BTHVN 2020: The New Complete Edition (orchestral music)

~ Release by Ludwig van Beethoven (see all versions of this release, 8 available)

Tracklist

1▶CD: Symphonies nos. 1 & 2 / Overtures “Prometheus” & “Leonore” no. 3 (Modern Instruments)
2▶CD: Symphonies nos. 3 & 4 (Modern Instruments)
3▶CD: Symphonies nos. 5 & 6 / Overture “Coriolan” (Modern Instruments)
4▶CD: Symphonies nos. 7 & 8 / Wellington's Victory / Overture “Zur Namensfeier” (Modern Instruments)
5▶CD: Symphony no. 9 (Modern Instruments)
6▶CD: Symphonies nos. 1 & 2 / Music to “Egmont” (Vienna Cycle)
7▶CD: Symphonies nos. 3 & 4 (Vienna Cycle)
8▶CD: Symphonies nos. 5 & 7 (Vienna Cycle)
9▶CD: Symphonies nos. 6 & 8 (Vienna Cycle)
10▶CD: Symphony no. 9 (Vienna Cycle)
11▶CD: Symphonies nos. 1 & 2 (Period Instruments)
12▶CD: Symphonies Nos. 3 & 4 (Period Instruments)
13▶CD: Symphonies nos. 5 & 6 (Period Instruments)
14▶CD: Symphonies nos. 7 & 8 (Period Instruments)
15▼CD: Symphony no. 9 / Choral Fantasy (Period Instruments)
#TitleRatingLength
1Symphony no. 9 in d, op. 125: I. Allegro ma non troppo, un poco maestoso
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-10)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
13:05
2Symphony no. 9 in d, op. 125: II. Molto vivace
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-10)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
13:07
3Symphony no. 9 in d, op. 125: III. Adagio molto e cantabile
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-10)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
12:06
4Symphony no. 9 in d, op. 125: IV. Presto - Allegro assai -
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Gilles Cachemaille (bass-baritone) (in 1992-10)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-10)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1992-10)
soprano vocals:
Ľuba Orgonášová (soprano) (in 1992-10)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-10)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
5:30
5Symphony no. 9 in d, op. 125: V. Presto - “O Freunde! nicht diese Töne!” - Allegro assai: “Freude, schöner Götterfunken” - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Gilles Cachemaille (bass-baritone) (in 1992-10)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-10)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1992-10)
soprano vocals:
Ľuba Orgonášová (soprano) (in 1992-10)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-10)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
16:00
6Fantasia for Piano, Chorus and Orchestra in c, op. 80 (“Choral Fantasy”): Adagio
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
editor:
Mark Buecker (engineer of classical recordings)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio (in 1995-01)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
version of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: Original introduction (Original introduction, not part of standard repertoire)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
3:25
7Fantasia for Piano, Chorus and Orchestra in c, op. 80 (“Choral Fantasy”): Finale. Allegro - Meno allegro (Allegretto) - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto “Schmeichelnd hold und lieblich klingen” - Presto
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
editor:
Mark Buecker (engineer of classical recordings)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
alto vocals:
Susanna Spicer (in 1995-01)
baritone vocals:
Julian Clarkson (baritone) (in 1995-01)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-01)
soprano vocals:
Constanze Backes (German Soprano vocalist) (in 1995-01) and Angela Kazimierczuk (Classical soprano) (in 1995-01)
tenor vocals:
Robert Johnston (English tenor) (in 1995-01) and Julian Podger (English tenor vocalist & choral conductor) (in 1995-01)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1995-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (in 1995-01)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
14:36
16▶CD: Piano Concertos nos. 1 & 2 / Piano Concerto WoO 4
17▶CD: Piano Concertos nos. 3 & 4
18▶CD: Piano Concerto no. 5 / Violin Concerto
19▶CD: Violin Concerto / Violin Romances / Romance cantabile
20▶CD: Piano Concertos nos. 1 & 2 / Piano Rondo WoO 6
21▶CD: Piano Concertos nos. 3 & 4 / Choral Fantasy
22▶CD: Piano Concerto no. 5 / Piano Concerto in D
23▶CD: Triple Concerto / Violin Concerto Movement / Cadenzas

Credits

Release group

includes:The Late String Quartets, opp. 95, 127, 130–133 & 135 by Beethoven (Ludwig van Beethoven, German composer); Takács Quartet