Un jardin à l’italienne : Airs, cantates & madrigaux

~ Release by Les Arts Florissants, William Christie (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Il Zabaione musicale: Già che ridotti siamo
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
baritone vocals:
Renato Dolcini (from 2015-03-09 until 2015-03-10)
bass vocals:
John Taylor Ward (from 2015-03-09 until 2015-03-10)
countertenor vocals:
Carlo Vistoli (countertenor) (from 2015-03-09 until 2015-03-10)
mezzo-soprano vocals:
Lea Desandre (mezzo-soprano) (from 2015-03-09 until 2015-03-10)
soprano vocals:
Lucía Martín‐Cartón (soprano) (from 2015-03-09 until 2015-03-10)
tenor vocals:
Nicholas Scott (tenor) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
recording of:
Il zabaione musicale: I. Introduzione (from 2015-03-09 until 2015-03-10)
composer:
Adriano Banchieri (Italian composer, organist & poet, c. 1568-1634)
part of:
Il zabaione musicale
Adriano Banchieri1:52
2Le Veglie di Siena, overo i varii humori della musica moderna: Fate silentio
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
baritone vocals:
Renato Dolcini (from 2015-03-09 until 2015-03-10)
bass vocals:
John Taylor Ward (from 2015-03-09 until 2015-03-10)
countertenor vocals:
Carlo Vistoli (countertenor) (from 2015-03-09 until 2015-03-10)
mezzo-soprano vocals:
Lea Desandre (mezzo-soprano) (from 2015-03-09 until 2015-03-10)
soprano vocals:
Lucía Martín‐Cartón (soprano) (from 2015-03-09 until 2015-03-10)
tenor vocals:
Nicholas Scott (tenor) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
partial recording of:
Le veglie di Siena, overo i varii humori della musica moderna d'Horatio Vecchi (from 2015-03-09 until 2015-03-10)
composer:
Orazio Vecchi (Italian renaissance composer, c. 1550-1605)
Orazio Vecchi3:38
3Amanti, olà, olà, Accademia d’Amore: Sinfonia [Allegro] – Amanti, olà, olà – Hor non fia chi pavent – D’amore all’invito – Ritornello – Chi rese delirante
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
baritone vocals:
Renato Dolcini (from 2015-03-09 until 2015-03-10)
bass vocals:
John Taylor Ward (from 2015-03-09 until 2015-03-10)
countertenor vocals:
Carlo Vistoli (countertenor) (from 2015-03-09 until 2015-03-10)
mezzo-soprano vocals:
Lea Desandre (mezzo-soprano) (from 2015-03-09 until 2015-03-10)
soprano vocals:
Lucía Martín‐Cartón (soprano) (from 2015-03-09 until 2015-03-10)
tenor vocals:
Nicholas Scott (tenor) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
partial recording of:
Amanti, olà (Accademia d’Amore) (from 2015-03-09 until 2015-03-10)
composer:
Alessandro Stradella (composer)
Alessandro Stradella2:44
4Orlando, HWV 31: Ah stigie larve, ah scelerati spettri!
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
countertenor vocals:
Carlo Vistoli (countertenor) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
recording of:
Orlando, HWV 31: Atto II, Scena XI. Recitativo Accompagnato "Ah! stigie larve!" (from 2015-03-09 until 2015-03-10)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Orlando, HWV 31: Atto II
George Frideric Handel7:22
5Quinto libro de madrigali: Queste non son più lagrime
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
baritone vocals:
Renato Dolcini (from 2015-03-09 until 2015-03-10)
bass vocals:
John Taylor Ward (from 2015-03-09 until 2015-03-10)
countertenor vocals:
Carlo Vistoli (countertenor) (from 2015-03-09 until 2015-03-10)
mezzo-soprano vocals:
Lea Desandre (mezzo-soprano) (from 2015-03-09 until 2015-03-10)
soprano vocals:
Lucía Martín‐Cartón (soprano) (from 2015-03-09 until 2015-03-10)
tenor vocals:
Nicholas Scott (tenor) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
recording of:
Queste non son più lagrime (from 2015-03-09 until 2015-03-10)
lyricist:
Ludovico Ariosto (Italian poet, 1474-1533)
composer:
Giaches de Wert (Franco-Flemish 16th century composer)
part of:
Il quinto libro de madrigali (Fifth book of madrigals of Giaches De Wert for five, six and seven voices, pub. 1571) (number: 14)
Giaches de Wert3:45
6Orlando furioso, RV Anh.84: Ah sleale, ah spergiura
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
baritone vocals:
Renato Dolcini (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
recording of:
Orlando Furioso, RV 819: Atto II, Scena XV. "Ah sleale, ah spergiura" (Orlando) (from 2015-03-09 until 2015-03-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Orlando furioso, RV 819: Atto II
Antonio Vivaldi5:45
7Il Trionfo del Tempo e del Disinganno, HWV 46a: Lascia la spina, cogli la rosa
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
soprano vocals:
Lucía Martín‐Cartón (soprano) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
partial recording of:
Il trionfo del Tempo e del Disinganno, HWV 46a (from 2015-03-09 until 2015-03-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1707)
librettist:
Benedetto Pamphili (in 1707)
part of:
Händel-Werke-Verzeichnis (number: HWV 46a)
recording of:
Il trionfo del Tempo e del Disinganno, HWV 46a: Lascia la spina, cogli la rosa
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Il trionfo del Tempo e del Disinganno, HWV 46a
George Frideric Handel6:12
8Ottone in villa, RV 729: Gelosia, tu già rendi l’alma mia
