Capitol Records 50th Anniversary 1942–1992

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: The Birth of a Dream: Capitol’s Early Hits
2▶CD: When AM Was King: 1955–1974
3▶CD: Classic Rock Roots
4▶CD: Memories Are Made of This, Part 1: The 50’s & 60’s
5▶CD: Memories Are Made of This, Part 2: The 60’s and Beyond
6▼CD: Rockin’ the Tower!
Nr.TitelKünstlerBewertungLänge
1Be-Bop-A-Lula
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (am 1956-05-04)
Gitarre [rhythm guitar]:
Willie Williams (50s rock guitarist) (am 1956-05-04)
Kontrabass [upright bass]:
Jack Neal (am 1956-05-04)
Schlagzeug [drums]:
Dickie Harrell (am 1956-05-04)
vocals:
Gene Vincent (am 1956-05-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 1956 bis heute)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-05-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 9) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 102)
recording of:
Be‐Bop‐a‐Lula (am 1956-05-04)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:37
2Willie and the Hand Jive
recording of:
Willie and the Hand Jive
Texter und Komponist(in):
Johnny Otis
publisher:
Eldorado Music Company
The Johnny Otis Show2:36
3Twist and Shout
cover recording of:
Twist and Shout
Verfasser(in):
Bert Russell (in 1961-02) und Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Beatles2:34
4Come Together
Techniker(in):
Geoff Emerick (British recording engineer) und Phil McDonald (engineer and producer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
E-Bass [1964 Rickenbacker 4001 S]:
Paul McCartney (The Beatles) (am 1969-07-21)
E-Gitarre:
John Lennon (The Beatles) (von 1969-07-21 bis 1969-07-30)
E-Gitarre [1957 Gibson Les Paul Standard]:
George Harrison (The Beatles) (am 1969-07-21, am 1969-07-22)
Händeklatschen und Hybrid-Piano [1968 Fender Rhodes Seventy-Three Sparkle Top]:
John Lennon (The Beatles) (am 1969-07-22)
Maracas / Rumba-Rasseln:
Ringo Starr (The Beatles) (am 1969-07-22)
Schlagzeug [1968 Ludwig Hollywood Maple]:
Ringo Starr (The Beatles) (am 1969-07-21)
Tamburin:
John Lennon (The Beatles) (am 1969-07-21)
Hintergrundgesang:
Paul McCartney (The Beatles) (am 1969-07-23, am 1969-07-25)
Hintergrundgesang und Sologesang:
John Lennon (The Beatles) (am 1969-07-23)
Sologesang:
John Lennon (The Beatles) (von 1969-07-22 bis 1969-07-23, am 1969-07-25)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969, in 1987, in 2009) und The Gramophone Co., Ltd. (UK record company) (in 1969)
aufgenommen bei:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-07-21, am 1969-07-22, am 1969-07-23, am 1969-07-29, am 1969-07-30) und Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-07-25)
Musikvideos:
Come Together von The Beatles (UK rock band, “The Fab Four”)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 202)
recording of:
Come Together (von 1969-07-21 bis 1969-07-30)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI-Songs Musikverlag, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
basiert auf:
You Can’t Catch Me
The Beatles4.14:19
5Up on Cripple Creek
Techniker(in):
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) und Joe Zagarino
Koproduzent(in):
John Simon (US producer, arranger, composer, songwriter and musician)
Produzent(in):
The Band (Canadian-American rock band)
Mix:
Tony May (engineer) und Joe Zagarino
recording of:
Up on Cripple Creek
Texter und Komponist(in):
Robbie Robertson
publisher:
Canaan Music Inc und Warner/Chappell Music, Inc.
The Band4.64:29
6Money
recording of:
Money
Texter und Komponist(in):
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., KPM (music publisher), Pathe‐Marconi (not for release label use! consider “Pathé” instead), Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) und Hampshire House Publishing Corp. (in 1973)
Pink Floyd6:08
7The Joker
Produzent(in):
Steve Miller (leader of Steve Miller Band)
Akustikgitarre, Slide-Gitarre und Sologesang [vocals]:
Steve Miller (leader of Steve Miller Band)
Bass:
Gerald Johnson
Schlagzeug:
John King (drums)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1973), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
recording of:
The Joker
Verfasser(in):
Eddie Curtis (songwriter), Ahmet Ertegun (US songwriter/producer) und Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.054:25
8Night Moves
Techniker(in):
Brian Christian
Produzent(in):
Jack Richardson und Bob Seger
Mix:
Jim Bruzzese
Akustikgitarre:
Bob Seger
Bassgitarre:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
Gitarre:
Drew Abbott und Joe Miquelon
Orgel und Klavier:
Doug Riley
Saxophon:
Alto Reed
Schlagzeug:
Charlie Allen Martin
vocals:
Bob Seger
phonographisches Urheberrecht (℗) von:
Hideout Records & Distributors, Inc. (in 1976)
aufgenommen bei:
Nimbus Nine Studios in Toronto, Ontario, Kanada
mixed at:
Pampa Studios in Warren, Michigan, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 290) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 301)
recording of:
Night Moves
Texter und Komponist(in):
Bob Seger
publisher:
Gear Publishing Co (in 1976)
Bob Seger4.155:25
9The Number of the Beast
Techniker(in) und Produzent(in):
Martin Birch
E-Bass:
Steve Harris (Iron Maiden bassist) (von 1982-01 bis 1982-02)
E-Gitarre:
Dave Murray (Iron Maiden guitarist) (von 1982-01 bis 1982-02) und Adrian Smith (UK guitarist/songwriter, Iron Maiden) (von 1982-01 bis 1982-02)
Schlagzeug:
Clive Burr (von 1982-01 bis 1982-02)
Sologesang:
Bruce Dickinson (Iron Maiden vocalist) (von 1982-01 bis 1982-02)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Iron Maiden LLP (copyrights holder) (in 1982, in 2015)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich (von 1982-01 bis 1982-02)
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
recording of:
The Number of the Beast (von 1982-01 bis 1982-02)
Texter und Komponist(in):
Steve Harris (Iron Maiden bassist)
publisher:
Imagem London Ltd., Rakibitlou Music Ltda. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Iron Maiden4.64:52
10The Stroke
Assistent recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Billy Squier
Gitarre und Sologesang:
Billy Squier
Schlagzeug:
Bobby Chouinard
Hintergrundgesang:
Mark Clarke (Rock, UK) und Alan St. Jon
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 59)
recording of:
The Stroke
Texter und Komponist(in):
Billy Squier
publisher:
Songs of the Knight
Billy Squier3.753:41
11Only the Lonely
recording of:
Only the Lonely
Texter und Komponist(in):
Martha Davis (of The Motels)
The Motels3:16
12She’s a Beauty
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
produced for:
Foster Frees Music Inc.
recording of:
She’s a Beauty
Verfasser(in):
David Foster (Canadian music producer, arranger and composer), Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Fee Waybill
publisher:
Boones Tunes, Decomposition Music, Foster Frees Music Inc., Peermusic III, Ltd. (BMI), Rehtakul Veets Music, Sony/ATV Songs LLC und Universal Music–MGB Songs
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Tubes33:58
13What About Love?
assistierende(r) Techniker(in):
Mike Clink und Brian Foraker
Techniker(in) und Produzent(in):
Ron Nevison
Bassgitarre:
Mark Andes
Schlagzeug:
Denny Carmassi
Gast Hintergrundgesang:
Grace Slick und Mickey Thomas (of Jefferson Starship)
Sologesang:
Ann Wilson (lead singer of Heart)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
aufgenommen bei:
The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (von 1985-01 bis 1985-04) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985-01 bis 1985-04)
Musikvideos:
What About Love von Heart (rock band, Ann and Nancy Wilson)
cover recording of:
What About Love
Verfasser(in):
Brian Allen (Canadian songwriter / producer), Sheron Alton und Jim Vallance (in 1982-03)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), ATV Music Ltd., Rondor Music (Ldn) Ltd., Sony/ATV Tunes LLC (ASCAP), Testatyme Music, Calypso Toonz (vom 1985 bis heute), Irving Music, Inc. (vom 1985 bis heute), Welbeck Music Corp. (vom 1985 bis heute) und Welbeck Music of Canada Corp. (vom 1985 bis heute)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Heart3.653:41
14Rock Me
recording of:
Rock Me
Verfasser(in):
Michael Lardie, Mark Kendall, Alan Niven und Jack Russell (original singer for Great White)
publisher:
BMG Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und WC Music Corp.
sub-publisher:
Sony Music Publishing France und Warner Chappell Music France
Great White5:13
15When the Night Comes
recording of:
When the Night Comes
geschrieben in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1987-04) und Vancouver, British Columbia, Kanada (in 1987-04)
Verfasser(in):
Diane Warren (US songwriter), Bryan Adams (Canadian singer/songwriter) (in 1987-04) und Jim Vallance (in 1987-04)
Joe Cocker4:47
16A Girl Like You
recording of:
A Girl Like You
Texter und Komponist(in):
Pat DiNizio
The Smithereens4:10
173 Strange Days
recording of:
3 Strange Days (School of Fish song)
Verfasser(in):
Josh Clayton-Felt und Michael Ward (US guitarist for The Wallflowers/School of Fish)
School of Fish4:26
18Hazard
Techniker(in):
Peter Doell und Bill Drescher (Producer and sound engineer)
Produzent(in):
Richard Marx
Mix:
Bill Drescher (Producer and sound engineer)
arranger:
Richard Marx
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991)
Musikvideos:
Hazard von Richard Marx
recording of:
Hazard
Texter und Komponist(in):
Richard Marx
publisher:
Chi‐Boy Music und EMI Songs Ltd.
Richard Marx45:16
7▶CD: The R&B Legacy – The King to the Hammer
8▶CD: Traditions in Country Music

Nennungen

Veröffentlichung

gedruckt in:U.S.A.
hergestellt von:Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
Discogs:https://www.discogs.com/release/8957055 [Info]