Carmen

~ Release by Georges Bizet; Aurora Buades, Benvenuto Franci, Aureliano Pertile, Ines Alfani Tellini, Irma Mion, Ebe Ticozzi, Coro & Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli (see all versions of this release, 1 available)

Annotation

Recorded Milan between 28 April and 19 May 1932

Conductor - Lorenzo Molajoli
Orchestra - Teatro alla Scala
Chorus - Teatro alla Scala

Carmen - Aurora Buades(-D'Alessio)
Don José - Aureliano Pertile
Micaëla - Ines Alfani-Tellini
Escamillo - Benvenuto Franci
Frasquita - Irma Mion
Mercédès - Ebe Ticozzi
Le Dancaïre - Aristide Baracchi
Le Remendado - Giuseppe Nessi
Moralès - Aristide Baracchi
Zuninga - Bruno Carmassi

Annotation last modified on 2022-12-04 15:34 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Carmen: Sinfonia
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen : Prélude (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet3:33
2Carmen: Atto I. “Sulla piazza si schiamazza”
baritone vocals [Morales]:
Aristide Baracchi (baritone) (from 1932-04-28 until 1932-05-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
soprano vocals [Micaela]:
Ines Alfani Tellini (soprano) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto I. “Sulla piazza si schiamazza” (Morales, Micaela, Soldati e Viandanti) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte I. No. 2 « Sur la place, chacun passe » (Les Soldats, Moralès)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet6:14
3Carmen: Atto I. “Con la guardia quando monta”
baritone vocals [Morales]:
Aristide Baracchi (baritone) (from 1932-04-28 until 1932-05-19)
bass vocals [L'Ufficiale (Zuniga)]:
Bruno Carmassi (operatic bass) (from 1932-04-28 until 1932-05-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
soprano vocals [Micaela]:
Ines Alfani Tellini (soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto I. “Con la guardia quando monta” (L'Ufficiale, Don José, Morales, Micaela, coro) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet5:46
4Carmen: Atto I. “Suono la campana”
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto I. “Suonò la campana” (Don José, Soldati, Giovinotti e Sigaraie) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte I. No. 4 Chœur des cigarières « La cloche a sonné » (Les Jeunes Gens, les Soldats, les Cigarières)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet4:07
5Carmen: Atto I. “Ma fra voi qui non è la Carmencita?”
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto I. “Ma fra voi qui non è la Carmencita?” (Soldati, Giovanotti) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte I. No. 4 Chœur et scène « Mais nous ne voyons pas la Carmencita ! » (Les Soldats, les Jeunes Gens)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet1:15
6Carmen: Atto I. “È l’amore uno strano augello”
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto I. “È l’amor uno strano augello” (Carmen, coro) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet6:31
7Carmen: Atto I. “Quale occhiata e quai aria sfrontata!”
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto I. “Carmen, tutti qui te sola aspettiamo” / “Quale occhiata” (Giovinotti, Don José) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte I. No. 6 Scène « Carmen ! Sur tes pas, nous nous pressons tous ! » (Les Jeunes Gens, les Cigarières, Don José, Carmen)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet4:45
8Carmen: Atto I. “Mi madre io vedo ancor, si, si”
soprano vocals [Micaela]:
Ines Alfani Tellini (soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto I. “Ah! Mi parla di lei” (Don José, Micaela) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet3:52
9Carmen: Atto I. “Che accade mai?”
bass vocals [L'Ufficiale (Zuniga)]:
Bruno Carmassi (operatic bass) (from 1932-04-28 until 1932-05-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
partial recording of:
Carmen: Atto I. “Accorrete! accorrete!” (le Sigaraie, l'Ufficiale, Don José, Carmen) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte I. No. 8 « Que se passe‐t‐il donc là‐bas ? » … « Au secours » (Les Cigarières, les Soldats, Zuniga)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet2:40
10Carmen: Atto I. “Mio capitan, è stata una baruffa”
bass vocals [L'Ufficiale (Zuniga)]:
