The Best Golden Oldies Album in the World…Ever!

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

℗ «2023 UMG Recordings, Inc.»

Excluded Regions (as of 2026-02-07)

🇦🇫 Afghanistan, 🇦🇬 Antigua & Barbuda, 🇦🇮 Anguilla, 🇦🇲 Armenia, 🇦🇴 Angola, 🇦🇿 Azerbaijan, 🇧🇧 Barbados, 🇧🇩 Bangladesh, 🇧🇫 Burkina Faso, 🇧🇮 Burundi, 🇧🇯 Benin, 🇧🇳 Brunei, 🇧🇹 Bhutan, 🇧🇼 Botswana, 🇨🇨 Cocos (Keeling) Islands, 🇨🇩 Congo - Kinshasa, 🇨🇫 Central African Republic, 🇨🇬 Congo - Brazzaville, 🇨🇰 Cook Islands, 🇨🇻 Cape Verde, 🇨🇽 Christmas Island, 🇩🇯 Djibouti, 🇩🇲 Dominica, 🇪🇷 Eritrea, 🇪🇹 Ethiopia, 🇫🇯 Fiji, 🇫🇰 Falkland Islands, 🇫🇲 Micronesia, 🇬🇦 Gabon, 🇬🇩 Grenada, 🇬🇪 Georgia, 🇬🇲 Gambia, 🇬🇳 Guinea, 🇬🇶 Equatorial Guinea, 🇬🇼 Guinea-Bissau, 🇮🇴 British Indian Ocean Territory, 🇮🇶 Iraq, 🇯🇲 Jamaica, 🇯🇴 Jordan, 🇰🇬 Kyrgyzstan, 🇰🇮 Kiribati, 🇰🇲 Comoros, 🇰🇳 St. Kitts & Nevis, 🇰🇾 Cayman Islands, 🇰🇿 Kazakhstan, 🇱🇦 Laos, 🇱🇨 St. Lucia, 🇱🇷 Liberia, 🇱🇸 Lesotho, 🇱🇾 Libya, 🇲🇩 Moldova, 🇲🇬 Madagascar, 🇲🇭 Marshall Islands, 🇲🇱 Mali, 🇲🇳 Mongolia, 🇲🇷 Mauritania, 🇲🇸 Montserrat, 🇲🇺 Mauritius, 🇲🇻 Maldives, 🇲🇼 Malawi, 🇲🇿 Mozambique, 🇳🇦 Namibia, 🇳🇪 Niger, 🇳🇫 Norfolk Island, 🇳🇵 Nepal, 🇳🇷 Nauru, 🇳🇺 Niue, 🇵🇬 Papua New Guinea, 🇵🇰 Pakistan, 🇵🇳 Pitcairn Islands, 🇵🇼 Palau, 🇷🇼 Rwanda, 🇸🇧 Solomon Islands, 🇸🇨 Seychelles, 🇸🇯 Svalbard & Jan Mayen, 🇸🇱 Sierra Leone, 🇸🇴 Somalia, 🇸🇹 São Tomé & Príncipe, 🇸🇿 Eswatini, 🇹🇨 Turks & Caicos Islands, 🇹🇩 Chad, 🇹🇬 Togo, 🇹🇯 Tajikistan, 🇹🇰 Tokelau, 🇹🇱 Timor-Leste, 🇹🇲 Turkmenistan, 🇹🇴 Tonga, 🇹🇻 Tuvalu, 🇹🇿 Tanzania, 🇺🇬 Uganda, 🇺🇿 Uzbekistan, 🇻🇨 St. Vincent & Grenadines, 🇻🇬 British Virgin Islands, 🇻🇺 Vanuatu, 🇼🇸 Samoa, 🇾🇪 Yemen, 🇿🇲 Zambia, 🇿🇼 Zimbabwe

Annotazione modificata l'ultima volta il 2026-02-07 16:18 UTC.

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1Father and Son (remastered 2020)
registrazione di:
Father and Son (Cat Stevens)
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (dal 1970 a oggi) e Irving Music, Inc. (dal 1970 a oggi)
Cat Stevens3:41
2Pennies From Heaven
produttore:
Voyle Gilmore
basso :
Amado Rodrigues (il 1957-01-31)
batteria :
Bobby Morris (il 1957-01-31)
chitarra :
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1957-01-31)
pianoforte :
Willie McCumber Jr. (il 1957-01-31)
sassofono tenore :
Sam Butera (il 1957-01-31)
tromba :
Louis Prima (il 1957-01-31)
trombone :
Jimmy 'Little Red' Blount (il 1957-01-31)
voce:
Louis Prima (il 1957-01-31)
orchestra:
The Witnesses (il 1957-01-31)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1957-01-31)
registrazione cover di:
Pennies From Heaven (il 1957-01-31)
paroliere:
Johnny Burke (American lyricist, 1908–1964) (nel 1936)
compositore:
Arthur Johnston (American composer and songwriter) (nel 1936)
editore:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) e Joy Music Inc.
