Remembering Michael Tilson Thomas

~ Release by Michael Tilson Thomas (see all versions of this release, 1 available)

Annotation

Copyright: © 2026 UMG Recordings, Inc.
℗ 2026 UMG Recordings, Inc.

Annotation last modified on 2026-04-29 21:14 UTC.

Tracklist

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1Il Sogno: Prelude
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Prelude
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello2.50:49
2The Rite of Spring, K15, Pt. 2: XII. Evocation of the Ancestors
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky0:40
3The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky1:29
4The Rite of Spring, K15, Pt. 1: VI. Procession of the Sage
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:40
5The Rite of Spring, K15, Pt. 1: III. Ritual of Abduction
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:23
6The Rite of Spring, K15, Pt. 1: V. Games of the Rival Tribes
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:45
7The Rite of Spring, K15, Pt. 1: VIII. Dance of the Earth
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:16
8The Rite of Spring, K15, Pt. 2: X. Mystical Circle of the Adolescents
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:15
9The Rite of Spring, K15, Pt. 2: XIII. Ritual of the Ancestors
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:37
10The Rite of Spring, K15, Pt. 1: IV. Spring Rounds
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (in 1972-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:45
11Il Sogno: Overture
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Overture
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello2.51:19
12Il Sogno: Puck 1
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Puck 1
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello3.52:20
13Il Sogno, Act I: The Court
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Court
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello32:27
14Il Sogno, Act I: The State of Affairs
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The State of Affairs
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello44:45
15Il Sogno, Act I: Hermia and Lysander
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Hermia and Lysander
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello33:16
16Il Sogno, Act I: The Jealousy of Helena
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Jealousy of Helena
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello20:55
17Il Sogno, Act I: Workers' Playtime
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Workers’ Playtime
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello32:16
18Il Sogno, Act II: Oberon and Titania
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Oberon and Titania
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello3.54:14
19Il Sogno, Act II: The Conspiracy of Oberon and Puck
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Conspiracy of Oberon and Puck
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello3.51:08
20Il Sogno, Act II: Slumber
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Slumber
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello31:25
21Il Sogno, Act II: Puck 2
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Puck 2
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello31:49
22Il Sogno, Act II: The Identity Parade
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Identity Parade
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello34:42
23Il Sogno, Act II: The Face of Bottom
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Face of Bottom
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello2.52:50
24Il Sogno, Act II: The Spark of Love
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Spark of Love
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello3.54:22
25Il Sogno, Act II: Tormentress
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Tormentress
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello3.51:41
26Il Sogno, Act II: Oberon Humbeld
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Oberon Humbled
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello33:41
27Il Sogno, Act II: Twisted - Entangled - Transform and Exchange
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Twisted – Entangled – Transform and Exchange
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello32:35
28Il Sogno, Act II: The Fairy and the Ass
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Fairy and the Ass
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello31:36
29Il Sogno, Act II: Sleep
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Sleep
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello2.52:48
30Il Sogno, Act II: Bottom Awakes
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Bottom Awakes
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello31:44
31Il Sogno, Act II: Lovers Arise