Bruno Carmassi (operatic bass) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto I. “Mio capitan, è stata una baruffa” (L'Ufficiale, Don José) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte I. No. 9 Chanson « Mon officier, c’était une querelle » (Don José, Zuniga)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet4:09
11Carmen: Atto I. “Presso il bastion di Siviglia”
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto I. “Presso il bastion di Siviglia” (Carmen, Don José) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet4:42
12Carmen: Atto I. “Ecco l’ordin, te n’va”
bass vocals [L'Ufficiale (Zuniga)]:
Bruno Carmassi (operatic bass) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto I. “Ecco l'ordin” (l'Ufficiale, Carmen) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte I. No. 11 Finale « Voici l'ordre, partez » (Zuniga, Carmen)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet2:34
13Carmen: Atto II. Prologo
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen : Acte I. Entr’acte (intermission between Acts I & II) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
part of:
Carmen: Act I (english lyrics)
part of:
Carmen: Akt I (German translation, Julius Hopp)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet1:44
14Carmen: Atto II. “All’udir del sistro il suon”
bass vocals [L'Ufficiale (Zuniga)]:
Bruno Carmassi (operatic bass) (from 1932-04-28 until 1932-05-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Mercedes]:
Ebe Ticozzi (contralto) (from 1932-04-28 until 1932-05-19)
soprano vocals [Frasquita]:
Irma Mion (soprano) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto II. “All'udir del sistro il suon” (Carmen, Frasquita, Mercedes, l'Ufficiale, ufficiali, zingari) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet3:24
15Carmen: Atto II. “Or ben Pastia desia”
bass vocals [L'Ufficiale (Zuniga)]:
Bruno Carmassi (operatic bass) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Mercedes]:
Ebe Ticozzi (contralto) (from 1932-04-28 until 1932-05-19)
soprano vocals [Frasquita]:
Irma Mion (soprano) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto II. “Or ben Pastia desia” (Frasquita, Zuniga, Carmen, Mercédès) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte II. No. 12b Récit « Messieurs, Pastia me dit… » (Frasquita, Zuniga, Carmen, Mercédès)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet2:16
16Carmen: Atto II. “Con voi ber, affe, mi fia caro”
baritone vocals [Escamillo]:
Benvenuto Franci (italian baritone) (from 1932-04-28 until 1932-05-19)
baritone vocals [Morales]:
Aristide Baracchi (baritone) (from 1932-04-28 until 1932-05-19)
bass vocals [L'Ufficiale (Zuniga)]:
Bruno Carmassi (operatic bass) (from 1932-04-28 until 1932-05-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Mercedes]:
Ebe Ticozzi (contralto) (from 1932-04-28 until 1932-05-19)
soprano vocals [Frasquita]:
Irma Mion (soprano) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto II. “Con voi ber, affe, mi fin caro” (Escamillo, coro, Carmen, l'Ufficiale) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet6:15
17Carmen: Atto II. “Ebben, dite, abbiam novelle?”
baritone vocals [Il Dancairo]:
Aristide Baracchi (baritone) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Mercedes]:
Ebe Ticozzi (contralto) (from 1932-04-28 until 1932-05-19)
soprano vocals [Frasquita]:
Irma Mion (soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Il Remendado]:
Giuseppe Nessi (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto II. “Voi s'ha in vista un bell'affare” (Il Dancairo, il Remendado, Carmen, Frasquita, Mercedes) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet5:07
18Carmen: Atto II. “E chi puoi tu aspettar?”
baritone vocals [Il Dancairo]:
Aristide Baracchi (baritone) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Mercedes]:
Ebe Ticozzi (contralto) (from 1932-04-28 until 1932-05-19)
soprano vocals [Frasquita]:
Irma Mion (soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
tenor vocals [Il Remendado]:
Giuseppe Nessi (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto II. “Alto là! Chi va là?” (Don José, il Dancairo, il Remendado, Carmen, Frasquita, Mercedes) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte II. No. 16 « Halte là ! Qui va là ? Dragon d'Alcala !» (Don José, Carmen, Mercédès, Frasquita, Le Dancaïre, Le Remendado)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet4:14
2▶CD

Credits

Release

ASIN:DE: B000055ZX9 [info]