Die kompletten Werke, Volume 15: Kantaten, BWV 188, 190-200

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. Juni/Oktober 1983 (BWV 188); Dezember 1977/Januar 1978 (BWV 190); Februar/Mai 1971 (BWV 191); Januar/Februar 1974 (BWV 192)
CD2 Aufnahme: Gedächtniskirche Stuttgart. Juni/Juli/Oktober 1983 (BWV 193); Januar 1977 (BWV 194)
CD3 Aufnahme: Gedächtniskirche Stuttgart. Oktober 1983/Februar 1984 (BWV 195); Januar 1976 (BWV 196); Februar/März 1984 (BWV 197)
CD4 Aufnahme: Gedächtniskirche Stuttgart. September/Oktober 1983 (BWV 198); April 1976 (BWV 199); Februar 1984 (BWV 200)

Annotation last modified on 2014-06-19 18:14 UTC.

Tracklist

1▶CD: BWV 188,190-192
2▼CD: BWV 193-194
#TitleArtistRatingLength
1Kantate, BWV 193 "Ihr Tore zu Zion": I. Coro "Ihr Tore zu Zion"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-07 until 1983-10)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": I. Coro "Ihr Tore zu Zion" (from 1983-07 until 1983-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
Johann Sebastian Bach4:56
2Kantate, BWV 193 "Ihr Tore zu Zion": II. Recitativo (Sopran) "Der Hüter Israel entschläft noch schlummert nicht"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-07 until 1983-10)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": II. Recitativo (Sopran) "Der Hüter Israel entschläft noch schlummert nicht" (from 1983-07 until 1983-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
Johann Sebastian Bach0:41
3Kantate, BWV 193 "Ihr Tore zu Zion": III. Aria (Sopran) "Gott, wir danken deiner Güte"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-07 until 1983-10)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": III. Aria (Sopran) "Gott, wir danken deiner Güte" (from 1983-07 until 1983-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
Johann Sebastian Bach6:17
4Kantate, BWV 193 "Ihr Tore zu Zion": IV. Recitativo (Alt) "O Leipziger Jerusalem"
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-07 until 1983-10)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": IV. Recitativo (Alt) "O Leipziger Jerusalem" (from 1983-07 until 1983-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
Johann Sebastian Bach0:58
5Kantate, BWV 193 "Ihr Tore zu Zion": V. Aria (Alt) "Sende, Herr, den Segen ein"
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-07 until 1983-10)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": V. Aria (Alt) "Sende, Herr, den Segen ein" (from 1983-07 until 1983-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
Johann Sebastian Bach3:27
6Kantate, BWV 193 "Ihr Tore zu Zion": VI. Coro "Ihr Tore zu Zion"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-07 until 1983-10)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": VI. Coro "Ihr Tore zu Zion" (from 1983-07 until 1983-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
Johann Sebastian Bach4:31
7Kantate, BWV 194 "Höchsterwünschtes Freudenfest": I. Coro "Höchsterwünschtes Freudenfest"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": I. Coro "Höchsterwünschtes Freudenfest" (from 1976-09 until 1977-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach6:55
8Kantate, BWV 194 "Höchsterwünschtes Freudenfest": II. Recitativo (Bass) "Unendlich großer Gott"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": II. Recitativo (Bass) "Unendlich großer Gott" (from 1976-09 until 1977-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach1:29
9Kantate, BWV 194 "Höchsterwünschtes Freudenfest": III. Aria (Bass) "Was des Höchsten Glanz erfüllt"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": III. Aria (Bass) "Was des Höchsten Glanz erfüllt" (from 1976-09 until 1977-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach4:44
10Kantate, BWV 194 "Höchsterwünschtes Freudenfest": IV. Recitativo (Sopran) "Wie könnte dir, du höchstes Angesicht"
soprano vocals:
Judith Beckman (American soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": IV. Recitativo (Sopran) "Wie könnte dir, du höchstes Angesicht" (from 1976-09 until 1977-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach1:46
11Kantate, BWV 194 "Höchsterwünschtes Freudenfest": V. Aria (Sopran) "Hilf, Gott, daß es uns gelingt"
soprano vocals:
Judith Beckman (American soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": V. Aria (Sopran) "Hilf, Gott, daß es uns gelingt" (from 1976-09 until 1977-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach6:52
12Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VI. Choral "Heilger Geist ins Himmels Throne"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VI. Choral "Heilger Geist ins Himmels Throne" (from 1976-09 until 1977-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 100)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach2:07
13Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VII. Recitativo (Tenor) "Ihr Heiligen, erfreuet euch"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VII. Recitativo (Tenor) "Ihr Heiligen, erfreuet euch" (from 1976-09 until 1977-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach1:38
14Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VIII. Aria (Tenor) "Des Höchsten Gegenwart allein"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VIII. Aria (Tenor) "Des Höchsten Gegenwart allein" (from 1976-09 until 1977-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach5:39
15Kantate, BWV 194 "Höchsterwünschtes Freudenfest": IX. Recitativo (Duetto Sopran, Bass) "Kann wohl ein Mensch"
bass vocals:
Walter Heldwein
soprano vocals:
Judith Beckman (American soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": IX. Recitativo (Duetto Sopran, Bass) "Kann wohl ein Mensch" (from 1976-09 until 1977-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach2:45
16Kantate, BWV 194 "Höchsterwünschtes Freudenfest": X. Aria (Duetto Sopran, Bass) "O wie wohl ist uns geschehn"
bass vocals:
Walter Heldwein
soprano vocals:
Judith Beckman (American soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": X. Aria (Duetto Sopran, Bass) "O wie wohl ist uns geschehn" (from 1976-09 until 1977-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach11:00
17Kantate, BWV 194 "Höchsterwünschtes Freudenfest": XI. Recitativo (Bass) "Wohlan demnach"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": XI. Recitativo (Bass) "Wohlan demnach" (from 1976-09 until 1977-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach0:59
18Kantate, BWV 194 "Höchsterwünschtes Freudenfest": XII. Choral "Sprich Ja zu meinen Taten"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": XII. Choral "Sprich Ja zu meinen Taten" (from 1976-09 until 1977-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Gerhardt (17th century hymn writer) (from 1647 until 1653)
part of:
Breitkopf 389 Choralgesänge (number: 268)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach1:18
3▶CD: BWV 195-197
4▶CD: BWV 198-200