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
Louis Prima52:22
3Monday, Monday
registrazione di:
Monday, Monday
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music e Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas3:24
4One Fine Day
registrazione di:
One Fine Day
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Magna Music Co Ltd e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Chiffons2:04
5What Becomes of the Brokenhearted (single version)
produttore:
William "Mickey" Stevenson (Motown songwriter)
registrazione di:
What Becomes of the Brokenhearted
autore:
James Dean (US soul songwriter), Paul Riser e William Weatherspoon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (UK)
Jimmy Ruffin4.653:02
6Give Me Back My Love
registrazione di:
Give Me Back My Love
paroliere e compositore:
Alice May (singer and songwriter)
Maywood4:02
7Layla
registrazione di:
Layla
autore:
Eric Clapton e Jim Gordon (US drummer with Derek and the Dominos)
editore:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Derek and the Dominos7:02
8Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico :
Leon Wilkeson (nel 1973-07)
batteria :
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (nel 1973-07)
chitarra elettrica :
Allen Collins (nel 1973-07), Ed King (US guitarist, bassist & songwriter) (nel 1973-07) e Gary Rossington (nel 1973-07)
tastiera :
Billy Powell (nel 1973-07)
voce di accompagnamento:
Merry Clayton (nel 1973-07) e Clydie King (nel 1973-07)
voce principale:
Ronnie Van Zant (nel 1973-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974), Universal Music (plain logo: “Universal Music”) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Sounds of the South Productions
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 398)
registrazione di:
Sweet Home Alabama (nel 1973-07)
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:44
9If I Can’t Have You
produttore:
Freddie Perren
basso :
Scott Edwards (bassist)
batteria :
James Gadson (American drummer)
chitarra :
Bob Bowles
percussione :
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) e Freddie Perren
pianoforte :
Sonny Burke (soul/jazz/funk keyboardist)
sintetizzatore e tastiera :
Freddie Perren
voce di accompagnamento [additional background vocals] e voce principale:
Yvonne Elliman
voce di accompagnamento [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters e Maxine Waters
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 19) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 343)
registrazione di:
If I Can’t Have You
scritta a:
Francia
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (nel 1978) e Unichappell Music (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.253:00
10Don’t Stand So Close to Me
tecnico:
Nigel Gray (UK producer)
produttore:
Nigel Gray (UK producer) e The Police (British rock band)
basso elettrico , sintetizzatore e voce principale:
Sting (singer, songwriter & member of The Police) (dal 1980-07-07 al 1980-08-07)
batteria :
Stewart Copeland (drummer, percussionist, pianist and composer) (dal 1980-07-07 al 1980-08-07)
chitarra elettrica :
Andy Summers (dal 1980-07-07 al 1980-08-07)
voce di accompagnamento:
Stewart Copeland (drummer, percussionist, pianist and composer) (dal 1980-07-07 al 1980-08-07), Sting (singer, songwriter & member of The Police) (dal 1980-07-07 al 1980-08-07) e Andy Summers (dal 1980-07-07 al 1980-08-07)
diritti fonografici (℗) detenuti da:
A&M Records Ltd. (nel 1980, nel 2003) e A&M Records, Inc. (nel 1980, nel 1997)
registrata presso:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands (dal 1980-07-07 al 1980-08-07)
registrazione di:
Don’t Stand So Close to Me (dal 1980-07-07 al 1980-08-07)
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
Warner Bros. (holding: file NO releases) (conclusa), EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc. (Sting), GM Sumner, Chappell Music (UK) (dal 1980 al ????), Chappell Music Co. (dal 1980 al ????), Virgin Music (Publishers) Ltd. (dal 1980 al ????), Virgin Music, Inc. (US arm of Virgin’s publishing company) (dal 1980 al ????), Virgin Publishing (dal 1984 al ????), EMI Music Publishing, Ltd. (PRS‐affiliated) (dal 2003 al ????) e Songs of Universal, Inc. (BMI) (dal 2022-02 a oggi)
The Police3.954:02
11You Give Love a Bad Name
assistente tecnico:
Tim Crich
tecnico e tecnico di missaggio:
Bob Rock
produttore:
Bruce Fairbairn
basso elettrico [Bass] e voce di accompagnamento:
Alec John Such
batteria e percussione :
Tico Torres
chitarra acustica , chitarra elettrica , chitarra synth [IVL Guitar Synths] e talk box :
Richie Sambora
tastiera [Keyboards, Noises] :
Dave Bryan (keyboardist for Bon Jovi)
voce di accompagnamento [Backing Vocals]:
Jon Bon Jovi, Dave Bryan (keyboardist for Bon Jovi), Richie Sambora e Alec John Such
voce principale:
Jon Bon Jovi
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1986) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2011)
registrata presso:
Little Mountain Sound in Vancouver, British Columbia (Columbia Britannica), Canada
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 20) e BILLIONS CLUB
registrazione di:
You Give Love a Bad Name
autore:
Jon Bon Jovi, Desmond Child e Richie Sambora
editore:
Aggressive Music (A) 301, CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing, Sony/ATV Tunes LLC (ASCAP), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), April Music Inc. (nel 1986), Bon Jovi Publishing (nel 1986), Desmobile Inc. (nel 1986) e PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (nel 1986)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi4.33:42
12Alive and Kicking
produttore:
Bob Clearmountain e Jimmy Iovine
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985)
registrazione di:
Alive and Kicking
autore:
Charlie Burchill, Jim Kerr (of Simple Minds) e Michael MacNeil
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. e Simple Minds Ltd
Simple Minds3.54:46
13Is She Really Going Out With Him?
