Tracklist

1CD
#TitleArtistRatingLength
1Overture no. 1 in E minor
art direction:
Jeremy Tilston (art director and designer)
producer:
Michael Bremner (producer/engineer) (from 1967-11-13 until 1967-11-17)
harpsichord:
George Malcolm (English harpsichordist, conductor) (from 1967-11-13 until 1967-11-17)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Alan Reeve (from 1967-11-13 until 1967-11-17) and Kenneth Wilkinson (engineer) (from 1967-11-13 until 1967-11-17)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Overture no. 1 in E minor (from 1967-11-13 until 1967-11-17)
composer:
Thomas Arne (composer)
part of:
Eight Overtures in 8 parts (collection)
Thomas Arne7:39
2Harpsichord Concerto no. 5 in G minor
art direction:
Jeremy Tilston (art director and designer)
solo harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1967)
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1967)
conductor:
Neville Marriner (conductor) (in 1967)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recording of:
Concerto no. 5 in G minor
composer:
Thomas Arne (composer)
Thomas Arne10:40
3Harpsichord Concerto in C minor, Wq. 43 no. 4
art direction:
Jeremy Tilston (art director and designer)
solo harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1967)
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1967)
conductor:
Neville Marriner (conductor) (in 1967)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recording of:
Concerto c-Moll, Wq 43 no. 4, H 474
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 474)
part of:
6 harpsichord concerti, Wq. 43
Carl Philipp Emanuel Bach11:46
4Harpsichord Concerto in A major, T. 297/1(ii): I. Allegro
art direction:
Jeremy Tilston (art director and designer)
solo harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1968)
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1968)
conductor:
Neville Marriner (conductor) (in 1968)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recording of:
Cadenza to Johann Christian Bach: Harpsichord Concerto in A major, T297/I (ii): I. Allegro (in 1968)
composer:
George Malcolm (English harpsichordist, conductor)
is based on:
Harpsichord Concerto in A major, T297/I (ii): I. Allegro
recording of:
Harpsichord Concerto in A major, T297/I (ii): I. Allegro
composer:
Johann Christian Bach (German composer, son of JSB)
part of:
Harpsichord Concerto in A major, T297/I (ii)
Johann Christian Bach7:44
5Harpsichord Concerto in A major, T. 297/1(ii): II. Andante ma non troppo
art direction:
Jeremy Tilston (art director and designer)
solo harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1968)
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1968)
conductor:
Neville Marriner (conductor) (in 1968)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recording of:
Harpsichord Concerto in A major, T297/I (ii): II. Andante ma non troppo
composer:
Johann Christian Bach (German composer, son of JSB)
part of:
Harpsichord Concerto in A major, T297/I (ii)
Johann Christian Bach6:56
6Harpsichord Concerto in A major, T. 297/1(ii): III. Allegro
art direction:
Jeremy Tilston (art director and designer)
solo harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1968)
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1968)
conductor:
Neville Marriner (conductor) (in 1968)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recording of:
Harpsichord Concerto in A major, T297/I (ii): III. Allegro
composer:
Johann Christian Bach (German composer, son of JSB)
part of:
Harpsichord Concerto in A major, T297/I (ii)
Johann Christian Bach4:50
7Harpsichord Concerto in D major, Hob. XVIII:11: I. Vivace
art direction:
Jeremy Tilston (art director and designer)
solo harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1968)
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1968)
conductor:
Neville Marriner (conductor) (in 1968)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recording of:
Cadenza to Harpsichord Concerto in D major, Hob. XVIII:11: I. Vivace (Haydn)
composer:
Joseph Haydn (composer)
is based on:
Piano Concerto no. 11 in D major, Hob. XVIII:11: I. Vivace
recording of:
Piano Concerto no. 11 in D major, Hob. XVIII:11: I. Vivace
composer:
Joseph Haydn (composer)
part of:
Piano Concerto no. 11 in D major, Hob. XVIII:11
Joseph Haydn7:36
8Harpsichord Concerto in D major, Hob. XVIII:11: II. Un poco adagio
art direction:
Jeremy Tilston (art director and designer)
solo harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1968)
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1968)
conductor:
Neville Marriner (conductor) (in 1968)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recording of:
Piano Concerto no. 11 in D major, Hob. XVIII:11: II. Un poco adagio
composer:
Joseph Haydn (composer)
part of:
Piano Concerto no. 11 in D major, Hob. XVIII:11
Joseph Haydn4:57
9Harpsichord Concerto in D major, Hob. XVIII:11: III. Rondo all’Ungherese. Allegro assai
art direction:
Jeremy Tilston (art director and designer)
solo harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1968)
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1968)
conductor:
Neville Marriner (conductor) (in 1968)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recording of:
Piano Concerto no. 11 in D major, Hob. XVIII:11: III. Rondo all'ungarese. Allegro assai
composer:
Joseph Haydn (composer)
part of:
Piano Concerto no. 11 in D major, Hob. XVIII:11
Joseph Haydn4:10
10Overture (Sinfonia) in D major, Hob. Ia:7
art direction:
Jeremy Tilston (art director and designer)
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1968)
conductor:
Neville Marriner (conductor) (in 1968)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recording of:
Overture in D major, Hob. Ia:7
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. Ia:7)
Joseph Haydn4:37

Credits

Release

manufactured in:France
Germany
printed in:Germany
liner notes:Clifford Bartlett (organist and text translator)
liner notes translator:Philippe Danel (linernotes, traduction french) (in 1994)
Andreas Klatt (liner notes) (in 1994)
artwork:Michel-Ange Houasse (French baroque painter)
rights society:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
manufactured by:PMDC (France)
copyrighted (©) by:The Decca Record Company Limited (not a release label; for copyrights use only) (in 1994)
Discogs:https://www.discogs.com/release/11292940 [info]