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Lovers Arise
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello33:18
32Il Sogno, Act III: The Play
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Play
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello31:31
33Il Sogno, Act III: The Wedding
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Wedding
composer:
Elvis Costello
part of:
Il Sogno Suite
Elvis Costello34:22
34The Seasons: Prelude IV - Live at Verbier Festival, 2016
orchestra:
Verbier Festival Chamber Orchestra (in 2016)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 2016)
recorded at:
Verbier Festival 2016 (2016)
recording of:
The Seasons: Prelude IV (in 2016)
composer:
John Cage (American composer) (in 1947)
part of:
The Seasons
John Cage0:49
35The Seasons: Fall - Live at Verbier Festival, 2016
orchestra:
Verbier Festival Chamber Orchestra (in 2016)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 2016)
recorded at:
Verbier Festival 2016 (2016)
recording of:
The Seasons: Fall (in 2016)
composer:
John Cage (American composer) (in 1947)
part of:
The Seasons
John Cage1:31
36The Seasons: Finale. Prelude I - Live at Verbier Festival, 2016
orchestra:
Verbier Festival Chamber Orchestra (in 2016)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 2016)
recorded at:
Verbier Festival 2016 (2016)
recording of:
The Seasons: Finale (Prelude I) (in 2016)
composer:
John Cage (American composer) (in 1947)
part of:
The Seasons
John Cage1:23
37Images for Orchestra, CD 118: II. Ibéria: c. Le matin d’un jour de fête
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy4:30
38Images for Orchestra, CD 118: III. Rondes de printemps
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Images pour orchestre, L. 122, CD 118: III. Rondes de printemps (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (from 1905 until 1909)
premiered at:
[concert] (1910-03-02)
publisher:
Durand et Cie (1909–1947) (in 1910-04)
premiered at:
Salle Gaveau in Paris, Île-de-France, France (on 1910-03-02)
part of:
Images pour orchestre, L. 122, CD 118
Claude Debussy7:31
39Violin Sonata, CD 148: I. Allegro vivo
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-23, in 1970-02)
violin:
Joseph Silverstein (violinist and conductor) (from 1970-01-26 until 1970-03-23, in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23, in 1970-02)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : I. Allegro vivo (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : I. Allegro vivo (in 1970-02)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy5:11
40Violin Sonata, CD 148: II. Intermède. Fantasque et léger
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-23, in 1970-02)
violin:
Joseph Silverstein (violinist and conductor) (from 1970-01-26 until 1970-03-23, in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23, in 1970-02)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : II. Intermède: fantasque et léger (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : II. Intermède: fantasque et léger (in 1970-02)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:18
41Violin Sonata, CD 148: III. Finale. Très animé
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-23, in 1970-02)
violin:
Joseph Silverstein (violinist and conductor) (from 1970-01-26 until 1970-03-23, in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23, in 1970-02)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : III. Finale: très animé (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : III. Finale: très animé (in 1970-02)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:12
42Cello Sonata, CD 144: I. Prologue. Lent
cello:
Jules Eskin (cellist) (in 1970-02)
piano:
Michael Tilson Thomas (conductor and pianist) (in 1970-02)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1970-02)
recording of:
Sonate pour violoncelle et piano, L. 135, CD 144: I. Prologue (Sonata for Cello and Piano: I. Prologue) (in 1970-02)
composer:
Claude Debussy (French composer) (from 1915-07 until 1915-08)
part of:
Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)
Claude Debussy4:53
43Cello Sonata, CD 144: II. Sérénade. Modérément animé
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Jules Eskin (cellist) (from 1970-01-26 until 1970-03-23)
piano:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-23)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23)
recording of:
Sonate pour violoncelle et piano, L. 135, CD 144: II. Sérénade (Sonata for Cello and Piano: II. Serenade) (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (from 1915-07 until 1915-08)
part of:
Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)
Claude Debussy7:25
44Sonata for Flute, Viola & Harp, CD 145: I. Pastorale. Lento, dolce rubato
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Doriot Anthony Dwyer (US flautist) (from 1970-01-26 until 1970-03-23, in 1970-02)
harp:
Ann Hobson Pilot (harpist) (from 1970-01-26 until 1970-03-23) and Ann Hobson (harpist) (in 1970-02)