tecnico:
Rod Hewison
produttore:
David Kershenbaum
batteria :
David Houghton (nel 1978-08)
chitarra :
Gary Sanford (nel 1978-08)
chitarra basso :
Graham Maby (nel 1978-08)
voce principale:
Joe Jackson (English musician) (nel 1978-08)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1979)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 438)
registrazione di:
Is She Really Going Out With Him? (nel 1978-08)
paroliere e compositore:
Joe Jackson (English musician)
editore:
Kobalt Music (publisher) e Pokazuka Limited
Joe Jackson4.43:34
14I Will Survive
registrazione di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor4:56
15Bad to the Bone
tecnico:
Paul Mufson e John Nagy
assistente produttore:
Ken Irwin e John Nagy
produttore:
Terry Manning (US recording engineer) e The Delaware Destroyers (George Thorogood & the Destroyers)
tecnico di missaggio:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood (blues, rock, and blues/rock guitarist and vocalist) e Terry Manning (US recording engineer) (nel 1992)
basso :
Bill Blough (dal 1981 al 1982)
batteria :
Jeff Simon (dal 1981 al 1982)
chitarra e voce principale:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist) (dal 1981 al 1982)
pianoforte :
Ian Stewart (piano/keyboard, Rolling Stones member)
sassofono :
Hank Carter (Hank "Hurricane" Carter) (dal 1981 al 1982)
tastiera :
Ian Stewart (piano/keyboard, Rolling Stones member) (dal 1981 al 1982)
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1989)
registrata presso:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, Stati Uniti (dal 1981 al 1982)
mixata presso:
The Mixing Lab in Newton, Massachusetts, Stati Uniti
registrazione di:
Bad to the Bone (dal 1981 al 1982)
paroliere e compositore:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
editore:
Del Sound Music
George Thorogood & the Destroyers4.24:51
16Mississippi
registrazione di:
Mississippi
paroliere e compositore:
Werner Theunissen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
registrazione di:
Mississippi (German version)
paroliere e compositore:
Werner Theunissen
traduttore:
Michael Chambosse
versione tradotta di:
Mississippi
Pussycat4:36
17It’s My Party
registrazione di:
It’s My Party
autore:
John Gluck, Jr., Wally Gold, Seymour Gottlieb e Herb Weiner
editore:
A. Schroeder Music Ltd. e Chappell & Co., Inc. (USA)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore2:21
18Rescue Me
registrazione di:
Rescue Me
autore:
Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
editore:
United Artists Music Co., Inc. (conclusa), Chevis Music Publ. Corp. e Reservoir 416
Fontella Bass2:52
19Please Mr. Postman (single version / mono)
registrazione di:
Please Mr. Postman
autore:
Robert Bateman (R&B singer/songwriter/record producer) (nel 1961), Georgia Dobbins (nel 1961), William Garrett (nel 1961), Freddie Gorman (nel 1961) e Brian Holland (Motown producer & songwriter) (nel 1961)
editore:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
The Marvelettes2:29
20Centerfold
The J. Geils Band3:34
21Stayin’ Alive
produttore:
Bee Gees, Albhy Galuten e Karl Richardson
basso :
Maurice Gibb (nel 1977)
batteria :
Dennis Bryon (Welsh drummer, author) (nel 1977)
chitarra [rhythm guitar] e voce principale:
Barry Gibb (nel 1977)
chitarra elettrica :
Alan Kendall (nel 1977)
percussione :
Dennis Bryon (Welsh drummer, author) (nel 1977) e Joe Lala (nel 1977)
pianoforte , sintetizzatore e tastiera :
Blue Weaver (nel 1977)
altra voce [harmony vocals] e voce di accompagnamento:
Barry Gibb (nel 1977), Maurice Gibb (nel 1977) e Robin Gibb (nel 1977)
esecutore:
Bee Gees (nel 1977)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1977), Maurice Gibb (nel 1977) e Robin Gibb (nel 1977)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1977), PolyGram International Music B.V. (not for release label use!) (nel 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1977)
parte di:
Q50 – December 2005 (numero: 3), Billboard Year-End Hot 100 singles of 1978 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 32), Billboard: Greatest of All Time Hot 100 Songs (numero: 66), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 99), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 189) e BILLIONS CLUB
registrazione di:
Stayin’ Alive (nel 1977)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co Ltd., Crompton Songs, Gibb Brothers Music, R.S.O. Publishing Ltd., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Stigwood Music, Inc. (nel 1978) e Unichappell Music (nel 1978)
Bee Gees3.854:44
22Missing You
tecnico e tecnico di missaggio:
David Thoener
basso elettrico [bass] :
Donnie Nossov
batteria :
Curly Smith (Jo Jo Gunne musician)
chitarra :
Gary Myrick
percussione :
Steve Scales
tastiera :
Bruce Brody
voce principale:
John Waite
diritti fonografici (℗) detenuti da:
EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (nel 1984), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1984)
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite3.754:29
23Mad World
programmazione:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
produttore:
Ross Cullum e Chris Hughes (producer, aka “Merrick”)
batteria :
Manny Elias
chitarra :
Roland Orzabal (UK musician, songwriter and producer)
chitarra basso :
Curt Smith
percussione :
Chris Hughes (producer, aka “Merrick”)
tastiera :
Roland Orzabal (UK musician, songwriter and producer), Curt Smith e Ian Stanley
voce:
Curt Smith
direttore d'orchestra:
Chris Hughes (producer, aka “Merrick”)
esecutore:
Ross Cullum e Phil Palmer (guitarist)
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1985)
video musicali:
Mad World di Tears for Fears
registrazione di:
Mad World
paroliere e compositore:
Roland Orzabal (UK musician, songwriter and producer)
editore:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing e Virgin Music Ltd.
