Klara Top 75: 2008

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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#TitleArtistRatingLength
1Enigma Variaties, "Nimrod"
recording engineer:
Cath Pollard
associate producer:
Ewald Markl
producer:
David R. Murray
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1998-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-10)
balance engineer:
Andy Beer and Mike Hatch (engineer/editor)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1998-10)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (in 1998-10)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:49
2Requiem, " Kyrie Eleison"
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart8:27
3Canon in D
engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Anthony Pleeth (cellist) (in 1985-01)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1985-01)
violin:
Micaela Comberti (English violinist) (in 1985-01), Simon Standage (English violinist and conductor) (in 1985-01) and Elizabeth Wilcock (violinist) (in 1985-01)
orchestra:
The English Concert (in 1985-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1985-01)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (in 1985-01)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:28
4Kinderszenen, Op. 15: Träumerei
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:57
5Dido & Aeneas, "When I Am Laid"
Henry Purcell9:11
6Vioolconcerto, "Allegretto Non Troppo"
recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn6:14
7Sonate nr. 2, "Marche Funèbre"
producer:
Sid McLauchlan (engineer/producer)
piano:
Hélène Grimaud (French pianist) (in 2004-12)
balance engineer:
Stephan Flock (in 2004-12)
recorded at:
Siemens‐Villa in Berlin, Germany (in 2004-12)
recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento (in 2004-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin9:24
8Hohe Messe. "Agnus Dei"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
countertenor vocals:
Michael Chance (British countertenor) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:46
9Kwintet, "Fandango"
castanets and sistrum:
Tristan Fry (in 1978-12)
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
compilation of:
Quintet for Guitar and Strings, no. 4 in D, "Fandango", G. 448: III. Grave assai by Academy of St Martin in the Fields Chamber Ensemble (Academy of St Martin in the Fields), Pepe Romero (classical and flamenco guitarist) and Quintet for Guitar and Strings, no. 4 in D, "Fandango", G. 448: IV. Fandango by Academy of St Martin in the Fields Chamber Ensemble (Academy of St Martin in the Fields), Pepe Romero (classical and flamenco guitarist)
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": III. Grave assai (in 1978-12)
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quintet (Quintettino) for 2 violins, viola & 2 cellos in D major ("Fandango"), G. 341 (op. 40/2): I, Grave assai
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": IV. Fandango (in 1978-12)
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quintet (Quintettino) for 2 violins, viola & 2 cellos in D major ("Fandango"), G. 341 (op. 40/2): II, Fandango
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini7:25
10Shéhérazade, "Lento"
recording of:
Scheherazade, op. 35: II. The Kalendar Prince
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков11:03
11Tristan & Isolde, "Isolde's Liebestod"
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner6:15
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