viola:
Burton Fine (violist) (from 1970-01-26 until 1970-03-23, in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23, in 1970-02)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : I. Pastorale (Sonata for flute, viola and harp, L. 137: I. Pastorale) (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : I. Pastorale (Sonata for flute, viola and harp, L. 137: I. Pastorale) (in 1970-02)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy6:42
45Sonata for Flute, Viola & Harp, CD 145: II. Interlude. Tempo di minuetto
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Doriot Anthony Dwyer (US flautist) (from 1970-01-26 until 1970-03-23, in 1970-02)
harp:
Ann Hobson Pilot (harpist) (from 1970-01-26 until 1970-03-23) and Ann Hobson (harpist) (in 1970-02)
viola:
Burton Fine (violist) (from 1970-01-26 until 1970-03-23, in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23, in 1970-02)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : II. Interlude (Sonata for flute, viola and harp, L. 137: II. Interlude) (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : II. Interlude (Sonata for flute, viola and harp, L. 137: II. Interlude) (in 1970-02)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy5:37
46Images for Orchestra, CD 118: II. Ibéria: a. Par les rues et par les chemins
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Orchestre Symphonique de Boston (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy7:14
47Images for Orchestra, CD 118: II. Ibéria: b. Les parfums de la nuit
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Images pour orchestre, L 122: IIb. Ibéria - Les Parfums de la nuit (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy9:41
48Images for Orchestra, CD 118: I. Gigues
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Images pour orchestre, L. 122, CD 118: I. Gigues (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (in 1912)
publisher:
Durand et Cie (1909–1947) (in 1913-12)
part of:
Images pour orchestre, L. 122, CD 118
Claude Debussy7:28
49Sonata for Flute, Viola & Harp, CD 145: III. Finale. Allegro moderato ma risoluto
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Doriot Anthony Dwyer (US flautist) (from 1970-01-26 until 1970-03-23, in 1970-02)
harp:
Ann Hobson Pilot (harpist) (from 1970-01-26 until 1970-03-23) and Ann Hobson (harpist) (in 1970-02)
viola:
Burton Fine (violist) (from 1970-01-26 until 1970-03-23, in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23, in 1970-02)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : III. Finale (Sonata for flute, viola and harp, L. 137: III. Finale) (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : III. Finale (Sonata for flute, viola and harp, L. 137: III. Finale) (in 1970-02)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy4:49
50Syrinx, CD 137
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Doriot Anthony Dwyer (US flautist) (from 1970-01-26 until 1970-03-23, in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23, in 1970-02)
recording of:
Syrinx, L. 129, CD 137 (for solo flute) (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (in 1913)
dedicated to:
Louis Fleury (French flutist)
premiered at:
[concert] (1913-12-01)
publisher:
Editions Jobert (in 1927-08)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 129) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 137)
recording of:
Syrinx, L. 129, CD 137 (for solo flute) (in 1970-02)
composer:
Claude Debussy (French composer) (in 1913)
dedicated to:
Louis Fleury (French flutist)
premiered at:
[concert] (1913-12-01)
publisher:
Editions Jobert (in 1927-08)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 129) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 137)
Claude Debussy2:42
51Le roi des étoiles, K14
choir vocals:
Men's Chorus of The New England Conservatory (in 1972)
orchestra:
Boston Symphony Orchestra (in 1972)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972)
compilation of:
Le Roi des Étoiles: Maestoso e tranquillo by Boston Symphony Orchestra, Michael Tilson Thomas (conductor and pianist), Le Roi des Étoiles: Molto sostenuto by Boston Symphony Orchestra, Michael Tilson Thomas (conductor and pianist) and Le Roi des Étoiles: Tempo primo by Boston Symphony Orchestra, Michael Tilson Thomas (conductor and pianist)
Igor Stravinsky5:30
52The Rite of Spring, K15, Pt. 1: I. Introduction
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:42
53The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:20
54The Rite of Spring, K15, Pt. 2: IX. Introduction
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:15
55The Rite of Spring, K15, Pt. 2: XIV. Sacrificial Dance
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:39
56Symphony no. 2: III. Allegro
recording engineer and editor:
Joachim Niss
executive producer:
Thomas Mowrey
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (on 1970-10-05)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1970-10-05)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-10-05)