Tears for Fears3.73:35
24Reach Out I’ll Be There (single version / mono)
registrazione di:
Reach Out, I’ll Be There
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops2:59
25Hot Stuff
produttore:
Pete Bellotte (English lyricist and producer) e Giorgio Moroder
voce:
Donna Summer (soul/disco diva)
diritti fonografici (℗) detenuti da:
UMG Recordings Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2003, nel 2013) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2003)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 103)
registrazione di:
Hot Stuff
autore:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer4.45:14
26Make Your Own Kind of Music
tecnico:
Phil Kaye
produttore:
Steve Barri
registrazione di:
Make Your Own Kind of Music
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
Screen Gems-Columbia (publisher) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Cass Elliot52:23
27Heaven Must Be Missing an Angel
registrazione di:
Heaven Must Be Missing an Angel
autore:
Freddie Perren e Keni St. Lewis
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares6:33
28Baby, I Love Your Way
produttore:
Peter Frampton
batteria [drums] :
John Siomos
chitarra :
Peter Frampton e Bob Mayo (US session keyboardist & guitarist)
chitarra basso :
Stanley Sheldon (bass player)
organo , piano Rhodes e pianoforte a coda :
Bob Mayo (US session keyboardist & guitarist)
talk box :
Peter Frampton
voce:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) e Stanley Sheldon (bass player)
arrangiatore:
Peter Frampton
diritti fonografici (℗) detenuti da:
A&M Records (nel 1975) e A&M Records, Inc. (nel 1975)
registrazione dal vivo di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
Peter Frampton3.654:41
29You Can’t Hurry Love
registrazione di:
You Can’t Hurry Love
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music (UK) Ltd. (nel 1965) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes2:48
30The Gambler
tecnico:
Billy Sherrill (US songwriter/producer/arranger)
produttore:
Larry Butler (US country music producer, songwriter & pianist)
voce principale:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
diritti fonografici (℗) detenuti da:
Liberty Records, Inc. (nel 1978) e Capitol Records Nashville (nel 2006)
registrata presso:
Jack Clement Recording Studio in Nashville, Tennessee, Stati Uniti
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 21)
registrazione cover di:
The Gambler
autore e compositore:
Don Schlitz
editore:
Sony/ATV Cross Keys Publishing e Writer's Night Music
Kenny Rogers4.353:32
31Stuck on You
produttore:
James Anthony Carmichael e Lionel Richie
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
Stuck on You
paroliere e compositore:
Lionel Richie
editore:
Brockman Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lionel Richie43:10
32Never, Never Gonna Give Ya Up (long version)
registrazione di:
Never, Never Gonna Give Ya Up
paroliere e compositore:
Barry White
Barry White4:47
33A Man Without Love
tecnico e tecnico di missaggio:
Luis Rodriguez (Spanish producer and engineer)
arrangiatore:
Werner Becker, Dieter Bohlen e Ralf Stemmen
mixata presso e lavorazione tecnica effettuata presso:
Studio 33 (Germany) in Hamburg, Germania
registrazione di:
A Man Without Love (Quando m'innamoro)
paroliere:
Mario Panzeri (Italian lyricist and composer)
compositore:
Roberto Livraghi e Daniele Pace (Italian lyricist & songwriter)
traduttore:
Barry Mason (English songwriter)
editore:
Sugar Music (German publisher)
versione tradotta di:
Quando m’innamoro
Engelbert Humperdinck43:20
34Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:24
35Alone
assistente tecnico:
Mike Christopher (engineer), Stan Katayama, Jeffrey Poe, Julian Stoll (Music engineer) e Toby Wright (producer & engineer)
tecnico e produttore:
Ron Nevison
batteria :
Denny Carmassi
chitarra :
Howard Leese
chitarra basso :
Mark Andes
voce di accompagnamento:
Howard Leese e Nancy Wilson (guitarist/singer of “Heart”)
voce principale:
Ann Wilson (lead singer of Heart)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1987)
video musicali:
Alone di Heart (rock band, Ann and Nancy Wilson)
registrazione cover di:
Alone (I hear the ticking of the clock… I’m lying here the room’s pitch dark…)
autore:
Tom Kelly (songwriter) e Billy Steinberg
editore:
Sony/ATV Tunes LLC (ASCAP), Billy Steinberg Music (dal 1983 a oggi) e Denise Barry Music (dal 1983 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Heart3.653:38
36Have You Ever Seen the Rain?
tecnico di registrazione e tecnico di missaggio:
Russ Gary
produttore:
John Fogerty
batteria :
Doug Clifford
chitarra :
John Fogerty e Tom Fogerty
chitarra basso :
Stu Cook
voce principale:
John Fogerty
arrangiatore:
John Fogerty
diritti fonografici (℗) detenuti da:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (nel 1976)
registrata presso e mixata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti
registrazione di:
Have You Ever Seen the Rain? (nel 1971-11)
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Jondora Music e Prestige Music Co. Ltd.
Creedence Clearwater Revival4.42:40
37This Love
assistente tecnico:
Posie Muliadi e Danny Wright (US engineer)
tecnico:
Mike Landolt
produttore:
Matt Wallace (US producer & engineer)
produttore aggiunto:
Mark Endert
tecnico di missaggio:
Mark Endert e Matt Wallace (US producer & engineer)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 437)
registrazione di:
This Love
paroliere e compositore:
A. Levine (Maroon 5’s lead vocalist), Ryan Dusick, J. Carmichael, Mickey Madden e James Valentine (Maroon 5)
editore:
February Twenty Second Music 301 /372, Valentine, Valentine, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Octjay LLC (nel 2003)
Maroon 54.153:26
38Hazard
Richard Marx5:17
39Never Knew Love Like This Before
registrazione di:
Never Knew Love Like This Before
autore:
Reggie Lucas e James Mtume (jazz/funk musician)
editore:
Frozen Butterfly Publishing Co.
Stephanie Mills5:27
40The Tide Is High
assistente tecnico:
Gary Boatner (engineer) e Doug Schwartz (mastering engineer)
tecnico:
Lenise Bent
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (nel 1980)
chitarra :
Frank Infante (nel 1980) e Chris Stein (nel 1980)
chitarra basso :
Nigel Harrison (nel 1980)
percussione ospite :
Alex Acuña (nel 1980), Ollie E. Brown (US drummer, session musician & record producer) (nel 1980) e Emil Richards (nel 1980)
tastiera :
Jimmy Destri (nel 1980)
timpani :
Chris Stein (nel 1980)
voce di accompagnamento [girl-group backup vocals]:
The ‘B’ Girls e Deborah Harry
voce principale:
Deborah Harry (nel 1980)
arrangiatore strumenti:
Jimmie Haskell
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2001), Capitol Records (imprint of Capitol Records, Inc.) (nel 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2001) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2001)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (nel 1980)
registrazione cover di:
The Tide Is High (nel 1980)
autore:
John Holt (nel 1967)
autore aggiunto:
Howard Barrett (nel 1967) e Tyrone Evans (nel 1967)
editore:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group e Sparta Florida Music Group Ltd.
