Il Tenore

~ Release by Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Tosca, SC 69, Act 1: Recondita armonia
tenor vocals:
Freddie De Tommaso (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paolo Arrivabeni (Italian conductor)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:59
2Tosca, SC 69, Act 1: Mario! Mario! Mario!
tenor vocals:
Freddie De Tommaso (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paolo Arrivabeni (Italian conductor)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:58
3Tosca, SC 69, Act 1: Non la sospiri la nostra casetta
tenor vocals:
Freddie De Tommaso (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paolo Arrivabeni (Italian conductor)
recording of:
Tosca: Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:31
4Tosca, SC 69, Act 1: Or lasciami al lavoro
tenor vocals:
Freddie De Tommaso (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paolo Arrivabeni (Italian conductor)
recording of:
Tosca: Atto I. “Or lasciami al lavoro” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:55
5Tosca, SC 69, Act 1: Ah, quegli occhi!
tenor vocals:
Freddie De Tommaso (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paolo Arrivabeni (Italian conductor)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini5:58
6Tosca, SC 69, Act 3: E lucevan le stelle
tenor vocals:
Freddie De Tommaso (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paolo Arrivabeni (Italian conductor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:27
7Turandot, SC 91, Act 1: Non piangere, Liu
tenor vocals:
Freddie De Tommaso (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paolo Arrivabeni (Italian conductor)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:41
8Turandot, SC 91, Act 3: Nessun dorma
tenor vocals:
Freddie De Tommaso (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paolo Arrivabeni (Italian conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:16
9Madama Butterfly, SC 74, Act 1: Vogliatemi bene
tenor vocals:
Freddie De Tommaso (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paolo Arrivabeni (Italian conductor)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:54
10Madama Butterfly, SC 74, Act 1: Vieni, vieni!
tenor vocals:
Freddie De Tommaso (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paolo Arrivabeni (Italian conductor)
recording of:
Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini4:30
11Madama Butterfly, SC 74, Act 2: Addio fiorito asil
tenor vocals:
Freddie De Tommaso (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paolo Arrivabeni (Italian conductor)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:07
12Carmen, WD 31, Act 2: La fleur que tu m'avais jetée
tenor vocals:
Freddie De Tommaso (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paolo Arrivabeni (Italian conductor)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:19
13Carmen, WD 31, Act 4: C'est toi, c'est-moi!
tenor vocals:
Freddie De Tommaso (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paolo Arrivabeni (Italian conductor)
recording of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet6:15
14Carmen, WD 31, Act 4: Viva! Viva! La course est belle!
tenor vocals:
Freddie De Tommaso (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paolo Arrivabeni (Italian conductor)
recording of:
Carmen : Acte IV. « Viva ! Viva ! La course est belle » (Chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet4:00