Kantaten: BWV 4 / 21 / 90 / 140 / 147

~ Release by Johann Sebastian Bach; Fritz Werner (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Wachet auf, ruft uns die Stimme, BWV 140: I. Chor "Wachet auf! Ruft uns die Stimme"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1970-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1970-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach8:11
2Wachet auf, ruft uns die Stimme, BWV 140: II. Rezitativ (Tenor) "Er kommt, der Braüt'gam kommt"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Kurt Huber (Swiss tenor) (in 1970-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:19
3Wachet auf, ruft uns die Stimme, BWV 140: III. Arie (Sopran, Bass) "Wann kommst du, mein Heil ?"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Prof. Jakob Stämpfli (operatic bass / recording engineer) (from 1970 until 1970-02)
soprano vocals:
Hedy Graf (classical soprano) (from 1970 until 1970-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1970 until 1970-02)
conductor:
Fritz Werner (German conductor and organist) (from 1970 until 1970-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1970 until 1970-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 1970 until 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:33
4Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) "Zion hört die Wächter singen"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Kurt Huber (Swiss tenor) (in 1970-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1970-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:07
5Wachet auf, ruft uns die Stimme, BWV 140: V. Rezitativ (Bass) "So geh' herein zu mir"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Prof. Jakob Stämpfli (operatic bass / recording engineer) (in 1970-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1970-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:37
6Wachet auf, ruft uns die Stimme, BWV 140: VI. Arie (Sopran, Bass) "Mein Freund ist mein"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Prof. Jakob Stämpfli (operatic bass / recording engineer) (in 1970-02)
soprano vocals:
Hedy Graf (classical soprano) (in 1970-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1970-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:33
7Wachet auf, ruft uns die Stimme, BWV 140: VII. Choral "Gloria sei dir gesungen"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1970-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1970-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach2:14
8Ich hatte viel Bekümmernis, BWV 21: I. Sinfonia
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:41
9Ich hatte viel Bekümmernis, BWV 21: II. Chor "Ich hatte viel Bekümmernis"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:06
10Ich hatte viel Bekümmernis, BWV 21: III. Arie (Sopran) "Seufzer, Tränen, Kummer, Not"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
soprano vocals:
Édith Selig (soprano) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:49
11Ich hatte viel Bekümmernis, BWV 21: IV. Rezitativ (Tenor) "Wie hast du dich, mein Gott"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, IV. Recitativo (Tenore) "Wie hast du dich, mein Gott" (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach1:50
12Ich hatte viel Bekümmernis, BWV 21: V. Arie (Tenor) "Bäche von gesalz'nen Zähren"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, V. Aria (Tenore) "Bäche von gesalznen Zähren" (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach5:57
13Ich hatte viel Bekümmernis, BWV 21: VI. Chor "Was betrübst du dich, meine Seele"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, VI. Coro "Was betrübst du dich, meine Seele" (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:35
14Ich hatte viel Bekümmernis, BWV 21: VII. Rezitativ (Sopran, Bass) "Ach Jesu, meine Ruh"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Erich Wenk (bass-baritone) (in 1962-04)
soprano vocals:
Édith Selig (soprano) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VII. Recitativo "Ach Jesu, meine Ruh" (Seele, Jesus) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach1:38
15Ich hatte viel Bekümmernis, BWV 21: VIII. Duett (Sopran, Bass) "Komm, mein Jesu"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Erich Wenk (bass-baritone) (in 1962-04)
soprano vocals:
Édith Selig (soprano) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:34
16Ich hatte viel Bekümmernis, BWV 21: IX. Chor "Sei nun wieder zufrieden"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, IX. Coro "Sei nun wieder zufrieden, meine Seele" (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach6:08
17Ich hatte viel Bekümmernis, BWV 21: X. Arie (Tenor) "Erfreue dich, Seele"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, X. Aria (Tenore) "Erfreue dich, Seele, erfreue dich, Herze" (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach2:52
18Ich hatte viel Bekümmernis, BWV 21: XI. Chor "Das Lamm, das erwürget ist"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, XI. Coro "Das Lamm, das erwürget ist" (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:37
2▶CD

Credits

Release

editor:Françoise Garcin (editor)