Blondie4.154:39
41Weather With You
Crowded House3:41
42It’s Not Unusual
registrazione di:
It’s Not Unusual
autore:
Gordon Mills (60s/70s UK producer and songwriter) e Les Reed
editore:
Leeds Music (conclusa), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) e Universal Duchess Music Corp. (nel 1964)
Tom Jones1:58
43Son of a Preacher Man
tecnico:
Ed Kollis
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
batteria :
Gene Chrisman (nel 1968-09)
chitarra basso :
Tommy Cogbill (nel 1968-09)
chitarra e sitar :
Reggie Young (guitarist and songwriter) (nel 1968-09)
pianoforte elettrico e organo :
Bobby Emmons (nel 1968-09)
voce:
Dusty Springfield (nel 1968-09)
voce di accompagnamento:
The Sweet Inspirations (nel 1968-09)
direttore d'orchestra:
Gene Orloff (nel 1968-09)
arrangiatore ottoni :
Tom Dowd
arrangiatore ottoni e archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 240)
registrazione di:
Son of a Preacher Man (nel 1968-09)
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Dusty Springfield4.452:30
44Give a Little Bit
tecnico di registrazione:
Pete (J.B.) Henderson (English sound engineer)
assistente tecnico:
Steve Smith (70s producer & engineer, mainly Island Records), Tom (G.B.) Likes e Tom (T.A.) Anderson (engineer)
produttore:
Supertramp
tecnico di missaggio:
Geoff Emerick (British recording engineer)
basso :
Dougie Thomson (dal 1976-11 al 1977-01)
batteria e percussione :
Bob C. Benberg (dal 1976-11 al 1977-01)
chitarra a 12 corde , chitarra elettrica e voce principale:
Roger Hodgson (dal 1976-11 al 1977-01)
clavinet , organo e pianoforte :
Rick Davies (UK keyboardist, member of Supertramp) (dal 1976-11 al 1977-01)
strumenti:
John Helliwell (dal 1976-11 al 1977-01)
remixer:
Tom (T.A.) Anderson (engineer)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1977)
registrata presso:
The Caribou Ranch in Nederland, Colorado, Stati Uniti (dal 1976-11 al 1977-01) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (dal 1976-11 al 1977-01)
registrazione di:
Give a Little Bit (dal 1976-11 al 1977-01)
compositore:
Rick Davies (UK keyboardist, member of Supertramp) e Roger Hodgson
editore:
Rondor Music, Rondor Music (London) Ltd., Almo Music Corp. (USA, affiliated with ASCAP) (nel 1977) e Delicate Music (nel 1977)
Supertramp3.954:06
45Gentle on My Mind
produttore:
Al De Lory
voce principale:
Glen Campbell (US country singer, guitarist & actor) (il 1967-05-17)
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1967)
registrazione cover di:
Gentle on My Mind (il 1967-05-17)
paroliere e compositore:
John Hartford
editore:
Acuff Rose Publications Ltd. e Ensign Music Corp.
Glen Campbell42:56
46River Deep – Mountain High
tecnico:
Larry Levine
produttore:
Phil Spector e Ike Turner
voce principale:
Tina Turner
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1966-03)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 33) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 221)
registrazione di:
River Deep – Mountain High (nel 1966-03)
autore:
Jeff Barry (nel 1966), Ellie Greenwich (nel 1966) e Phil Spector (nel 1966)
editore:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Co., Inc., Trio Music Company, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日本アブコ音楽出版 (ABKCO Japan Publishing)
Ike & Tina Turner3.53:36
47The Sun Ain’t Gonna Shine Anymore
The Walker Brothers3:10
48Surf City
registrazione di:
Surf City
autore:
Jan Berry e Brian Wilson (Beach Boys co‐founder)
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Jan & Dean2:26
49Joy to the World
registrazione di:
Joy to the World
paroliere e compositore:
Hoyt Axton
editore:
Rondor Music
Three Dog Night4.753:45
50Dancing in the Street
registrazione di:
Dancing in the Street
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha Reeves and the Vandellas2:38
51My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.24:00
52What’s Up
tecnico di registrazione:
David Tickle (nel 1992) e Mark Hensley (nel 1992)
tecnico aggiunto:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy e Paul Dieter (American sound engineer and producer.)
produttore e tecnico di missaggio:
David Tickle
basso e voce di accompagnamento:
Christa Hillhouse (nel 1992)
batteria :
Dawn Richardson (nel 1992)
chitarra :
Louis Metoyer (nel 1992) e Roger Rocha (nel 1992)
chitarra acustica e chitarra elettrica :
Linda Perry (rock singer‐songwriter & producer) (nel 1992)
pianoforte :
Laurent Tardy (nel 1992)
voce principale:
Linda Perry (rock singer‐songwriter & producer) (nel 1992)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1992)
registrata presso:
Groove Masters in Santa Monica, California, Stati Uniti (nel 1992), The Bunker (nel 1992) e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti (nel 1992)
mixata presso:
The Bunker
video musicali:
What’s Up? di 4 Non Blondes
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 46), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 486)
registrazione di:
What’s Up? (nel 1992)
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat e Stuck in the Throat Music
4 Non Blondes3.854:55
53Escape (The Pina Colada Song)
Rupert Holmes4:34
54Celebration
parte di:
Cachitos Nochevieja 2022 (numero: 169)
registrazione di:
Celebration
autore:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) e Earl Toon, Jr.
