L'œuvre pour piano

~ Release by Heitor Villa‐Lobos; Anna Stella Schic (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Histórias da carochinha: No palácio encantado
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Histórias da Carochinha, W148: I. No palacio encantado (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1919)
part of:
Histórias da Carochinha, W148
Heitor Villa‐Lobos1:53
2Histórias da carochinha: A cortesia do principezinho
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Histórias da Carochinha, W148: II. A cortesia do principezinho (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1919)
part of:
Histórias da Carochinha, W148
Heitor Villa‐Lobos1:58
3Histórias da carochinha: E o pastorzinho cantava
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Histórias da Carochinha, W148: III. E o pastorzinho cantava (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1919)
part of:
Histórias da Carochinha, W148
Heitor Villa‐Lobos1:57
4Histórias da carochinha: E a princesinha dançava
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Histórias da Carochinha, W148: IV. E a princezinha dançava (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1919)
part of:
Histórias da Carochinha, W148
Heitor Villa‐Lobos1:33
5Francette et piá
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Francette et Pià, W237 (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1929)
part of:
Appleby Catalogue (W) (number: W237)
Heitor Villa‐Lobos14:15
6Caixinha de música quebrada
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Caixinha de música quebrada, W256 (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1931)
part of:
Appleby Catalogue (W) (number: W256)
Heitor Villa‐Lobos2:31
7Cirandinhas: Zangou-se o cravo e a rosa
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandinhas, W210, nº 1: Zangou-se o cravo com a rosa (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
part of:
Cirandinhas, W210
Heitor Villa‐Lobos1:30
8Cirandinhas: Adeus, bela morena
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandinhas, W210, nº 2: Adeus bela morena (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
part of:
Cirandinhas, W210
Heitor Villa‐Lobos1:40
9Cirandinhas: Vamos, maninha...
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandinhas, W210, nº 3: Vamos maninha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
part of:
Cirandinhas, W210
Heitor Villa‐Lobos1:49
10Cirandinhas: Olha aquela menina...
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandinhas, W210, nº 4: Olha aquela menina (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
part of:
Cirandinhas, W210
Heitor Villa‐Lobos1:50
11Cirandinhas: Senhora pastora
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandinhas, W210, nº 5: Senhora pastora (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
part of:
Cirandinhas, W210
Heitor Villa‐Lobos1:40
12Cirandinhas: Cai, cai, balão
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandinhas, W210, nº 6: Cai, cai, balão (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
is based on:
Cai, cai, balão (Brazilian Folk Tune)
part of:
Cirandinhas, W210
Heitor Villa‐Lobos1:55
13Cirandinhas: Todo o mundo passa
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandinhas, W210, nº 7: Todo mundo passa (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
part of:
Cirandinhas, W210
Heitor Villa‐Lobos1:32
14Cirandinhas: Vamos ver a mulatinha
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandinhas, W210, nº 8: Vamos ver a mulatinha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
part of:
Cirandinhas, W210
Heitor Villa‐Lobos1:58
15Cirandinhas: Carneirinho, carneirão
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandinhas, W210, nº 9: Carneirinho, carneirão (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
part of:
Cirandinhas, W210
Heitor Villa‐Lobos2:26
16Cirandinhas: A canoa virou
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandinhas, W210, nº 10: A canoa virou (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
part of:
Cirandinhas, W210
Heitor Villa‐Lobos2:01
17Cirandinhas: Nestsa rua tem um bosque
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandinhas, W210, nº 11: Nésta rua tem um bosque (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
part of:
Cirandinhas, W210
Heitor Villa‐Lobos2:38
18Cirandinhas: Lindos olhos que ela tem
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandinhas, W210, nº 12: Lindos olhos que ela tem (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
part of:
Cirandinhas, W210
Heitor Villa‐Lobos3:55
19Choros nº 1 "Típico"
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Choros nº 1 (for piano, Gurgel) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1920)
arranger:
Odmar Amaral Gurgel
version of:
Choros nº 1, W161
Heitor Villa‐Lobos4:37
20Choros nº 2
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Choros nº 2, W198 (for piano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1924)
arranger:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Appleby Catalogue (W) (number: W198)
version of:
Choros nº 2, W197 (for flute and clarinet)
Heitor Villa‐Lobos2:39
21Choros nº 5 "Alma brasileira"
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Choros nº 5 "Alma brasileira", W207 (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
dedicated to:
Arnaldo Guinle
publisher:
Max Eschig
part of:
Appleby Catalogue (W) (number: W207)
Heitor Villa‐Lobos4:37
22Sul-America
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Sul America, W217 (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
part of:
Appleby Catalogue (W) (number: W217)
Heitor Villa‐Lobos3:31
23Saudades das selvas brasileiras
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Saudades das selvas brasileiras, W226 (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1927)
part of:
Appleby Catalogue (W) (number: W226)
Heitor Villa‐Lobos5:54
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