Now That’s What I Call Music II

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▶Kassette
2▼Kassette
Nr.TitelKünstlerBewertungLänge
1Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
2Here Comes the Rain Again
Techniker(in):
Jon Bavin
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
Appalachian dulcimer [dulcimer], Gitarre, Keyboard, Synthesizer und xylophone:
Dave Stewart (UK guitarist/singer for Eurythmics)
Bassgitarre:
Dean Garcia (English multi-instrumentalist; Curve)
Flügelhorn, Horn, Kornett und Trompete:
Dick Cuthell
Instrumente:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) (in 1983) und Dave Stewart (UK guitarist/singer for Eurythmics) (in 1983)
Saiteninstrumente:
British Philharmonic Orchestra (in 1983)
Hintergrundgesang:
Ann Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Sologesang:
Ann Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) (in 1983)
conductor:
Michael Kayman (American score composer) (Saiteninstrumente)
Saiteninstrumente arranger:
Michael Kamen (American score composer)
phonographisches Urheberrecht (℗) von:
RCA Ltd. (UK arm of RCA) und BMG Records (UK) Limited (1987–1996) (in 1983, in 1991)
recording of:
Here Comes the Rain Again (in 1983)
Verfasser(in):
Dave Stewart (UK guitarist/singer for Eurythmics) und Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Music Publishing Ltd. und D’n’A Ltd.
Eurythmics4.155:03
3What Is Love
Techniker(in):
Stephen W. Tayler (UK engineer)
Produzent(in):
Rupert Hine
Sologesang:
Howard Jones (English singer, songwriter)
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1983) und Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
What Is Love?
Texter:
William Bryant (UK lyricist, writer and speaker) und Howard Jones (English singer, songwriter)
Komponist(in):
Howard Jones (English singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group und Warner Chappell Publishing
Howard Jones4.53:40
4What Difference Does It Make
Techniker(in):
Phil Bush (engineer, composer and musician) und Neil King (sound engineer)
Produzent(in):
John Porter (producer and musician US and UK)
Bassgitarre:
Andy Rourke
Gitarre und Mundharmonika:
Johnny Marr
Schlagzeug:
Mike Joyce (UK drummer)
vocals:
Morrissey (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1984) und Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
What Difference Does It Make?
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.953:53
5Feels Like Heaven
Produzent(in):
Peter Wilson (UK Producer)
arranger:
Chic Medley und Kevin Patterson (songwriter)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
(Feels Like) Heaven
Texter und Komponist(in):
Eddie Jordan (songwriter) und Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:33
6The Politics of Dancing
recording of:
The Politics of Dancing
Texter und Komponist(in):
Paul Fishman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited und Metric Music Ltd.
Re‐Flex4:16
7Hyperactive
recorded in:
Brussels (Region Brüssel-Hauptstadt), Belgien (in 1983-06)
engineered in:
Brussels (Region Brüssel-Hauptstadt), Belgien
Techniker(in):
Dan Lacksman (Belgian musician & producer)
Produzent(in):
Thomas Dolby
Mix:
Alan Douglas (Scottish born engineer)
Bass:
Matthew Seligman (in 1983-06)
drum machine:
Justin Hildreth (in 1983-06)
elektronisches Schlagzeug / E-Drums und Perkussion:
Clif Brigden (in 1983-06)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06)
Klavier:
Thomas Dolby (in 1983-06)
Perkussion:
Matthew Salt (in 1983-06)
Posaune:
Peter Thoms (trombone) (in 1983-06)
Hintergrundgesang:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06) und Adele Bertei (in 1983-06)
vocals:
Thomas Dolby (in 1983-06)
zusätzlich vocals:
Louise Ulfstedt (in 1983-06)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Hyperactive! (in 1983-06)
Texter und Komponist(in):
Thomas Dolby
publisher:
Scale Music, Smash Ltd. und Street Music Ltd.
Thomas Dolby54:15
8Wishful Thinking
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Wishful Thinking
Texter:
Eddie Lundon (China Crisis)
Komponist(in):
Gary Daly und Eddie Lundon (China Crisis)
publisher:
EMI/Virgin Music Publishing Ltd.
China Crisis4:12
9Modern Love
Sound-Engineering, Techniker(in) und Mix:
Bob Clearmountain
Produzent(in):
David Bowie (English singer‐songwriter) und Nile Rodgers
assistierende(r) Mix:
David Bowie (English singer‐songwriter) und Nile Rodgers
baritone saxophone und flute:
Steve Elson (American saxophonist, clarinetist, flutist & duduk player) (von 1982-12 bis 1983-01)
Bass:
Carmine Rojas (von 1982-12 bis 1983-01)
flute und Tenorsaxophon:
Robert Aaron (von 1982-12 bis 1983-01) und Stan Harrison (American saxophonist) (von 1982-12 bis 1983-01)
Gitarre:
Nile Rodgers (von 1982-12 bis 1983-01) und Stevie Ray Vaughan (von 1982-12 bis 1983-01)
Keyboard:
Rob Sabino (von 1982-12 bis 1983-01)
Perkussion:
Sammy Figueroa (von 1982-12 bis 1983-01)
Schlagzeug:
Omar Hakim (von 1982-12 bis 1983-01)
Trompete:
Mac Gollehon (von 1982-12 bis 1983-01)
Hintergrundgesang:
Frank Simms (von 1982-12 bis 1983-01), George Simms (von 1982-12 bis 1983-01) und David Spinner (von 1982-12 bis 1983-01)
Sologesang:
David Bowie (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
David Bowie (English singer‐songwriter) (in 1983)
phonographisches Urheberrecht (℗) von:
Jones/Tintoretto Entertainment Company LLC (in 1983)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1982-12 bis 1983-01)
Musikvideos:
Modern Love von David Bowie (English singer‐songwriter)
recording of:
Modern Love (von 1982-12 bis 1983-01)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Jones Music America, RZO Music Ltd und Universal/MCA Music Publishing Pty Ltd
David Bowie3.94:01
10It's a Miracle
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
It’s a Miracle von Culture Club (English pop group)
recording of:
It’s a Miracle (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Culture Club3.53:27
11Undercover of the Night
Techniker(in) und Mix:
Chris Kimsey
Produzent(in):
The Glimmer Twins (production name for Mick Jagger & Keith Richards) und Chris Kimsey
recording of:
Undercover of the Night
Verfasser(in):
Mick Jagger und Keith Richards (Rolling Stones guitarist)
The Rolling Stones3.64:36
12Wonderland
Produzent(in):
Steve Lillywhite
recording of:
Wonderland
Verfasser(in):
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) und Bruce Watson (member of Big Country)
publisher:
BMG VM Music Ltd., Virgin Music Publishing Ltd. und Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1984)
Big Country44:00
13Run Run Away
Produzent(in):
John Punter
recording of:
Run Runaway
Verfasser(in):
Noddy Holder und Jim Lea
Slade43:44
14New Moon on Monday
Techniker(in):
Peter Wade-Schwier (producer, mixing and recording engineer) und Phil Thornalley
Produzent(in):
Duran Duran (English rock band), Ian Little (producer, engineer, songwriter) und Alex Sadkin
arranger:
Duran Duran (English rock band)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
New Moon on Monday
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Duran Duran3.94:18
15Pipes of Peace
Assistent recording engineer:
Jon Jacobs (UK producer/engineer) (von 1982-09-10 bis 1982-10)
recording engineer:
Geoff Emerick (British recording engineer) (von 1982-09-10 bis 1982-10)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistierende(r) Mix:
Jon Jacobs (UK producer/engineer) (am 1983-06-30)
Mix:
Geoff Emerick (British recording engineer) (am 1983-06-30)
Bass, Klavier und Sologesang:
Paul McCartney (The Beatles) (von 1982-09-10 bis 1982-10)
pan flute:
Adrian Brett (von 1982-09-10 bis 1982-10)
tabla:
James Kippen (von 1982-09-10 bis 1982-10)
Chorgesang:
The Pestalozzi Children’s Village Choir (von 1982-09-10 bis 1982-10)
Hintergrundgesang:
Linda McCartney (von 1982-09-10 bis 1982-10), Paul McCartney (The Beatles) (von 1982-09-10 bis 1982-10) und Eric Stewart (von 1982-09-10 bis 1982-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1983) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1983)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1982-09-10, in 1982-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1983-06-30)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 49)
recording of:
Pipes of Peace (von 1982-09-10 bis 1982-10)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Paul McCartney23:54

Nennungen

Veröffentlichungsgruppe

Teil von:Now That’s What I Call Music! (UK) (Nummer: 2) (Reihenfolge: 2)
Discogs:https://www.discogs.com/master/211770 [Info]
Allmusic:https://www.allmusic.com/album/mw0000905280 [Info]
Eigenständige Webseite:https://www.nowmusic.com/albums/now-2/ [Info]
Wikidata:Q7065796 [Info]