editore:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1980) e WB Music Corp. (1929–2019) (nel 1980)
Kool & the Gang4:58
55Love Will Keep Us Together
Captain & Tennille3:24
56Some Kind of Wonderful
registrazione di:
Some Kind of Wonderful
paroliere e compositore:
Willie John Ellison (American/Canadian musician)
editore:
Crash Music, Dandelion Music Company e Fermata do Brasil
Grand Funk Railroad3:16
57Mustang Sally
voce:
Andrew Strong (Irish singer)
voce di accompagnamento:
Angeline Ball, Maria Doyle Kennedy e Bronagh Gallagher (Irish singer and actress)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1991) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1991)
registrazione cover di:
Mustang Sally
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Commitments4.54:00
58Dark Lady
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
registrazione di:
Dark Lady
paroliere e compositore:
Johnny Durrill (Singer/songwriter)
Cher33:27
59My Cherie Amour
produttore:
Henry Cosby
voce principale:
Stevie Wonder (dal 1967 al 1968)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967 al 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 399)
registrazione di:
My Cherie Amour (dal 1967 al 1968)
autore:
Henry Cosby, Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:55
60All Right Now
tecnico:
Roy Thomas Baker (producer)
produttore:
Free (60s/70s UK blues rock group)
produttore aggiunto:
John Kelly (producer)
basso :
Andy Fraser (English bassist, member of Free) (nel 1970)
basso elettrico e pianoforte :
Andy Fraser (English bassist, member of Free)
batteria :
Simon Kirke (nel 1970)
chitarra :
Paul Kossoff (nel 1970)
voce:
Paul Rodgers
voce principale:
Paul Rodgers (nel 1970)
diritti fonografici (℗) detenuti da:
Free (60s/70s UK blues rock group) (nel 1970)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1970) e Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (nel 1970) e Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1970)
video musicali:
All Right Now di Free (60s/70s UK blues rock group)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 27)
registrazione di:
All Right Now (nel 1970)
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:32
61Super Freak
tecnico di registrazione e tecnico di missaggio:
Tom "Super" Flye
assistente tecnico:
Rick "Port Hole" Sanchez
tecnico:
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez e Tom "Super" Flye
produttore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
produttore esecutivo:
Alonzo Miller (Singer-songwriter, producer)
altri strumenti [flexatone] e vibraslap :
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
basso :
Oscar Alston
batteria :
Lanise Hughes
battimani e percussione :
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) e Tom McDermott (guitarist)
chitarra :
Tom McDermott (guitarist)
pianoforte elettrico e sintetizzatore [Crumar] :
Levi Ruffin, Jr.
sassofono tenore :
Daniel LeMelle
voce di accompagnamento:
Dennis Edwards (US soul & R’n’B singer), Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street e Otis Williams (US baritone singer, member of The Temptations & The Distants)
arrangiatore corno :
Daniel LeMelle e Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arrangiatore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
registrata presso:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti (voce di accompagnamento) e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 153) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 477)
registrazione di:
Super Freak
paroliere e compositore:
Alonzo Miller (Singer-songwriter, producer) e Rick James (US vocalist, multi‐instrumentalist, composer & producer)
editore:
Jobete Music Co., Inc. e Stone Diamond Music Corporation
Rick James4.153:25
62Blueberry Hill
registrazione cover di:
Blueberry Hill
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino2:19
63When Will I Be Loved
Linda Ronstadt2:04
64The Night They Drove Old Dixie Down
registrazione di:
The Night They Drove Old Dixie Down
paroliere e compositore:
Robbie Robertson
editore:
Canaan Music Inc, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Joan Baez3:25
65God Only Knows (Remastered 1996)
tecnico:
Chuck Britz e Ralph Valentin
produttore:
Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Mark Linett
basso elettrico :
Ray Pohlman
batteria e campana :
Hal Blaine (U.S. studio drummer and percussionist)
chitarra a 12 corde :
Carol Kaye e Carl Wilson (Beach Boys)
clarinetto :
Leonard Hartman e Jay Migliori
clarinetto basso :
Leonard Hartman
clavicembalo :
Larry Knechtel
contrabbasso :
Lyle Ritz
corno francese :
Alan Robinson
fisarmonica :
Carl Fortina e Frank Marocco
flauto e flauto contralto :
William Green (woodwind) e Jim Horn (saxophonist, hornist, flutist and oboist)
percussione :
Jim Gordon (US drummer with Derek and the Dominos)
pianoforte preparato :
Don Randi
tamburello :
Terry Melcher
viola :
Darrel Terwilliger
violino :
Leonard Malarsky e Sid Sharp
violoncello :
Jesse Ehrlich
voce di accompagnamento:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys), Brian Wilson (Beach Boys co‐founder) e Carl Wilson (Beach Boys)
voce principale:
Carl Wilson (Beach Boys)
registrazione di:
God Only Knows
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
The Beach Boys12:53
66Forever and Ever
registrazione di:
Forever and Ever (1973 song)
paroliere:
Alec R. Costandinos
compositore:
Στέλιος Βλαβιανός
Demis Roussos53:40
67War
esecutore:
Edwin Starr
registrazione cover di:
War (il 1970-05-15)
autore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
Edwin Starr4.253:22
68We Belong
assistente tecnico:
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
produttore:
Pete Coleman e Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistente tecnico di missaggio:
Murray Dvorkin e Bino Espinoza
armonica (a bocca) e chitarra :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
