Planet 70’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1Saturday Night’s Alright
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray (in 1973-05)
E-Gitarre:
Davey Johnstone (in 1973-05)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
Schlagzeug:
Nigel Olsson (in 1973-05)
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1973)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (in 1973-05)
recording of:
Saturday Night’s Alright for Fighting (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Elton John3.754:55
2Vicious
Koproduzent(in):
David Bowie (English singer‐songwriter) und Mick Ronson (British guitarist)
Produzent(in):
David Bowie (English singer‐songwriter) und Mick Ronson (British guitarist)
Sologesang:
Lou Reed (in 1972-08)
Bass arranger und Saiteninstrumente arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1972) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Vicious (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
BMG Music Publishing Ltd., Champs Élysées Nouv Société, Chappell S.A., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music Ltd., Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Lou Reed3.452:54
3Stuck in the Middle
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:23
4Cocaine
Produzent(in):
Audie Ashworth
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1976)
recording of:
Cocaine (in 1976)
Texter und Komponist(in):
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (publisher as Warner/Chappell Music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale32:48
5Free BirdLynyrd Skynyrd4:18
6Since You Been Gone
recording engineer:
Leigh Mantle (in 1979-04) und Dr. Michael Palmer (engineer) (in 1979-04)
Techniker(in):
Gary Edwards (producer, engineer)
Produzent(in):
Roger Glover
Bassgitarre:
Roger Glover (in 1979-04)
Gitarre:
Ritchie Blackmore (in 1979-04)
Keyboard:
Don Airey (in 1979-04)
Schlagzeug:
Cozy Powell (in 1979-04)
Sologesang:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979), Polydor Records Inc. (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) und Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
aufgenommen bei:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, Frankreich (in 1979-04) und Maison Rouge Mobile Studio (in 1979-04)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 82)
cover recording of:
Since You Been Gone (in 1979-04)
Texter und Komponist(in):
Russ Ballard
publisher:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. und Virgin Music (Publishers) Ltd.
Rainbow43:14
7Rockin’ All Over the World
cover recording of:
Rockin’ All Over the World
Texter und Komponist(in):
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company und Intersong Ltd. (publisher) (in 1977)
Status Quo3:29
8All Right Now
Techniker(in):
Roy Thomas Baker (producer)
Produzent(in):
Free (60s/70s UK blues rock group) und John Kelly (producer)
Bass:
Andy Fraser (English bassist, member of Free)
Gitarre:
Paul Kossoff
Schlagzeug:
Simon Kirke
Sologesang:
Paul Rodgers
remixer:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Free (60s/70s UK blues rock group) (in 1970)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970, in 1971)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
All Right Now von Free (60s/70s UK blues rock group)
recording of:
All Right Now
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:10
9You Ain’t Seen Nothing Yet
Techniker(in):
Mark Smith (Canadian engineer)
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:28
10Paranoid
Techniker(in):
Tom Allom und Brian Humphries
Produzent(in):
Rodger Bain (von 1970-06 bis 1970-07)
E-Bass:
Geezer Butler (von 1970-06-16 bis 1970-06-21)
E-Gitarre:
Tony Iommi (von 1970-06-16 bis 1970-06-21)
Perkussion und Schlagzeug:
Bill Ward (von 1970-06-16 bis 1970-06-21)
Sologesang:
Ozzy Osbourne (in 1970)
phonographisches Urheberrecht (℗) von:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970), NEMS (UK label, 1976–1983) (in 1976) und Icarus Music (Argentinian metal label and distributor) (in 2006)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970) und Regent Sound Studios in London (Greater London), England, Vereinigtes Königreich (von 1970-06-16 bis 1970-06-21)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 13), TV Cream: Real 100 Best Singles Ever (Nummer: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 250) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 338)
recording of:
Paranoid (von 1970-06-16 bis 1970-07-08)
Texter:
Geezer Butler
Komponist(in):
Geezer Butler, Tony Iommi, Ozzy Osbourne und Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. und Westminster Music Ltd. (in 1970)
Black Sabbath4.552:47
11I Was Made for Lovin’ You
phonographisches Urheberrecht (℗) von:
Phonogram International (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
Bearbeitung von:
I Was Made for Lovin’ You von KISS (US rock band)
recording of:
I Was Made for Lovin’ You
Verfasser(in):
Desmond Child, Vini Poncia und Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) und Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS44:19
12Devil’s Answer
phonographisches Urheberrecht (℗) von:
Sanctuary Records (UK 1996–present) (in 1971)
recording of:
Devil’s Answer
Texter und Komponist(in):
John Du Cann (glam punk, UK)
publisher:
GH Music Ltd.
Atomic Rooster43:25
13Meet Me on the Corner
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2004)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
Meet Me on the Corner
Texter und Komponist(in):
Rod Clements
publisher:
Hazy Music
Lindisfarne2:38
14This Town Ain’t Big Enough
Sparks3:00
15I Just Want to CelebrateRare Earth3:32
16Avenue’s & Alleyways
recording of:
Avenues and Alleyways (The Protectors)
Texter und Komponist(in):
Peter Callander und Mitch Murray
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing und ATV Kirshner (publisher) (in 1972)
Tony Christie33:18
17Rock Me AgainLyn Collins3:22
18Inner City Blues
Produzent(in):
Marvin Gaye
Mix:
Lawrence Miles (am 1971-05-06)
conductor:
David Van dePitte
arranger:
David Van dePitte
recording of:
Inner City Blues (Make Me Wanna Holler)
Verfasser(in):
Marvin Gaye und James Nyx (R&B songwriter)
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
sub-publisher:
EMI Music Publishing France und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.35:26
19Je t’aime… Moi Non Plus
Produzent(in):
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11) und Serge Gainsbourg (in 1968-11)
Orchester:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Je t’aime… Moi non plus (in 1968-11)
Texter und Komponist(in):
Serge Gainsbourg
publisher:
Heath Levy Music Co. Ltd. und Shapiro Bernstein & Co. Ltd.
Serge Gainsbourg44:21
20I Could Be So Good for YouDennis Waterman3:12
21The Sweeney (main Theme)
Simon Wallace and Simon Brint2:34