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
mezzo-soprano vocals:
Lea Desandre (mezzo-soprano) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
partial recording of:
Ottone in villa, RV 729: Act I, Scene XI: Aria “Gelosia, tu già rendi l’alma mia” (Caio) (from 2015-03-09 until 2015-03-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ottone in villa, RV 729: Act 1
Antonio Vivaldi2:56
9La Virtù trionfante dell’amore, e dell’odio, overo Il Tigrane, RV 740: Care pupille
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
tenor vocals:
Nicholas Scott (tenor) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
recording of:
La virtù trionfante, dell'amore, e dell'odio, overo Il Tigrane, RV 740: Act 2 (from 2015-03-09 until 2015-03-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (until 1724)
part of:
La virtù trionfante, dell'amore, e dell'odio, overo Il Tigrane, RV 740
Antonio Vivaldi6:29
10Amanti, olà, olà, Accademia d’Amore: Benché ascritto non sia d’Amore nell’Accademia – Si guardi dai dardi d’Amor (Disinganno) – Unito il Disinganno a la Ragione – Dotto Maestro è Amore
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
baritone vocals:
Renato Dolcini (from 2015-03-09 until 2015-03-10)
bass vocals:
John Taylor Ward (from 2015-03-09 until 2015-03-10)
countertenor vocals:
Carlo Vistoli (countertenor) (from 2015-03-09 until 2015-03-10)
mezzo-soprano vocals:
Lea Desandre (mezzo-soprano) (from 2015-03-09 until 2015-03-10)
soprano vocals:
Lucía Martín‐Cartón (soprano) (from 2015-03-09 until 2015-03-10)
tenor vocals:
Nicholas Scott (tenor) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
partial recording of:
Amanti, olà (Accademia d’Amore) (from 2015-03-09 until 2015-03-10)
composer:
Alessandro Stradella (composer)
Alessandro Stradella5:16
11L’Impresario in angustie: Vé, che matta, maledetta!
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
baritone vocals:
Renato Dolcini (from 2015-03-09 until 2015-03-10)
mezzo-soprano vocals:
Lea Desandre (mezzo-soprano) (from 2015-03-09 until 2015-03-10)
soprano vocals:
Lucía Martín‐Cartón (soprano) (from 2015-03-09 until 2015-03-10)
tenor vocals:
Nicholas Scott (tenor) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
recording of:
L'impresario in angustie (from 2015-03-09 until 2015-03-10)
composer:
Domenico Cimarosa (composer)
librettist:
Giuseppe Maria Diodati
Domenico Cimarosa4:13
12La Canterina, Hob. XXVIII:2: Donne belle! – Che mai far deggio? – Io sposar l’empio tiranno – Che dici? – Sposo!
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
mezzo-soprano vocals:
Lea Desandre (mezzo-soprano) (from 2015-03-09 until 2015-03-10)
soprano vocals:
Lucía Martín‐Cartón (soprano) (from 2015-03-09 until 2015-03-10)
tenor vocals:
Nicholas Scott (tenor) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
partial recording of:
La canterina, Hob. XXVIII:2 (from 2015-03-09 until 2015-03-10)
composer:
Joseph Haydn (composer)
librettist:
Niccolò Piccinni and Apostolo Zeno
part of:
Hoboken-Verzeichnis (number: Hob. XXVIII:2)
Joseph Haydn8:53
13L’Impresario delle Canarie: Recitar è une miseria! – Aspetto un impresario forastiero – Nibbio mi chiamo – Ma vuol ch’io parta – Amor prepara
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
bass vocals:
John Taylor Ward (from 2015-03-09 until 2015-03-10)
mezzo-soprano vocals:
Lea Desandre (mezzo-soprano) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
partial recording of:
L'impresario delle Isole Canarie (from 2015-03-09 until 2015-03-10)
composer:
Domenico Natale Sarro (baroque composer)
librettist:
Pietro Metastasio
Domenico Sarro9:08
14La Canterina, Hob. XXVIII:2: Scellerata! mancatrice! traditrice!
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
baritone vocals:
Renato Dolcini (from 2015-03-09 until 2015-03-10)
mezzo-soprano vocals:
Lea Desandre (mezzo-soprano) (from 2015-03-09 until 2015-03-10)
soprano vocals:
Lucía Martín‐Cartón (soprano) (from 2015-03-09 until 2015-03-10)
tenor vocals:
Nicholas Scott (tenor) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
partial recording of:
La canterina, Hob. XXVIII:2 (from 2015-03-09 until 2015-03-10)
composer:
Joseph Haydn (composer)
librettist:
Niccolò Piccinni and Apostolo Zeno
part of:
Hoboken-Verzeichnis (number: Hob. XXVIII:2)
Joseph Haydn3:36
15Orlando paladino, Hob. XXVIII:11: Son confuso e stupefatto
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
baritone vocals:
Renato Dolcini (from 2015-03-09 until 2015-03-10)
bass vocals:
John Taylor Ward (from 2015-03-09 until 2015-03-10)
countertenor vocals:
Carlo Vistoli (countertenor) (from 2015-03-09 until 2015-03-10)
mezzo-soprano vocals:
Lea Desandre (mezzo-soprano) (from 2015-03-09 until 2015-03-10)
soprano vocals:
Lucía Martín‐Cartón (soprano) (from 2015-03-09 until 2015-03-10)
tenor vocals:
Nicholas Scott (tenor) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
partial recording of:
Orlando paladino, Hob. XXVIII:11 (from 2015-03-09 until 2015-03-10)
composer:
Joseph Haydn (composer)
librettist:
Nunziano Porta
premiered at:
[stage performance] (1782-12-06)
part of:
Hoboken-Verzeichnis (number: Hob. XXVIII:11)
Joseph Haydn2:50