batteria :
Myron Grombacher
chitarra basso :
Donnie Nossov
chitarra basso ospite aggiunto:
Roger Capps
percussione :
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) e Myron Grombacher
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1981) e Chrysalis Records, Inc. (not for release label use!) (nel 1984)
mixata presso:
Soundcastle (Interactive Studios) in Santa Monica, California, Stati Uniti e The Complex Studios in Los Angeles, California, Stati Uniti
registrazione di:
We Belong
autore:
Eric Lowen e Dan Navarro (singer/songwriter/voice actor)
editore:
Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.43:39
69You’re the One That I Want
tecnico e tecnico di missaggio:
David J. Holman
produttore:
John Farrar
basso elettrico :
David Hungate
arrangiatore:
John Farrar, Michael Gibson (trombone) e Louis St. Louis (American songwriter, music arranger and singer)
diritti fonografici (℗) detenuti da:
Robert Stigwood Organisation Ltd. (nel 1978) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978)
versione karaoke di:
You’re the One That I Want (sing‐a‐long version) di John Farrar
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 13) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 250)
registrazione di:
You’re the One That I Want (Grease, 1978 film)
paroliere e compositore:
John Farrar
editore:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Sony/ATV Melody, Unichappell Music, Inc., Ensign Music, Inc. (publisher) (nel 1978), John Farrar Music (nel 1978), Stigwood Music, Inc. (nel 1978) e Unichappell Music (nel 1978)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
Grease (1978 film)
John Travolta & Olivia Newton‐John42:47
70I’m Not in Love
tecnico di registrazione:
10cc (nel 1974)
tecnico e tecnico di missaggio:
Eric Stewart
produttore:
10cc
basso e chitarra :
Graham Gouldman (nel 1974)
effetti [musical effects] , pianoforte elettrico e voce principale:
Eric Stewart (nel 1974)
moog :
Kevin (nel 1974)
pianoforte :
Lol (nel 1974)
synclavier [control desk] :
Graham Gouldman (nel 1974), Kevin (nel 1974), Lol (nel 1974) e Eric Stewart (nel 1974)
altra voce [whisper vocals]:
Kathy Redfern (nel 1974)
voce di accompagnamento:
Graham Gouldman (nel 1974), Kevin (nel 1974) e Lol (nel 1974)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1975), Mercury Records Ltd. (London) (for copyrights use only) (nel 1975), Phonogram, Inc. (nel 1975), Phonogram Ltd. (not for release label use!) (nel 1979) e Mercury Records Ltd. (not for release label use!) (nel 1996)
registrata da:
Phonogram Ltd. (London) (company name, NOT a label!)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito (nel 1974)
video musicali:
I’m Not in Love di 10cc
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 319)
registrazione di:
I’m Not in Love (nel 1974)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc3.86:04
71Sixteen Tons
registrazione cover di:
Sixteen Tons
paroliere e compositore:
Merle Travis
editore:
American Music, Inc. e Campbell Connelly & Co. Ltd.
adattamenti:
16 Tons
Tennessee Ernie Ford2:35
72The Girl From Ipanema (single version)
Stan Getz2:46
73Pearl’s a Singer
registrazione cover di:
Pearl’s a Singer
autore:
Ralph Dino, Jerry Leiber, John Sembello e Mike Stoller
editore:
Sony/ATV Songs LLC
Elkie Brooks3:39
74Indigo Girl
Watershed3:00
75Smile
registrazione di:
Smile (song version w/ lyrics)
paroliere:
Geoffrey Parsons (lyricist) e John Turner (lyricist)
compositore:
Charlie Chaplin (filmmaker)
editore:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. e Bourne Co. (not for release label use, this is a music publisher) (nel 1954)
sub-editore:
Editions Vedette Sprl e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Smile (Modern Times; original instrumental version)
parte di:
Chaplin
Nat King Cole2:50
76Chiquitita
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
banjo :
Björn Ulvaeus (il 1978-12-13)
batteria :
Ola Brunkert (il 1978-12-13)
chitarra :
Björn Ulvaeus (il 1978-12-13) e Lasse Wellander (il 1978-12-13, il 1978-12-14)
chitarra basso :
Rutger Gunnarsson (il 1978-12-13)
sintetizzatore e tastiera :
Benny Andersson (ABBA) (il 1978-12-13)
voce principale:
Agnetha Fältskog (il 1978-12-13)
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music International AB (nel 1979)
registrata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1978-12-13, il 1978-12-14)
mixata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia
registrazione di:
Chiquitita (dal 1978-12-13 al 1978-12-14)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
UNICEF Music Project (conclusa), Bocu Music Ltd., Music For Unicef e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Mamma Mia! (1999 musical)
ABBA3.455:26
77Come On Eileen
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4:38
78At Last
produttore:
Leonard Chess, Phil Chess e Leonard and Phil Chess (legendary US production duo)
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
diritti fonografici (℗) detenuti da:
Windswept Pacific Music Ltd.
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 115) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 356)
registrazione cover di:
At Last (nel 1960-10)
autore:
Mack Gordon e Harry Warren (US composer and lyricist)
editore:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Etta James4.53:00
79I Don’t Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats44:16
80Smoke Gets in Your Eyes
registrazione cover di:
Smoke Gets in Your Eyes
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
The Platters2:40
81Unchained Melody
The Righteous Brothers3:34
82That’s Amore
registrazione di:
That’s Amore
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, volume I)
Dean Martin3:07
83Born Free (from “Born Free”)
registrazione di:
Born Free
paroliere:
Don Black (English lyricist)
compositore:
John Barry (English score composer)
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music Ltd.
