Not Fade Away: The Complete Studio Recordings and More

~ Release by Buddy Holly (see all versions of this release, 1 available)

Annotation

Note: Many tracks in this box set need to be assigned to the proper artist ("The Crickets").
KillWhenCooked

Annotation last modified on 2010-02-21 19:45 UTC.

Tracklist

1▶CD: 1949–1956: Family Home – Wichita Falls – Lubbock – Nashville – Clovis
2▼CD: 1956–1957: Nashville – Family Garage – Clovis
#TitleArtistRatingLength
1Rock Around With Ollie Vee
recorded in:
Nashville, Tennessee, United States (on 1956-07-22)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-07-22)
drums (drum set):
Jerry Allison (on 1956-07-22)
guitar:
Sonny Curtis (on 1956-07-22) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
recording of:
Rock Around With Ollie Vee (on 1956-07-22)
writer:
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
Buddy Holly52:12
2I’m Changin’ All Those Changes
recorded in:
Nashville, Tennessee, United States (on 1956-07-22)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-07-22)
drums (drum set):
Jerry Allison (on 1956-07-22)
guitar:
Sonny Curtis (on 1956-07-22) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
recording of:
I’m Changing All These Changes (on 1956-07-22)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Cedarwood Music and Cedarwood Pub. Co., Inc.
Buddy Holly2:14
3That’ll Be the Day
recorded in:
Nashville, Tennessee, United States (on 1956-07-22)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-07-22)
drums (drum set):
Jerry Allison (on 1956-07-22)
guitar:
Sonny Curtis (on 1956-07-22) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
recording of:
That’ll Be the Day (on 1956-07-22)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly32:29
4Girl on My Mind
recorded in:
Nashville, Tennessee, United States (on 1956-07-22)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-07-22)
drums (drum set):
Jerry Allison (on 1956-07-22)
guitar:
Sonny Curtis (on 1956-07-22) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
recording of:
Girl on My Mind (on 1956-07-22)
writer:
Don Guess (best known for his association with Buddy Holly)
publisher:
Cedarwood Pub. Co., Inc., Southern Music (publisher) and Universal Cedarwood Publishing
Buddy Holly52:18
5Ting‐A‐Ling
recorded in:
Nashville, Tennessee, United States (on 1956-07-22)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-07-22)
drums (drum set):
Jerry Allison (on 1956-07-22)
guitar:
Sonny Curtis (on 1956-07-22) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
cover recording of:
Ting-a-Ling (on 1956-07-22)
lyricist and composer:
Ahmet Ertegun (US songwriter/producer)
writer:
Nugetre (US songwriter/producer)
publisher:
Carlin Music Corp., Cedarwood Music and Unichappell Music, Inc.
Buddy Holly52:42
6Rock Around With Ollie Vee
recorded in:
Nashville, Tennessee, United States (on 1956-11-15)
producer:
Owen Bradley
alto saxophone:
Dutch McMillin (saxophonist) (on 1956-11-15)
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-11-15)
drums (drum set):
Farris Coursey (on 1956-11-15)
guitar:
Harold Bradley (on 1956-11-15) and Grady Martin (country/rockabilly guitarist) (on 1956-11-15)
piano:
Floyd Cramer (on 1956-11-15)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-11-15)
recording of:
Rock Around With Ollie Vee (on 1956-11-15)
writer:
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
Buddy Holly2:19
7Modern Don Juan
recorded in:
Nashville, Tennessee, United States (on 1956-11-15)
producer:
Owen Bradley
alto saxophone:
Dutch McMillin (saxophonist) (on 1956-11-15)
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-11-15)
drums (drum set):
Farris Coursey (on 1956-11-15)
guitar:
Harold Bradley (on 1956-11-15) and Grady Martin (country/rockabilly guitarist) (on 1956-11-15)
piano:
Floyd Cramer (on 1956-11-15)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-11-15)
recording of:
Modern Don Juan (on 1956-11-15)
writer:
Don Guess (best known for his association with Buddy Holly) and Jack Neal
publisher:
Cedarwood Music and Universal Cedarwood Publishing
Buddy Holly2:40
8You Are My One Desire (false start)
recorded in:
Nashville, Tennessee, United States (on 1956-11-15)
producer:
Owen Bradley
alto saxophone:
Dutch McMillin (saxophonist) (on 1956-11-15)
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-11-15)
drums (drum set):
Farris Coursey (on 1956-11-15)
guitar:
Harold Bradley (on 1956-11-15) and Grady Martin (country/rockabilly guitarist) (on 1956-11-15)
piano:
Floyd Cramer (on 1956-11-15)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-11-15)
partial recording of:
You Are My One Desire (on 1956-11-15)
writer:
Don Guess (best known for his association with Buddy Holly) and Jack Neal
publisher:
Palace Music, Unichappell Music, Inc. and Valley Music Ltd (publisher)
Buddy Holly0:10
9You Are My One Desire
recorded in:
Nashville, Tennessee, United States (on 1956-11-15)
producer:
Owen Bradley
alto saxophone:
Dutch McMillin (saxophonist) (on 1956-11-15)
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-11-15)
drums (drum set):
Farris Coursey (on 1956-11-15)
guitar:
Harold Bradley (on 1956-11-15) and Grady Martin (country/rockabilly guitarist) (on 1956-11-15)
piano:
Floyd Cramer (on 1956-11-15)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-11-15)
recording of:
You Are My One Desire (on 1956-11-15)
writer:
Don Guess (best known for his association with Buddy Holly) and Jack Neal
publisher:
Palace Music, Unichappell Music, Inc. and Valley Music Ltd (publisher)
Buddy Holly2:23
10Gone (unissued)
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Gone (in 1956-11)
lyricist and composer:
Smokey Rogers
Buddy Holly & The Crickets1:15
11Gone
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Gone (in 1956-11)
lyricist and composer:
Smokey Rogers
Buddy Holly & The Crickets1:12
12Gone (alternate take)
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Gone (in 1956-11)
lyricist and composer:
Smokey Rogers
Buddy Holly & The Crickets1:16
13Have You Ever Been Lonely (incomplete alternate)
Buddy Holly & The Crickets0:53
14Have You Ever Been Lonely (alternate)
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Have You Ever Been Lonely? (from 1956-11 until 1956-12)
lyricist:
George Brown (aka Billy Hill) (US songwriter)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
Buddy Holly & The Crickets1:28
15Have You Ever Been Lonely
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Have You Ever Been Lonely? (from 1956-11 until 1956-12)
lyricist:
George Brown (aka Billy Hill) (US songwriter)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
Buddy Holly & The Crickets1:21
16Brown‐Eyed Handsome Man
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Brown Eyed Handsome Man (from 1956-11 until 1956-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly & The Crickets2:08
17Good Rockin’ Tonight
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Good Rockin’ Tonight (from 1956-11 until 1956-12)
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
Buddy Holly & The Crickets1:57
18Rip It Up
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set) and additional vocals:
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Rip It Up (from 1956-11 until 1956-12)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
Buddy Holly & The Crickets1:25
19Blue Monday
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Blue Monday (from 1956-11 until 1956-12)
writer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
publisher:
Chappell Music (UK) and Chappell Music Ltd.
Buddy Holly & The Crickets1:57
20Honky Tonk
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Honky Tonk (jazz instrumental) (from 1956-11 until 1956-12)
composer:
Billy Butler (jazz guitarist), Bill Doggett, Clifford Scott and Berisford “Shep” Shepherd
Buddy Holly & The Crickets3:26
21Blue Suede Shoes
cover recording of:
Blue Suede Shoes
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly1:52
22Shake, Rattle and Roll (partial)
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set) and additional vocals:
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
partial cover recording of:
Shake, Rattle and Roll (from 1956-11 until 1956-12)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
Buddy Holly & The Crickets1:21
23Bo Diddley
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Bo Diddley (from 1956-11 until 1956-12)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (until 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Good Music Ltd.
Buddy Holly & The Crickets2:19
24Ain’t Got No Home
cover recording of:
Ain’t Got No Home
lyricist and composer:
Clarence “Frogman” Henry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Buddy Holly & The Crickets2:01
25Holly Hop
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
recording of:
Holly Hop (from 1956-11 until 1956-12)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications, Inc. (ASCAP, not to get confused with Sir Paul McCartney’s company or the company that goes by the name MPL Communications)
Buddy Holly & The Crickets1:38
26Brown‐Eyed Handsome Man
cover recording of:
Brown Eyed Handsome Man
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly2:03
27Bo Diddley
recorded in:
Clovis, New Mexico, United States (from 1956-12 until 1957-01)
producer:
Norman Petty
bass:
Larry Welborn (from 1956-12 until 1957-01)
drums (drum set):
Jerry Allison (from 1956-12 until 1957-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
cover recording of:
Bo Diddley (from 1956-12 until 1957-01)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (until 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Good Music Ltd.
Buddy Holly2:22
28I’m Looking for Someone to Love
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
guitar [lead], guitar [rhythm] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
membranophone:
Jerry Allison (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Gary Tollett (on 1957-02-25), Niki Sullivan (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
I’m Lookin’ for Someone to Love (on 1957-02-25)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and Wren Music Co.
The Crickets1:58
29That’ll Be the Day
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Gary Tollett (on 1957-02-25), Niki Sullivan (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets4.62:17
30Last Night (undubbed)
recorded in:
Clovis, New Mexico, United States (on 1957-03-01)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-03-01)
drums (drum set):
Jerry Allison (on 1957-03-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-03-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-03-01)
recording of:
Last Night (on 1957-03-01)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) and Norman Petty
publisher:
Wren Music Co.
Buddy Holly1:56
31Maybe Baby (first version)
recorded in:
Clovis, New Mexico, United States (on 1957-03-01)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-03-01)
drums (drum set):
Jerry Allison (on 1957-03-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-03-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-03-01)
recording of:
Maybe Baby (on 1957-03-01)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
The Crickets1:59
32Words of Love
recorded in:
Clovis, New Mexico, United States (on 1957-04-08)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-04-08)
drums (drum set):
Jerry Allison (on 1957-04-08)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
recording of:
Words of Love (Buddy Holly song) (on 1957-04-08)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. and Southern Music Publishing Company Limited
Buddy Holly1:55
33Mailman Bring Me No More Blues
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-04-08)
drums (drum set):
Jerry Allison (on 1957-04-08)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
piano:
Vi Petty (on 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-04-08)
cover recording of:
Mailman, Bring Me No More Blues (on 1957-04-08)
writer:
Bill Katz, Ruth Roberts and Bob Thiele (producer & songwriter)
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly42:12
34Not Fade Away (alternate overdub)
recorded in:
Clovis, New Mexico, United States (on 1957-05-29)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-05-29)
guitar and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
percussion [cardboard box percussion]:
Jerry Allison (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
recording of:
Not Fade Away (on 1957-05-29)
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
Buddy Holly2:23
35Not Fade Away
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-05-27)
double bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-05-29)
drums (drum set):
Jerry Allison (on 1957-05-27, on 1957-05-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-27)
guitar [lead guitar], guitar [rhythm guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-27)
phonographic copyright (℗) by:
Geffen Records (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-27)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 107)
recording of:
Not Fade Away (on 1957-05-27)
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
recording of:
Not Fade Away (on 1957-05-29)
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
The Crickets4.652:22
36Everyday
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-05-29)
celesta:
Vi Petty (on 1957-05-29)
guitar and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
percussion [cardboard box percussion]:
Jerry Allison (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-29)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 236)
recording of:
Everyday (on 1957-05-27)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Peer International Corporation (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.852:07
3▶CD: 1957–1958: Clovis – Oklahoma City – New York
4▶CD: 1958: Clovis – New York – Lubbock
5▶CD: 1959–1963: New York – Clovis
6▶CD: 1962–1968: Clovis