Anita O'Day Swings Cole Porter With Billy May

~ Release by Anita O’Day with Billy May (see all versions of this release, 2 available)

Annotation

Music and lyrics composed by Cole Porter and arranged by Billy May.

Annotation last modified on 2011-11-30 05:12 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Just One of Those Things
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Just One of Those Things (on 1959-04-02)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:05
2Love for Sale
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Love for Sale (on 1959-04-02)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
2:44
3You'd Be So Nice to Come Home To
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
You’d Be So Nice to Come Home To (on 1959-04-02)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
1:51
4Easy to Love
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Easy to Love (on 1959-04-02)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:03
5I Get a Kick Out of You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I Get a Kick Out of You (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
2:24
6All of You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
All of You (Silk Stockings musical) (on 1959-04-02)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
1:42
7Get Out of Town
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
Get Out of Town (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
2:32
8I've Got You Under My Skin
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I’ve Got You Under My Skin (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
1:46
9Night and Day
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
2:01
10It's De-Lovely
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
It’s De‐Lovely (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
2:06
11I Love You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I Love You (Mexican Hayride musical) (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
1:59
12What Is This Thing Called Love?
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
2:32
13You're the Top
producer:
Norman Granz
bass:
Joe Mondragon (on 1955-12-08)
drums (drum set):
Alvin Stoller (on 1955-12-08)
guitar:
Barney Kessel (on 1955-12-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1955-12-08)
trombone:
Milt Bernhart (on 1955-12-08), Lloyd Elliot (on 1955-12-08), Joe Howard (american trombone player) (on 1955-12-08) and Si Zentner (on 1955-12-08)
vocals:
Anita O’Day (on 1955-12-08)
orchestra:
Buddy Bregman Orchestra (on 1955-12-08)
recording of:
You’re the Top (on 1955-12-08)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
2:26
14My Heart Belongs to Daddy
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-04)
producer:
Norman Granz
bass:
Buddy Clark (US jazz bassist)
drums (drum set):
Lawrence Marable
piano:
Jimmy Rowles
reeds:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
trombone:
Frank Rosolino
trumpet:
Lee Katzman and Jack Sheldon
tuba:
Al Pollan
vocals:
Anita O’Day (from 1959-04-07 to present, in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
My Heart Belongs to Daddy (in 1959-04)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. and Chappell Music Ltd.
2:54
15Why Shouldn't I?
producer:
Norman Granz
alto saxophone:
Charlie Kennedy (saxophonist) (on 1960-08-17) and Joe Maini (on 1960-08-17)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1960-08-17)
bass:
Joe Mondragon (on 1960-08-17)
bass trombone:
Ken Shroyer (trombonist) (on 1960-08-17)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1960-08-17)
guitar:
Al Hendrickson (on 1960-08-17)
piano:
Lou Levy (on 1960-08-17)
tenor saxophone:
Richie Kamuca (on 1960-08-17) and Bill Perkins (jazz saxophonist) (on 1960-08-17)
trombone:
Bob Edmondson (on 1960-08-17), Lew McCreary (on 1960-08-17) and Frank Rosolino (on 1960-08-17)
trumpet:
Conte Candoli (on 1960-08-17), Al Porcino (on 1960-08-17), Ray Triscari (on 1960-08-17) and Stu Williamson (on 1960-08-17)
vocals:
Anita O’Day (on 1960-08-17)
arranger:
Bill Holman
recording of:
Why Shouldn’t I? (on 1960-08-17)
lyricist and composer:
Cole Porter (composer) (in 1935)
3:07
16From This Moment On
producer:
Norman Granz
bass:
Leroy Vinnegar (on 1955-08-11)
drums (drum set):
Larry Bunker (on 1955-08-11)
guitar:
Tal Farlow (jazz guitarist) (on 1955-08-11)
piano:
Jimmy Rowles (on 1955-08-11)
vocals:
Anita O’Day (on 1955-08-11)
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (on 1955-08-11)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
3:13
17Love for Sale
producer:
Norman Granz
baritone saxophone:
Cecil Payne (on 1952-01-22)
bass:
Al McKibbon (double bassist) (on 1952-01-22)
drums (drum set):
Don Lamond (on 1952-01-22)
piano:
Ralph Burns (on 1952-01-22)
tenor saxophone:
Budd Johnson (on 1952-01-22)
trombone:
Bill Harris (jazz trombonist) (on 1952-01-22)
trumpet:
Roy Eldridge (on 1952-01-22)
vocals:
Anita O’Day (on 1952-01-22)
arranger:
Ralph Burns
recording of:
Love for Sale (on 1952-01-22)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
3:37
18Just One of Those Things
producer:
Norman Granz
bass:
Monte Budwig (in 1954-04)
drums (drum set):
Jackie Mills (in 1954-04)
guitar:
Barney Kessel (in 1954-04)
piano:
Arnold Ross (in 1954-04)
vocals:
Anita O’Day (in 1954-04)
recording of:
Just One of Those Things (in 1954-04)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:39