parte di:
The 39th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1966 winner)
parte di:
Born Free
Matt Monro2:48
84Weeping
registrazione di:
Weeping
paroliere e compositore:
Dan Heymann (South African keyboardist and songwriter)
editore:
Burnt Puppy Music, Muffled Music (Personal publisher for Dan Heymann) e Songs of Kobalt Music Publishing
Bright Blue4:51
85Fooled Around and Fell in Love
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1975)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 22) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 32)
registrazione di:
Fooled Around and Fell in Love
paroliere e compositore:
Elvin Bishop
Elvin Bishop3.654:35
86Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
87Easy
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1977), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1977), Motown Records (not for label use; use “Motown” instead) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 2009)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 93)
registrazione di:
Easy
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Commodores3.754:16
88Hopelessly Devoted to You
tecnico e tecnico di missaggio:
David J. Holman
produttore:
John Farrar
arrangiatore:
John Farrar, Michael Gibson (trombone) e Louis St. Louis (American songwriter, music arranger and singer)
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 35)
registrazione di:
Hopelessly Devoted to You (Grease, 1978 film)
paroliere e compositore:
John Farrar
parte di:
The 51st Academy Award for Best Original Song (numero: 2)
parte di:
Grease (1978 film)
Olivia Newton‐John43:05
89Only You (and You Alone) (single version)
registrazione di:
Only You
paroliere e compositore:
Buck Ram
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:42
90Baby Come Back
tecnico:
Matt Hyde (engineer, active in the 1970s–80s), Jay Lewis (producer/engineer/guitarist) e Joe Sidore
produttore:
Dennis Lambert e Brian Potter (US songwriter & producer)
batteria , congas e maracas :
John Friesen (drummer)
chitarra :
Peter Beckett (lead singer of Player)
chitarra basso :
Ronn Moss
clavinet , pianoforte elettrico e sintetizzatore :
Wayne Cook
voce:
Peter Beckett (lead singer of Player) e Ronn Moss
voce di accompagnamento e voce principale:
J.C. Crowley
diritti fonografici (℗) detenuti da:
PolyGram International Music B.V. (not for release label use!) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 7) e Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 24)
registrazione di:
Baby Come Back (Player song)
autore:
Peter Beckett (lead singer of Player) e John Charles Crowley II
editore:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
Player4.354:12
91Drift Away
registrazione di:
Drift Away
paroliere e compositore:
Mentor Williams (songwriter & producer)
editore:
Rondor Music (London) Ltd.
Dobie Gray3:56
92I’ve Never Been to Me
registrazione di:
I’ve Never Been to Me
autore:
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) e Ron Miller (Motown songwriter Ronald Norman Miller)
editore:
Stone Diamond Music Corporation
Charlene3:49
93You Needed Me
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978) e EMI Music Canada (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 63)
registrazione di:
You Needed Me (nel 1978)
paroliere e compositore:
Randy Goodrum
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anne Murray4.653:33
94Vincent
tecnico:
Tom Flye
produttore:
Ed Freeman (producer, arranger, musician, and photographer)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1971-05 al 1971-06)
registrazione di:
Vincent (Starry Starry Night)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) e Universal/MCA Music Ltd. (not for release label use!)
versione tradotta di:
Wim
Don McLean4.44:00
95Maggie May
produttore:
Rod Stewart
basso :
Andy Pyle (nel 1971-01)
batteria :
Micky Waller (nel 1971-01)
chitarra acustica :
Martell Brandy (nel 1971-01), Martin Quittenton (guitarist for Steamhammer) (nel 1971-01) e Rod Stewart (nel 1971-01)
chitarra basso, chitarra e chitarra pedal steel :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971-01)
chitarra slide :
Sam Mitchell (nel 1971-01)
contrabbasso :
Danny Thompson (English double bass player) (nel 1971-01)
organo :
Ian McLagan (nel 1971-01)
pianoforte :
Pete Sears (nel 1971-01)
violino :
Dick Powell (Violinist and double-bass player) (nel 1971-01)
voce:
Madeline Bell (nel 1971-01)
voce principale:
Rod Stewart (nel 1971-01)
raccolta di:
Henry di Rod Stewart e Maggie May (without “Henry” prelude) di Rod Stewart
video musicali:
Maggie May di Rod Stewart
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 130) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 141)
registrazione di:
Henry (prelude to “Maggie May”) (nel 1971-01)
compositore:
Martin Quittenton (guitarist for Steamhammer)
registrazione di:
Maggie May (nel 1971-01)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.155:46
96Feeling Good
registrata a:
New York, New York, Stati Uniti (il 1965-01-15)
produttore:
Hal Mooney
chitarra :
Rudy Stevenson (il 1965-01-15)
pianoforte :
Nina Simone (il 1965-01-15)
voce:
Nina Simone (il 1965-01-15)
direttore d'orchestra:
Hal Mooney (il 1965-01-15)
arrangiatore:
Hal Mooney
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Feeling Good (il 1965-01-15)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd e Musical Comedy Prods.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.12:54
97Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:28
98Everyday
registrazione di:
Everyday
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Peer International Corporation (BMI) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly2:06
99Lovin’ You
produttore:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) e Stevie Wonder
armonica (a bocca) , batteria , pianoforte e piatti :
El Toro Negro
batteria [drum kit] :
Ollie E. Brown (US drummer, session musician & record producer) e El Toro Negro
chitarra :
Marlo Henderson e Michael Sembello
chitarra basso :
Reggie McBride
congas :
Kwasi "Rocki" Dzidzornu
voce:
Minnie Riperton
voce di accompagnamento:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) e Yvonne Wright
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:23
100Je t’aime moi non plus
produttore:
Jean-Claude Desmarty
voce:
Jane Birkin (nel 1968-11) e Serge Gainsbourg (nel 1968-11)
orchestra:
Arthur Greenslade & His Orchestra (nel 1968-11)
direttore d'orchestra:
Arthur Greenslade (nel 1968-11)
arrangiatore:
Arthur Greenslade
registrazione di:
Je t’aime… Moi non plus (nel 1968-11)
paroliere e compositore:
Serge Gainsbourg
editore:
Heath Levy Music Co. Ltd. e Shapiro Bernstein & Co. Ltd.
Serge Gainsbourg en duo avec Jane Birkin44:25
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Accreditamenti

Pubblicazione

copyright (©) detenuto da:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2023)
streaming gratuito:https://www.deezer.com/album/448625475 [info]
pagina di streaming:https://music.apple.com/us/album/1689829147 [info]
https://tidal.com/album/297957344 [info]