Glyndebourne Wind Serenades

~ Release by Dove, Harvey, Stephen Oliver, Osborne, Saxton, The London Philharmonic & Orchestra of the Age of Enlightenment (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Dancing in the Dark
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
Frances Eustace (bassoonist) and Andrew Watts (bassoonist)
clarinet:
Nicholas Bucknall and Timothy Lines
flute:
Lisa Beznosiuk (flautist)
natural horn:
Robert Maskell (horn player) and Roger Montgomery (horn player)
oboe:
Paul Goodwin (conductor / oboist) and Catherine Latham (Classical oboe and recorder player)
orchestra:
Members of the Orchestra of the Age of Enlightenment
conductor:
Jonathan Dove (British composer) and Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1991-11-22)
recording of:
Figures in the Garden
composer:
Jonathan Dove (British composer) (in 1991)
is based on:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Jonathan Dove2:14
2Susanna in the Rain
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
Frances Eustace (bassoonist) and Andrew Watts (bassoonist)
clarinet:
Nicholas Bucknall and Timothy Lines
flute:
Lisa Beznosiuk (flautist)
natural horn:
Robert Maskell (horn player) and Roger Montgomery (horn player)
oboe:
Paul Goodwin (conductor / oboist) and Catherine Latham (Classical oboe and recorder player)
orchestra:
Members of the Orchestra of the Age of Enlightenment
conductor:
Jonathan Dove (British composer) and Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1991-11-22)
recording of:
Figures in the Garden
composer:
Jonathan Dove (British composer) (in 1991)
is based on:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Jonathan Dove3:48
3A Conversation
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
Frances Eustace (bassoonist) and Andrew Watts (bassoonist)
clarinet:
Nicholas Bucknall and Timothy Lines
flute:
Lisa Beznosiuk (flautist)
natural horn:
Robert Maskell (horn player) and Roger Montgomery (horn player)
oboe:
Paul Goodwin (conductor / oboist) and Catherine Latham (Classical oboe and recorder player)
orchestra:
Members of the Orchestra of the Age of Enlightenment
conductor:
Jonathan Dove (British composer) and Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1991-11-22)
recording of:
Figures in the Garden
composer:
Jonathan Dove (British composer) (in 1991)
is based on:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Jonathan Dove1:18
4Barbarina Alone
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
Frances Eustace (bassoonist) and Andrew Watts (bassoonist)
clarinet:
Nicholas Bucknall and Timothy Lines
flute:
Lisa Beznosiuk (flautist)
natural horn:
Robert Maskell (horn player) and Roger Montgomery (horn player)
oboe:
Paul Goodwin (conductor / oboist) and Catherine Latham (Classical oboe and recorder player)
orchestra:
Members of the Orchestra of the Age of Enlightenment
conductor:
Jonathan Dove (British composer) and Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1991-11-22)
recording of:
Figures in the Garden
composer:
Jonathan Dove (British composer) (in 1991)
is based on:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Jonathan Dove2:19
5A Countess Interrupts a Quarrel
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
Frances Eustace (bassoonist) and Andrew Watts (bassoonist)
clarinet:
Nicholas Bucknall and Timothy Lines
flute:
Lisa Beznosiuk (flautist)
natural horn:
Robert Maskell (horn player) and Roger Montgomery (horn player)
oboe:
Paul Goodwin (conductor / oboist) and Catherine Latham (Classical oboe and recorder player)
orchestra:
Members of the Orchestra of the Age of Enlightenment
conductor:
Jonathan Dove (British composer) and Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1991-11-22)
recording of:
Figures in the Garden
composer:
Jonathan Dove (British composer) (in 1991)
is based on:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Jonathan Dove2:35
6Voices in the Garden
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
Frances Eustace (bassoonist) and Andrew Watts (bassoonist)
clarinet:
Nicholas Bucknall and Timothy Lines
flute:
Lisa Beznosiuk (flautist)
natural horn:
Robert Maskell (horn player) and Roger Montgomery (horn player)
oboe:
Paul Goodwin (conductor / oboist) and Catherine Latham (Classical oboe and recorder player)
orchestra:
Members of the Orchestra of the Age of Enlightenment
conductor:
Jonathan Dove (British composer) and Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1991-11-22)
recording of:
Figures in the Garden
composer:
Jonathan Dove (British composer) (in 1991)
is based on:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Jonathan Dove1:40
7Nocturne: Figaro and Susanna
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
Frances Eustace (bassoonist) and Andrew Watts (bassoonist)
clarinet:
Nicholas Bucknall and Timothy Lines
flute:
Lisa Beznosiuk (flautist)
natural horn:
Robert Maskell (horn player) and Roger Montgomery (horn player)
oboe:
Paul Goodwin (conductor / oboist) and Catherine Latham (Classical oboe and recorder player)
orchestra:
Members of the Orchestra of the Age of Enlightenment
conductor:
Jonathan Dove (British composer) and Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1991-11-22)
recording of:
Figures in the Garden
composer:
Jonathan Dove (British composer) (in 1991)
is based on:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Jonathan Dove3:18
8Albanian Nights
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
Frances Eustace (bassoonist) and Andrew Watts (bassoonist)
clarinet:
Nicholas Bucknall and Timothy Lines
flute:
Lisa Beznosiuk (flautist) and Neil McLaren (flautist)
natural horn:
Robert Maskell (horn player) and Roger Montgomery (horn player)
oboe:
Paul Goodwin (conductor / oboist) and Catherine Latham (Classical oboe and recorder player)
conductor:
Antony Pay (clarinetist)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1991-11-22)
