Kiri: A Portrait

~ Veröffentlichung von Kiri Te Kanawa (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

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Anmerkung zuletzt geändert am 2012-04-03 19:50 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Die Zauberflöte, K.620: Act I. Schnelle Fuße, rascher Mut … Es lebe Sarastro
Baritongesang [Papageno]:
Olaf Bär (baritone)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:53
2The Beggar's Opera: Act I. "Virgins are like the fair flow'r in its lustre"
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
The Beggar's Opera: Act I. Air. "Virgins are like the fair flower in its lustre" (Polly, Peachum)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
John Gay (English poet and dramatist)
Teil von:
The Beggar's Opera
John Gay2:35
3The Beggar's Opera: Act II. "Cease your funning"
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
John Gay1:27
4Messiah: Part I. "Rejoice greatly, o daughter of Zion"
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1984-10)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Version von:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
Teil von:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:20
5St. Matthew Passion, BWV 244: Part I, no. 8. Aria "Blute nur, du liebes Herz"
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:36
6"Bist du bei mir", BWV 508 Aria
Orgel:
Christopher Bowers-Broadbent (organist)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
Texter:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Komponist(in):
Gottfried Heinrich Stölzel (composer)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bachs Notenbibliothek (BNB) (Nummer: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (Nummer: BWV 508), Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 508) und Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 508)
Johann Sebastian Bach2:48
7Bachianas brasileiras no. 5 for Soprano and Cellos: Aria (Cantilena)
Instrumente:
Lynn Harrell & Instrumental Ensemble (cellist)
Soprangesang:
Kiri Te Kanawa (soprano)
conductor:
Jeffrey Tate (conductor)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Komponist(in):
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
Teil von:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos6:40
8Ein deutsches Requiem, op. 45: 5. Solo und Chor: "Ihr habt nun Traurigkeit"
Chorgesang:
Chicago Symphony Chorus
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran)
Komponist(in):
Johannes Brahms (German composer)
Teil von:
Ein deutsches Requiem, op. 45
Johannes Brahms8:19
9Tosca: Act II. "Vissi d'arte, vissi d'amore"
Soprangesang [Tosca]:
Kiri Te Kanawa (soprano) (in 1984-05)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1984-05)
conductor:
Sir Georg Solti (conductor) (in 1984-05)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1984-05)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1984-05)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:17
10Manon Lescaut: Act II. "Oh, sarò la più bella!… Tu, tu, amore tu"
Soprangesang:
Kiri Te Kanawa (soprano)
Tenor-Gesang [Des Grieux]:
José Carreras (Spanish tenor)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” (Manon, Des Grieux)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
Giacomo Puccini8:33
11Carmen: Act III. "Je dis que rien ne m'épouvante"
Soprangesang [Micaëla]:
Kiri Te Kanawa (soprano) (von 1975-07 bis 1975-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1975-07 bis 1975-12)
conductor:
Sir Georg Solti (conductor) (von 1975-07 bis 1975-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1975-07 bis 1975-12)
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) (von 1975-07 bis 1975-12)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte III
Georges Bizet5:43
12La traviata: Act I. "Libiamo ne'lieti calici" (Brindisi)
Chorgesang:
Chorus of the Maggio Musicale, Florence
Soprangesang:
Kiri Te Kanawa (soprano)
Tenor-Gesang und Tenor-Gesang [Alfredo]:
Alfredo Kraus (tenor)
Orchester:
Orchestra of the Maggio Musicale, Florence
conductor:
Zubin Mehta (conductor)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:04
13La traviata: Act I. "Follie! Delirio vano è questo!" - "Sempre libera"
Chorgesang:
Chorus of teh Maggio Musicale, Florence
Soprangesang:
Kiri Te Kanawa (soprano)
Tenor-Gesang [Alfredo]:
Alfredo Kraus (tenor)
Orchester:
Orchestra of the Maggio Musicale, Florence
conductor:
Zubin Mehta (conductor)
recording of:
La traviata: Atto I. Recitativo “Follie! Follie! Delirio vano è questo!” (Violetta, Alfredo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi4:37
14My Fair Lady: Wouldn't It Be Loverly?
Chorgesang:
London Voices
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
London Symphony Orchestra
conductor:
John Mauceri (conductor)
live recording of:
Wouldn’t It Be Loverly (My Fair Lady) (in 1987)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
My Fair Lady (full musical)
recording of:
Wouldn’t It Be Loverly (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
My Fair Lady (full musical)
Frederick Loewe4:45
15The Folks Who Live on the Hill
Soprangesang:
Kiri Te Kanawa (soprano)
Interpret(in):
Nelson Riddle and His Orchestra
recording of:
The Folks Who Live on the Hill
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
High, Wide and Handsome (1937 film)
Jerome Kern4:37
16The Enchantress: "Art is calling for me"
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
London Symphony Orchestra
conductor:
Stephen Barlow (British conductor)
live recording of:
The Enchantress: Art Is Calling for Me
Texter:
Harry B. Smith
Komponist(in):
Victor Herbert (American composer)
Teil von:
The Enchantress
recording of:
The Enchantress: Art Is Calling for Me
Texter:
Harry B. Smith
Komponist(in):
Victor Herbert (American composer)
Teil von:
The Enchantress
Victor Herbert3:58

Nennungen

Veröffentlichung

hergestellt in:USA
hergestellt von und vermarkted von:Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2004)
ASIN:US: B00013UKMO [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1717583 [Info]