The Best of Roberta Flack

~ Release by Roberta Flack (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Compared to What
recording engineer:
William Arlt (on 1969-02-25)
producer:
Joel Dorn
mixer:
Bob Liftin
baritone saxophone:
Seldon Powell (on 1969-02-25)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-25)
drums (drum set):
Ray Lucas (on 1969-02-25)
guitar:
John Pizzarelli (on 1969-02-25)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-25)
tenor saxophone:
Frank Wess (on 1969-02-25)
trombone:
Benny Powell (jazz trombonist) (on 1969-02-25)
trumpet:
Joe Newman (US jazz trumpeter) (on 1969-02-25) and Jimmy Nottingham (on 1969-02-25)
horn arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-25)
cover recording of:
Compared to What (on 1969-02-25)
lyricist and composer:
Gene McDaniels
publisher:
Lonport
5:17
2Angelitos Negros
recording engineer:
William Arlt (on 1969-02-24)
producer:
Joel Dorn
mixer:
Bob Liftin
cello:
Charles McCracken (cellist) (on 1969-02-24) and George Ricci (on 1969-02-24)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-24)
drums (drum set):
Ray Lucas (on 1969-02-24)
guitar:
John Pizzarelli (on 1969-02-24)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-24)
viola:
Alfred Brown (viola) (on 1969-02-24), Selwart Clarke (on 1969-02-24) and Theodore Israel (on 1969-02-24)
violin:
Emanuel Green (on 1969-02-24) and Gene Orloff (on 1969-02-24)
conductor:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (on 1969-02-24)
strings arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-24)
recording of:
Angelitos negros (original song) (on 1969-02-24)
lyricist:
Andrés Eloy Blanco
composer:
Manuel Álvarez Maciste (Mexican guitarist, singer, songwriter)
publisher:
Edit Mex de Musica Int
is based on:
Píntame angelitos negros (original poem)
6:56
3Our Ages or Our Hearts
recording engineer:
William Arlt (on 1969-02-25)
producer:
Joel Dorn
mixer:
Bob Liftin
cello:
Charles McCracken (cellist) (on 1969-02-25) and George Ricci (on 1969-02-25)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-25)
drums (drum set):
Ray Lucas (on 1969-02-25)
guitar:
John Pizzarelli (on 1969-02-25)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-25)
viola:
Alfred Brown (viola) (on 1969-02-25), Selwart Clarke (on 1969-02-25) and Theodore Israel (on 1969-02-25)
violin:
Emanuel Green (on 1969-02-25) and Gene Orloff (on 1969-02-25)
conductor:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (on 1969-02-25)
strings arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-25)
recording of:
Our Ages or Our Hearts (on 1969-02-25)
composer:
Robert Ayers and Donny Hathaway
6:10
4I Told Jesus
recording engineer:
William Arlt (on 1969-02-25)
producer:
Joel Dorn
mixer:
Bob Liftin
baritone saxophone:
Seldon Powell (on 1969-02-25)
cello:
Charles McCracken (cellist) (on 1969-02-25) and George Ricci (on 1969-02-25)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-25)
drums (drum set):
Ray Lucas (on 1969-02-25)
guitar:
John Pizzarelli (on 1969-02-25)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-25)
tenor saxophone:
Frank Wess (on 1969-02-25)
trombone:
Benny Powell (jazz trombonist) (on 1969-02-25)
trumpet:
Joe Newman (US jazz trumpeter) (on 1969-02-25) and Jimmy Nottingham (on 1969-02-25)
viola:
Alfred Brown (viola) (on 1969-02-25), Selwart Clarke (on 1969-02-25) and Theodore Israel (on 1969-02-25)
violin:
Emanuel Green (on 1969-02-25) and Gene Orloff (on 1969-02-25)
conductor:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (on 1969-02-25)
horn and strings arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
arranger:
Roberta Flack (singer and pianist)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-25)
recording of:
I Told Jesus (on 1969-02-25)