recording of:
Albanian Nights
composer:
Nigel Osborne
Nigel Osborne10:23
9First Movement
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bass clarinet:
Stephen Trier (clarinetist)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
flute:
Robin Chapman (flutist) and Jonathan Snowden (flutist)
horn:
Gareth Mollison (horn player)
oboe:
Sian Davies (oboe), Josephine Lively and Joan Whiting (double-reed player)
piccolo:
Robin Chapman (flutist)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Serenade in Homage to Mozart
composer:
Jonathan Harvey (British composer)
Jonathan Harvey5:19
10Second Movement
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bass clarinet:
Stephen Trier (clarinetist)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
flute:
Robin Chapman (flutist) and Jonathan Snowden (flutist)
horn:
Gareth Mollison (horn player)
oboe:
Sian Davies (oboe), Josephine Lively and Joan Whiting (double-reed player)
piccolo:
Robin Chapman (flutist)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Serenade in Homage to Mozart
composer:
Jonathan Harvey (British composer)
Jonathan Harvey4:53
11Rome
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bass clarinet:
Stephen Trier (clarinetist)
bassoon:
John Price (bassoonist)
E-flat clarinet:
Robert Hill (clarinetist)
oboe:
David Theodore (oboist)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Character Pieces for wind octet derived from Metastasio's 'La clemenza di Tito'
composer:
Stephen Oliver (English composer)
Stephen Oliver1:27
12Vitella and Sesto
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bass clarinet:
Stephen Trier (clarinetist)
bassoon:
John Price (bassoonist)
E-flat clarinet:
Robert Hill (clarinetist)
oboe:
David Theodore (oboist)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Character Pieces for wind octet derived from Metastasio's 'La clemenza di Tito'
composer:
Stephen Oliver (English composer)
Stephen Oliver1:29
13Rome
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bass clarinet:
Stephen Trier (clarinetist)
bassoon:
John Price (bassoonist)
E-flat clarinet:
Robert Hill (clarinetist)
oboe:
David Theodore (oboist)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Character Pieces for wind octet derived from Metastasio's 'La clemenza di Tito'
composer:
Stephen Oliver (English composer)
Stephen Oliver1:11
14Servilla and Annio
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bass clarinet:
Stephen Trier (clarinetist)
bassoon:
John Price (bassoonist)
E-flat clarinet:
Robert Hill (clarinetist)
oboe:
David Theodore (oboist)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Character Pieces for wind octet derived from Metastasio's 'La clemenza di Tito'
composer:
Stephen Oliver (English composer)
Stephen Oliver2:28
15Rome
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bass clarinet:
Stephen Trier (clarinetist)
bassoon:
John Price (bassoonist)
E-flat clarinet:
Robert Hill (clarinetist)
oboe:
David Theodore (oboist)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Character Pieces for wind octet derived from Metastasio's 'La clemenza di Tito'
composer:
Stephen Oliver (English composer)
Stephen Oliver0:54
16Tito
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bass clarinet:
Stephen Trier (clarinetist)
bassoon:
John Price (bassoonist)
E-flat clarinet:
Robert Hill (clarinetist)
oboe:
David Theodore (oboist)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Character Pieces for wind octet derived from Metastasio's 'La clemenza di Tito'
composer:
Stephen Oliver (English composer)
Stephen Oliver1:51
17Presto
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bass clarinet:
Stephen Trier (clarinetist)
bassoon:
John Price (bassoonist)
E-flat clarinet:
Robert Hill (clarinetist)
oboe:
David Theodore (oboist)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Character Pieces for wind octet derived from Metastasio's 'La clemenza di Tito'
composer:
Stephen Oliver (English composer)
Stephen Oliver2:01
18[Vivo]–
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton0:41
19Ilia–
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton0:37
20Idamante–
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton0:32
21Electra–
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton0:35
22Idomeno–
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton1:45
23Ciaconna–
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton0:31
24Ilia–
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton0:34
25Ilia and Idamante–
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton0:14
26Electra–
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton1:25
27A Storm Arises–
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton0:14
28Idomeno–
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton0:20
29The Sea Monster Appears–
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton0:21
30Ilia-
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton0:47
31The Voice–
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton0:20
32Ilia and Idamante–
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton0:22
33Vivo (Tempo Primo)
producer:
Mike Purton
editor:
Stephen Frost (sound engineer)
bassoon:
John Price (bassoonist) and Philip Tarlton (bassoonist and clarinetist)
clarinet:
Peter Maunder (Clarinet player)
cor anglais:
Joan Whiting (double-reed player)
E-flat clarinet:
Robert Hill (clarinetist)
horn:
Gareth Mollison (horn player)
oboe:
David Theodore (oboist) and Joan Whiting (double-reed player)
orchestra:
Members of the London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-10-08 until 1991-10-09)
recording of:
Paraphrase on Mozart's 'Idomeneo'
composer:
Stephen Oliver (English composer)
Robert Saxton1:07

Credits

Release

part of:British Composers (EMI/Virgin/Warner Classics) (order: 6)
Discogs:https://www.discogs.com/release/11403631 [info]