959-01-02)
vocals:
Louis Prima (on 1959-01-02) and Keely Smith (on 1959-01-02)
orchestra:
The Witnesses (on 1959-01-02)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1959-01-02)
cover recording of:
I’ve Got You Under My Skin (on 1959-01-02)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Keely Smith2:37
17Begin the Beguine
Al Martino3:01
18Love for Sale
double bass and double bass [bass]:
George Duvivier (on 1973-04-29)
drums (drum set):
Al Harewood (on 1973-04-29)
electric guitar:
George Benson (jazz guitarist/singer) (on 1973-04-29)
piano:
Mickey Tucker (on 1973-04-29)
live instrumental recording of:
Love for Sale (on 1973-04-29)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
George Benson14:19

Credits

Release

ASIN:US: B0002IQAE0 [info]