composer:
[traditional] (special purpose artist)
6:10
5Hey, That's No Way to Say Goodbye
recording engineer:
William Arlt (on 1969-02-26)
producer:
Joel Dorn
mixer:
Bob Liftin
cello:
Charles McCracken (cellist) (on 1969-02-26) and George Ricci (on 1969-02-26)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-26)
drums (drum set):
Ray Lucas (on 1969-02-26)
guitar:
John Pizzarelli (on 1969-02-26)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-26)
viola:
Alfred Brown (viola) (on 1969-02-26), Selwart Clarke (on 1969-02-26) and Theodore Israel (on 1969-02-26)
violin:
Emanuel Green (on 1969-02-26) and Gene Orloff (on 1969-02-26)
conductor:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (on 1969-02-26)
strings arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-26)
cover recording of:
Hey, That’s No Way to Say Goodbye (on 1969-02-26)
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, MAM Music (publisher), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Stranger and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
54:08
6The First Time Ever I Saw Your Face
recording engineer:
William Arlt (on 1969-02-25)
producer:
Joel Dorn
mixer:
Bob Liftin
cello:
Charles McCracken (cellist) (on 1969-02-25) and George Ricci (on 1969-02-25)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-25)
drums (drum set):
Ray Lucas (on 1969-02-25)
guitar:
John Pizzarelli (on 1969-02-25)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-25)
viola:
Alfred Brown (viola) (on 1969-02-25), Selwart Clarke (on 1969-02-25) and Theodore Israel (on 1969-02-25)
violin:
Emanuel Green (on 1969-02-25) and Gene Orloff (on 1969-02-25)
conductor:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (on 1969-02-25)
strings arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-25)
cover recording of:
The First Time Ever I Saw Your Face (on 1969-02-25)
lyricist and composer:
Ewan MacColl (folksinger, songwriter, actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. and Westbury Music Ltd.
3.85:23
7Tryin' Times
recording engineer:
William Arlt (on 1969-02-24)
producer:
Joel Dorn
mixer:
Bob Liftin
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-24)
drums (drum set):
Ray Lucas (on 1969-02-24)
guitar:
John Pizzarelli (on 1969-02-24)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-24)
recording of:
Tryin' Times (on 1969-02-24)
writer:
Donny Hathaway and Leroy Hutson
publisher:
Don‐Pow Music
5:08
8Ballad of the Sad Young Men
recording engineer:
William Arlt (on 1969-02-26)
producer:
Joel Dorn
mixer:
Bob Liftin
cello:
Charles McCracken (cellist) (on 1969-02-26) and George Ricci (on 1969-02-26)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-26)
drums (drum set):
Ray Lucas (on 1969-02-26)
guitar:
John Pizzarelli (on 1969-02-26)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-26)
viola:
Alfred Brown (viola) (on 1969-02-26), Selwart Clarke (on 1969-02-26) and Theodore Israel (on 1969-02-26)
violin:
Emanuel Green (on 1969-02-26) and Gene Orloff (on 1969-02-26)
conductor:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (on 1969-02-26)
strings arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-26)
recording of:
Ballad of the Sad Young Men (on 1969-02-26)
lyricist:
Fran Landesman
composer:
Tommy Wolf (US pianist/composer)
7:00
9Go Up Moses
producer:
Joel Dorn
bass [electric bass]:
Chuck Rainey (American bassist) (on 1971-06-10)
drums (drum set):
Bernard Purdie (on 1971-06-10)
guitar:
Hugh McCracken (on 1971-06-10)
organ:
Richard Tee (on 1971-06-10)
percussion:
Ralph MacDonald (on 1971-06-10)
piano:
Roberta Flack (singer and pianist) (on 1971-06-10)
vocals:
Roberta Flack (singer and pianist) (on 1971-06-10)
arranger:
Roberta Flack (singer and pianist)