recording of:
Symphony no. 2: III. Allegro (on 1970-10-05)
composer:
Walter Piston (American composer) (in 1943)
part of:
Symphony no. 2
Walter Piston5:00
57On the Town, Act I: no. 8, High School Girls - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: High School Girls (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein0:39
58On the Town, Act I: no. 1, I Feel Like I'm Not Out of Bed Yet - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Chip]:
Kurt Ollmann (baritone) (from 1992-06-27 until 1992-06-30)
baritone vocals [Gabey]:
Thomas Hampson (baritone) (from 1992-06-27 until 1992-06-30)
bass vocals [First Workman]:
Samuel Ramey (bass-baritone) (from 1992-06-27 until 1992-06-30)
spoken vocals [Two Workmen]:
Lindsay Benson (from 1992-06-27 until 1992-06-30) and Stewart Collins (from 1992-06-27 until 1992-06-30)
tenor vocals [Ozzie]:
David Garrison (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: I Feel Like I'm Not Out of Bed Yet (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:07
59On the Town, Act I: no. 2, New York, New York - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Chip]:
Kurt Ollmann (baritone) (from 1992-06-27 until 1992-06-30)
baritone vocals [Gabey]:
Thomas Hampson (baritone) (from 1992-06-27 until 1992-06-30)
tenor vocals [Ozzie]:
David Garrison (from 1992-06-27 until 1992-06-30)
vocals:
David Garrison (in 1992-06), Thomas Hampson (baritone) (in 1992-06) and Kurt Ollmann (baritone) (in 1992-06)
orchestra:
London Symphony Orchestra (in 1992-06, from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1992-06, from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: New York, New York (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
recording of:
On the Town: New York, New York (in 1992-06)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
Leonard Bernstein4:00
60On the Town, Act I: no. 4, Gabey's Comin' "Pickup Song" - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Chip]:
Kurt Ollmann (baritone)
baritone vocals [Gabey]:
Thomas Hampson (baritone) (from 1992-06-27 until 1992-06-30)
tenor vocals [Ozzie]:
David Garrison (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Gabey's Comin', Pickup Song (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:06
61On the Town, Act I: no. 5, Taxi Number: Come Up To My Place - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Chip]:
Kurt Ollmann (baritone) (from 1992-06-27 until 1992-06-30)
soprano vocals [Hildy]:
Tyne Daly (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Come Up to My Place (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:07
62On the Town, Act I: no. 6, Carried Away - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
mezzo-soprano vocals [Claire]:
Frederica von Stade (mezzo-soprano) (from 1992-06-27 until 1992-06-30)
tenor vocals [Ozzie]:
David Garrison (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Carried Away (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:58
63On the Town, Act I: no. 7, Lonely Town - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Gabey]:
Thomas Hampson (baritone) (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Lonely Town (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
Leonard Bernstein3:30
64On the Town, Act I: no. 9, Lonely Town - Pas de deux - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Lonely Town: pas de deux (dance) (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:13
65On the Town, Act I: no. 10, Carnegie Hall Pavane - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
choir vocals:
London Voices (from 1992-06-27 until 1992-06-30)
soprano vocals [Ivy]:
Marie McLaughlin (soprano) (from 1992-06-27 until 1992-06-30)
soprano vocals [Madame Dilly]:
Evelyn Lear (soprano) (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
chorus master:
Terry Edwards (British choir director) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Carnegie Hall Pavane (Do-Do-Re-Do) (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:35
66On the Town, Act I: no. 3, Presentation of Miss Turnstiles - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
bass vocals [Announcer]:
Samuel Ramey (bass-baritone) (from 1992-06-27 until 1992-06-30)
soprano vocals [Ivy]:
Marie McLaughlin (soprano) (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Miss Turnstiles' Variations (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein6:11
67On the Town, Act I: no. 11, I Can Cook Too - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
mezzo-soprano vocals [Hildy]:
Tyne Daly
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: I Can Cook Too (from 1992-06-27 until 1992-06-30)
lyricist:
Leonard Bernstein (American conductor, composer, pianist), Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:03
68On the Town, Act I: no. 12, Lucky To Be Me - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Gabey]:
Thomas Hampson (baritone) (from 1992-06-27 until 1992-06-30)
choir vocals:
London Voices (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
chorus master:
Terry Edwards (British choir director) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Lucky to Be Me (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Warner Bros. (holding: file NO releases) and Warner Bros. Music (publisher; do NOT use as release label)
part of:
On the Town
Leonard Bernstein3:05
69On the Town, Act I: no. 13, Times Square (Finale) - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Finale, Act I: Times Square Ballet (dance) (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein4:34
70On the Town, Act II: no. 14, So Long, Baby - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
choir vocals:
London Voices (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
chorus master:
Terry Edwards (British choir director) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: So Long Baby (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein1:02
71On the Town, Act II: no. 15, I Wish I Was Dead - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
contralto vocals [Diana Dream]:
Meriel Dickinson (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: I Wish I Was Dead (aka "I'm Blue") (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein0:55
72On the Town, Act II: no. 16, Ya Got Me - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Chip]:
Kurt Ollmann (baritone) (from 1992-06-27 until 1992-06-30)
mezzo-soprano vocals [Claire]:
Frederica von Stade (mezzo-soprano) (from 1992-06-27 until 1992-06-30)
soprano vocals [Hildy]:
Tyne Daly (from 1992-06-27 until 1992-06-30)
tenor vocals [Ozzie]:
David Garrison (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Ya Got Me (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:55
73On the Town, Act II: no. 17, Ain't Got No Tears Left - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
piano:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
lead vocals [The Nightclub Singer]:
Cleo Laine (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Ain't Got No Tears Left (from 1992-06-27 until 1992-06-30)
lyricist and composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:18
74On the Town, Act II: no. 18, Pitkin's Song - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
bass vocals [Pitkin]:
Samuel Ramey (bass-baritone) (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
recording of:
On the Town: Pitkin's Song (in 1992-06)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:44
75On the Town, Act II: no. 19, Subway Ride and Imaginary Coney Island - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live partial recording of:
On the Town: Imaginary Coney Island Ballet: Subway Ride / Dance of the Great Lover / Pas de deux (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:54
76On the Town, Act II: no. 20, The Great Lover Displays Himself - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live partial recording of:
On the Town: Imaginary Coney Island Ballet: Subway Ride / Dance of the Great Lover / Pas de deux (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein1:33
77On the Town, Act II: no. 21, Pas de deux - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live partial recording of:
On the Town: Imaginary Coney Island Ballet: Subway Ride / Dance of the Great Lover / Pas de deux (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:08
78On the Town, Act II: no. 22, Some Other Time - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Chip]:
Kurt Ollmann (baritone) (from 1992-06-27 until 1992-06-30)
mezzo-soprano vocals [Claire]:
Frederica von Stade (mezzo-soprano) (from 1992-06-27 until 1992-06-30)
soprano vocals [Hildy]:
Tyne Daly (from 1992-06-27 until 1992-06-30)
tenor vocals [Ozzie]:
David Garrison (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Some Other Time (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
Leonard Bernstein4:36
79On the Town, Act II: no. 23, The Real Coney Island - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
lead vocals [Rajah Bimmy]:
Adolph Green (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Dance: The Real Coney Island (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:59
80On the Town, Act II: no. 24, Finale - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
vocals:
Lindsay Benson (from 1992-06-27 until 1992-06-30), Bruce Ogsten (UK operatic baritone, fl. late 20c.) (from 1992-06-27 until 1992-06-30), Stewart Collins (from 1992-06-27 until 1992-06-30), Tyne Daly (from 1992-06-27 until 1992-06-30), Meriel Dickinson (from 1992-06-27 until 1992-06-30), David Garrison (from 1992-06-27 until 1992-06-30), Adolph Green (from 1992-06-27 until 1992-06-30), Thomas Hampson (baritone) (from 1992-06-27 until 1992-06-30), Cleo Laine (from 1992-06-27 until 1992-06-30), Evelyn Lear (soprano) (from 1992-06-27 until 1992-06-30), Marie McLaughlin (soprano) (from 1992-06-27 until 1992-06-30), Kurt Ollmann (baritone) (from 1992-06-27 until 1992-06-30), Samuel Ramey (bass-baritone) (from 1992-06-27 until 1992-06-30), Nicholas Sears (from 1992-06-27 until 1992-06-30) and Frederica von Stade (mezzo-soprano) (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Finale, Act II (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:56
