12 Classic Albums 1953-1962

~ Release by Horace Silver (see all versions of this release, 1 available)

Annotation

Disc 1
Tracks 1-8 originally from "New Faces New Sounds", BlueNote BLP 5018 (1952)
Tracks 9-16 originally from "Horace Silver & Jazz Messengers", BlueNote BLP 1518 (1955)

Disc 2
Tracks 1-8 originally from "Horace Silver Trio" BlueNote BLP 1520 (1956)
Tracks 9-16 originally from "Silver's Blue" BlueNote BLP 1518 (1958)

Disc 3
Tracks 1-6 originally from "Stylings Of Silver" BlueNote BLP 1562 (1957)
Tracks 7-13 originally from "6 Pieces Of Silver" BlueNote BLP 1539 (1957)

Disc 4
Tracks 1-5 originally from "Further Explorations" BlueNote BLP 1589 (1958)
Tracks 6-13 originally from "Blowin' The Blues Away" BlueNote BLP 4017 (1959)

Disc 5
Tracks 1-8 originally from "Finger Poppin'" BlueNote BLP 4008 (1959)
Tracks 9-15 originally from "Horace-Scope" BlueNote BLP 4042 (1960)

Disc 6
Tracks 1-5 originally from "Doin' The Thing'" BlueNote BLP 4076 (1961)
Tracks 6-9 originally from "Tokyo Blues" BlueNote BLP 4110 (1962)

Annotation last modified on 2017-11-01 16:19 UTC.

Tracklist

1▶CD: Disc One
2▼CD: Disc Two
#TitleRatingLength
1Day in Day Out
engineer:
Doug Hawkins (sound engineer) (on 1953-11-23)
producer:
Alfred Lion (on 1953-11-23)
bass:
Percy Heath (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
piano:
Horace Silver (on 1953-11-23)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
instrumental recording of:
Day In, Day Out (on 1953-11-23)
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
3:01
2How About You
engineer:
Doug Hawkins (sound engineer) (on 1953-11-23)
producer:
Alfred Lion (on 1953-11-23)
bass:
Percy Heath (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
piano:
Horace Silver (on 1953-11-23)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
instrumental recording of:
How About You? (on 1953-11-23)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
3:45
3I Remember You
engineer:
Doug Hawkins (sound engineer) (on 1953-11-23)
producer:
Alfred Lion (on 1953-11-23)
bass:
Percy Heath (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
piano:
Horace Silver (on 1953-11-23)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
3:56
4Silverware
engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
bass:
Percy Heath (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
piano:
Horace Silver (on 1953-11-23)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
2:38
5Message From Kenya
engineer:
Doug Hawkins (sound engineer) (on 1953-11-23)
congas:
Sabu Martinez (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
vocals:
Sabu Martinez (on 1953-11-23)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
4:35
6Opus de Funk
engineer:
Doug Hawkins (sound engineer) (on 1953-11-23)
producer:
Alfred Lion (on 1953-11-23)
bass:
Percy Heath (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
piano:
Horace Silver (on 1953-11-23)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
recording of:
Opus de Funk (on 1953-11-23)
composer:
Horace Silver
3:27
7Nothing but the Soul
engineer:
Doug Hawkins (sound engineer) (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
instrumental recording of:
Nothing but the Soul (on 1953-11-23)
composer:
Art Blakey
4:09
8Buhaina
engineer:
Doug Hawkins (sound engineer) (on 1953-11-23)
producer:
Alfred Lion (on 1953-11-23)
double bass:
Percy Heath (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
piano:
Horace Silver (on 1953-11-23)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
recording of:
Buhaina (on 1953-11-23)
composer:
Horace Silver
3:06
9Silver’s Blue
recorded in:
New York, New York, United States (on 1956-06-17)
bass:
Doug Watkins (on 1956-06-17)
drums (drum set):
Art Taylor (on 1956-06-17)
piano:
Horace Silver (on 1956-06-17)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-06-17)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-06-17)
7:47
10To Beat or Not to Beat
recorded in:
New York, New York, United States (on 1956-06-02)
bass:
Doug Watkins (on 1956-06-02)
drums (drum set):
Kenny Clarke (on 1956-06-02)
piano:
Horace Silver (on 1956-06-02)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-06-02)
trumpet:
Joe Gordon (jazz trumpeter) (on 1956-06-02)
4:05
11How Long Has This Been Going On?
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
4:20
12I’ll Know
recorded in:
New York, New York, United States (on 1956-06-17)
bass:
Doug Watkins (on 1956-06-17)
drums (drum set):
Art Taylor (on 1956-06-17)
piano:
Horace Silver (on 1956-06-17)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-06-17)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-06-17)
instrumental recording of:
I’ll Know (from “Guys and Dolls”) (on 1956-06-17)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
7:27
13Shoutin’ Out
recorded in:
New York, New York, United States (on 1956-06-02)
bass:
Doug Watkins (on 1956-06-02)
drums (drum set):
Kenny Clarke (on 1956-06-02)
piano:
Horace Silver (on 1956-06-02)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-06-02)
trumpet:
Joe Gordon (jazz trumpeter) (on 1956-06-02)
6:36
14Hank’s Tune
recorded in:
New York, New York, United States (on 1956-06-18)
bass:
Doug Watkins (on 1956-06-18)
drums (drum set):
Art Taylor (on 1956-06-18)
piano:
Horace Silver (on 1956-06-18)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-06-18)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-06-18)
recording of:
Hank's Tune (on 1956-06-18)
writer:
Hank Mobley (US jazz tenor saxophonist)
5:28
15The Night Has a Thousand Eyes
recorded in:
New York, New York, United States (on 1956-06-18)
double bass [bass]:
Doug Watkins (on 1956-06-18)
drums (drum set):
Art Taylor (on 1956-06-18)
piano:
Horace Silver (on 1956-06-18)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-06-18)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-06-18)
instrumental recording of:
The Night Has a Thousand Eyes (on 1956-06-18)
lyricist:
Buddy Bernier
composer:
Buddy Bernier and Jerry Brainin
part of:
The Real Book (compilation of jazz standards, volume I)
9:00
3▶CD: Disc Three
4▶CD: Disc Four
5▶CD: Disc Five
6▶CD: Disc Six