recorded at:
Regent Sound Studios in New York, New York, United States (on 1971-06-10)
5:23
10Bridge Over Troubled Water
producer:
Joel Dorn
cello:
Seymour Barab (on 1971-01-07), Ted Hoyle (on 1971-01-07), Kermit Moore (on 1971-01-07) and George Ricci (on 1971-01-07)
piano:
Roberta Flack (singer and pianist) (on 1971-01-07)
background vocals:
Cissy Houston (on 1971-01-07)
choir vocals:
The Newark Boy Chorus (on 1971-01-07)
vocals:
Roberta Flack (singer and pianist) (on 1971-01-07)
arranger:
Eumir Deodato
recorded at:
Regent Sound Studios in New York, New York, United States (on 1971-01-07)
cover recording of:
Bridge Over Troubled Water (on 1971-01-07)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
7:16
11Sunday and Sister Jones
producer:
Joel Dorn
bass [electric bass]:
Chuck Rainey (American bassist) (on 1971-06-10)
drums (drum set):
Bernard Purdie (on 1971-06-10)
guitar:
Hugh McCracken (on 1971-06-10)
organ:
Richard Tee (on 1971-06-10)
percussion:
Ralph MacDonald (on 1971-06-10)
piano:
Roberta Flack (singer and pianist) (on 1971-06-10)
vocals:
Roberta Flack (singer and pianist) (on 1971-06-10)
arranger:
Roberta Flack (singer and pianist)
recorded at:
Regent Sound Studios in New York, New York, United States (on 1971-06-10)
5:01
12See You Then
producer:
Joel Dorn
bass [electric bass]:
Chuck Rainey (American bassist) (on 1971-06-10)
drums (drum set):
Bernard Purdie (on 1971-06-10)
guitar:
Hugh McCracken (on 1971-06-10)
organ:
Richard Tee (on 1971-06-10)
percussion:
Ralph MacDonald (on 1971-06-10)
piano:
Roberta Flack (singer and pianist) (on 1971-06-10)
vocals:
Roberta Flack (singer and pianist) (on 1971-06-10)
arranger:
Roberta Flack (singer and pianist)
recorded at:
Regent Sound Studios in New York, New York, United States (on 1971-06-10)
3:42
13Will You Still Love Me Tomorrow
producer:
Joel Dorn
cover recording of:
Will You Love Me Tomorrow (Carole King song)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
4:07
14To Love Somebody
producer:
Joel Dorn
bass [electric bass]:
Chuck Rainey (American bassist) (on 1971-06-10)
drums (drum set):
Bernard Purdie (on 1971-06-10)
guitar:
Hugh McCracken (on 1971-06-10)
organ:
Richard Tee (on 1971-06-10)
percussion:
Ralph MacDonald (on 1971-06-10)
piano:
Roberta Flack (singer and pianist) (on 1971-06-10)
vocals:
Roberta Flack (singer and pianist) (on 1971-06-10)
arranger:
Roberta Flack (singer and pianist)
recorded at:
Regent Sound Studios in New York, New York, United States (on 1971-06-10)
cover recording of:
To Love Somebody (on 1971-06-10)
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
part of:
50/50
6:44
15Let Them Talk
producer:
Joel Dorn
bass:
Terry Plumeri (on 1971-01-06)
bass [electric bass]:
Chuck Rainey (American bassist) (on 1971-01-06)
drums (drum set):
Grady Tate (on 1971-01-06)
piano:
Roberta Flack (singer and pianist) (on 1971-01-06)
tenor saxophone:
Joe Farrell (on 1971-01-06)
vibraphone:
David Carey (vibraphonist/percussionist) (on 1971-01-06)
vocals:
Roberta Flack (singer and pianist) (on 1971-01-06)
arranger:
Roberta Flack (singer and pianist)
recorded at:
Regent Sound Studios in New York, New York, United States (on 1971-01-06)
3:55
16Sweet Bitter Love
recorded in:
New York, New York, United States (on 1971-04-05)
producer:
Joel Dorn
piano:
Roberta Flack (singer and pianist) (on 1971-04-05)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1971-04-05)
vocals:
Roberta Flack (singer and pianist) (on 1971-04-05)
arranger:
William Eaton (US folk/new age guitarist & string instrument player)
cover recording of:
Sweet Bitter Love (on 1971-04-05)
lyricist, writer and composer:
Van McCoy
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and Van McCoy Music
6:05

Credits