81On the Town, Act II Appendix: no. 25, The Intermission's Great - Live
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
choir vocals:
London Voices (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
chorus master:
Terry Edwards (British choir director) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Appendix: The Intermission's Great (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:32
82The Seasons: Prelude I - Live at Verbier Festival, 2016
orchestra:
Verbier Festival Chamber Orchestra (in 2016)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 2016)
recorded at:
Verbier Festival 2016 (2016)
recording of:
The Seasons: Prelude I (in 2016)
composer:
John Cage (American composer) (in 1947)
part of:
The Seasons
John Cage1:43
83The Seasons: Winter - Live at Verbier Festival, 2016
orchestra:
Verbier Festival Chamber Orchestra (in 2016)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 2016)
recorded at:
Verbier Festival 2016 (2016)
recording of:
The Seasons: Winter (in 2016)
composer:
John Cage (American composer) (in 1947)
part of:
The Seasons
John Cage1:02
84The Seasons: Prelude II - Live at Verbier Festival, 2016
orchestra:
Verbier Festival Chamber Orchestra (in 2016)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 2016)
recorded at:
Verbier Festival 2016 (2016)
recording of:
The Seasons: Prelude II (in 2016)
composer:
John Cage (American composer) (in 1947)
part of:
The Seasons
John Cage0:44
85The Seasons: Spring - Live at Verbier Festival, 2016
orchestra:
Verbier Festival Chamber Orchestra (in 2016)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 2016)
recorded at:
Verbier Festival 2016 (2016)
recording of:
The Seasons: Spring (in 2016)
composer:
John Cage (American composer) (in 1947)
part of:
The Seasons
John Cage2:32
86The Seasons: Prelude III - Live at Verbier Festival, 2016
orchestra:
Verbier Festival Chamber Orchestra (in 2016)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 2016)
recorded at:
Verbier Festival 2016 (2016)
recording of:
The Seasons: Prelude III (in 2016)
composer:
John Cage (American composer) (in 1947)
part of:
The Seasons
John Cage2:00
87The Seasons: Summer - Live at Verbier Festival, 2016
orchestra:
Verbier Festival Chamber Orchestra (in 2016)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 2016)
recorded at:
Verbier Festival 2016 (2016)
recording of:
The Seasons: Summer (in 2016)
composer:
John Cage (American composer) (in 1947)
part of:
The Seasons
John Cage4:06
88Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden: a. Sehr gebunden, sehr ausdrucksvoll gesungen - Live at Verbier Festival, 2016
orchestra:
Verbier Festival Chamber Orchestra (in 2016)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 2016)
recorded at:
Verbier Festival 2016 (2016)
partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 2016)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:31
89Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden: b. Nicht mehr so breit - Live at Verbier Festival, 2016
orchestra:
Verbier Festival Orchestra (in 2016)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 2016)
recorded at:
Verbier Festival 2016 (2016)
partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 2016)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:56
90Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden: c. Tempo I. Ruhevoll - Live at Verbier Festival, 2016
orchestra:
Verbier Festival Orchestra (in 2016)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 2016)
recorded at:
Verbier Festival 2016 (2016)
partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 2016)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:00
91Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden: d. A tempo. Etwas bewegter - Live at Verbier Festival, 2016
orchestra:
Verbier Festival Orchestra (in 2016)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 2016)
recorded at:
Verbier Festival 2016 (2016)
partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 2016)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:20
92Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden: e. Tempo I - Live at Verbier Festival, 2016
orchestra:
Verbier Festival Orchestra (in 2016)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 2016)
recorded at:
Verbier Festival 2016 (2016)
partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 2016)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:52
93Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto
executive producer:
Alison Ames and Ewald Markl
producer:
Christian Gansch (conductor)
editor:
Stephan Flock
cello:
Mischa Maisky (cellist) (from 1993-08-02 until 1993-08-04)
orchestra:
London Symphony Orchestra (from 1993-08-02 until 1993-08-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-08-02 until 1993-08-04)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
London, Abbey Road Studio One in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-08-02 until 1993-08-04)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto (from 1993-08-02 until 1993-08-04)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich6:11
94Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza
executive producer:
Alison Ames and Ewald Markl
producer:
Christian Gansch (conductor)
editor:
Stephan Flock
cello:
Mischa Maisky (cellist) (from 1993-08-02 until 1993-08-04)
orchestra:
London Symphony Orchestra (from 1993-08-02 until 1993-08-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-08-02 until 1993-08-04)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
London, Abbey Road Studio One in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-08-02 until 1993-08-04)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza (from 1993-08-02 until 1993-08-04)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich5:43
95Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto
executive producer:
Alison Ames and Ewald Markl
producer:
Christian Gansch (conductor)
editor:
Stephan Flock
cello:
Mischa Maisky (cellist) (from 1993-08-02 until 1993-08-04)
orchestra:
London Symphony Orchestra (from 1993-08-02 until 1993-08-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-08-02 until 1993-08-04)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
London, Abbey Road Studio One in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-08-02 until 1993-08-04)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto (from 1993-08-02 until 1993-08-04)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich4:43
96Cello Concerto no. 2 in G major, op. 126: II. Scherzo. Allegretto –
executive producer:
Alison Ames and Ewald Markl
producer:
Christian Gansch (conductor)
editor:
Stephan Flock
cello:
Mischa Maisky (cellist) (from 1993-08-02 until 1993-08-04)
orchestra:
London Symphony Orchestra (from 1993-08-02 until 1993-08-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-08-02 until 1993-08-04)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
London, Abbey Road Studio One in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-08-02 until 1993-08-04)
recording of:
Cello Concerto no. 2 in G minor, op. 126: II. Scherzo: Allegretto (from 1993-08-02 until 1993-08-04)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1966)
part of:
Cello Concerto no. 2 in G minor, op. 126
Dmitri Shostakovich4:40
97Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato
executive producer:
Alison Ames and Ewald Markl
producer:
Christian Gansch (conductor)
editor:
Stephan Flock
cello:
Mischa Maisky (cellist) (from 1993-08-02 until 1993-08-04)
orchestra:
London Symphony Orchestra (from 1993-08-02 until 1993-08-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-08-02 until 1993-08-04)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
London, Abbey Road Studio One in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-08-02 until 1993-08-04)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato (from 1993-08-02 until 1993-08-04)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich11:57
98Violin Concerto: I. Allegro risoluto
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
violin:
Paul Zukofsky (American violinist and conductor) (on 1970-10-05)
orchestra:
Boston Symphony Orchestra (on 1970-10-05)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1970-10-05)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-10-05)
recording of:
Violin Concerto: I. Allegro risoluto (on 1970-10-05)
composer:
William Schuman (American composer) (from 1947 until 1959)
part of:
Violin Concerto
William Schuman15:06
99Violin Concerto: II. Introduzione. Adagio - Allegretto
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
violin:
Paul Zukofsky (American violinist and conductor) (on 1970-10-05)
orchestra:
Boston Symphony Orchestra (on 1970-10-05)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1970-10-05)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-10-05)
recording of:
Violin Concerto: II. Introduzione (on 1970-10-05)
composer:
William Schuman (American composer) (from 1947 until 1959)
part of:
Violin Concerto
William Schuman16:13
100Symphony no. 2: I. Moderato
recording engineer and editor:
Joachim Niss
executive producer:
Thomas Mowrey
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (on 1970-10-05)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1970-10-05)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-10-05)
recording of:
Symphony no. 2: I. Moderato (on 1970-10-05)
composer:
Walter Piston (American composer) (in 1943)
part of:
Symphony no. 2
Walter Piston10:37
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