Max5 (unidentified pressing)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Livin La Vida Loca
recording engineer und Mix:
Charles Dye
zusätzlich recording engineer:
Craig Lozowick und Nathan Malki
Programmierung:
Randy Cantor
assistierende(r) Techniker(in):
Craig Lozowick, Nathan Malki und Germán Ortiz
Koproduzent(in):
Robi Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
Produzent(in):
Desmond Child
zusätzliche(r) Produzent(in):
Iris Aponte und Brian Coleman (Manager/production coordinator)
Akustikgitarre und Hintergrundgesang:
Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
Flügelhorn und Trompete:
Tony Concepción
Gitarre:
Rusty Anderson
Keyboard:
Randy Cantor
Perkussion:
Rafael Solano
vocals:
Ricky Martin (Puerto Rican singer, actor, author & king of Latin pop)
arranger:
Randy Cantor
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999)
aufgenommen bei und mixed at:
The Gentlemen’s Club in Miami Beach, Florida, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 180)
recording of:
Livin’ la Vida Loca (English version) (von 1998-10 bis 1999-03)
Verfasser(in):
Desmond Child und Robi Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
publisher:
PolyGram Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), A Phantom Vox Publishing (vom 1999 bis heute), Desmophobia (vom 1999 bis heute), PolyGram Music Publishing (vom 1999 bis heute) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1999 bis heute)
Ricky Martin4.54:03
2Believe
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 337)
recording of:
Believe
Texter:
Brian Higgins (British producer and song writer) und Matt Gray (UK techno DJ/producer, former video game composer)
Komponist(in):
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) und Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music und Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.84:01
3...Baby One More Time
recording engineer, Produzent(in) und Mix:
Max Martin (Swedish record producer) und Rami (Swedish record producer and songwriter)
Bassgitarre:
Tomas Lindberg (Swedish bass player)
Gitarre:
Johan Carlberg
Hintergrundgesang:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) und Britney Spears
Sologesang:
Britney Spears
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998) und Zomba Recording LLC (in 1999)
gemixt für und produced for:
Cheiron Productions
aufgenommen bei und mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
…Baby One More Time von Britney Spears, …Baby One More Time (official music video) von Britney Spears, …Baby One More Time (Angle 1) von Britney Spears und …Baby One More Time (Angle 2) von Britney Spears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 205) und BILLIONS CLUB
recording of:
…Baby One More Time
Texter und Komponist(in):
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Freaky Friday (2003)
Britney Spears3.83:31
4Praise You
Techniker(in) und Mix:
Simon Thornton (Big beat mixing engineer)
Produzent(in):
Fatboy Slim
phonographisches Urheberrecht (℗) von:
Skint Records (in 1998)
Samples:
Take Yo’ Praise von Camille Yarbrough
Musikvideos:
Praise You von Fatboy Slim
recording of:
Praise You
Verfasser(in):
Norman Cook und Camille Yarbrough
publisher:
Maat Music Inc., Polygram Music und PolyGram Music Publishing Ltd.
basiert auf:
Take Yo' Praise
Fatboy Slim4.153:54
5We Like to Party
Produzent(in):
Danski und DJ Delmundo
phonographisches Urheberrecht (℗) von:
Breakin' Records (Dutch eurodance/trance label) (in 1998), Violent Music BV (in 1998) und Violent Music UK BV. (in 1998)
recording of:
We Like to Party! (The Vengabus)
Komponist(in):
Danski und DJ Delmundo
publisher:
Violent Publishing
Vengaboys3.13:43
6Better Best Forgotten
assistierende(r) Techniker(in):
Bradlee Spreadborough und Al Unsworth
Techniker(in):
Dan Frampton (engineer) und Chris McDonnell (engineer)
Produzent(in):
Mark Topham, Karl Twigg und Pete Waterman
Mix:
Dan Frampton (engineer)
Keyboard [keyboards]:
Mark Topham und Karl Twigg
Schlagzeug [drums]:
Chris McDonnell (engineer)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1998)
aufgenommen bei und mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Vereinigtes Königreich und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich
recording of:
Better Best Forgotten
Verfasser(in):
Andrew Frampton und Pete Waterman
publisher:
All Boys Music Ltd., BMG Music Publishing Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
Steps2.853:44
7Thank ABBA for the Music
Techniker(in) und Mix:
Paul Waterman
Produzent(in):
Work in Progress (UK remix and production team)
vocals:
B*Witched (Irish girl group), Billie (Billie Piper, English actor, former singer), Cleopatra (UK girl group), Tina Cousins und Steps (British Euro-Pop group)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1999)
aufgenommen bei:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Vereinigtes Königreich
medley including a cover recording of:
Dancing Queen
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
Premiere bei:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-06-18)
Teil von:
Mamma Mia! (1999 musical)
medley including a cover recording of:
Mamma Mia
geschrieben in:
Lidingö municipality (Lidingö), Stockholms län (Stockholm county), Schweden
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Polar Music AB (beendet), Union Songs AB (publisher) (beendet), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. und Universal/Union Songs Musikförlag AB
Teil von:
Mamma Mia! (1999 musical)
medley including a cover recording of:
Take a Chance on Me
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group und Universal/Union Songs Musikförlag AB
Teil von:
Mamma Mia! (1999 musical)
medley including a cover recording of:
Thank You for the Music
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group und Universal/Union Songs Musikförlag AB
Teil von:
Mamma Mia! (1999 musical)
Teil von:
The Girl With the Golden Hair: 3 Scenes From a Mini Musical
recording of:
Thank You for the Music
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group und Universal/Union Songs Musikförlag AB
Teil von:
Mamma Mia! (1999 musical)
Teil von:
The Girl With the Golden Hair: 3 Scenes From a Mini Musical
Steps, Cleopatra, Tina Cousins, B*Witched & Billie34:08
8So Young
recording engineer:
Oliver Leiber und Barry Rudolph
Programmierung:
Leo Pearson (Irish music producer)
Produzent(in):
Jim Corr und Oliver Lieber
assistierende(r) Mix:
Ryan Freeland
Mix:
Bob Clearmountain
Gitarre:
Anto Drennan
Schlagzeug:
Gota Yashiki, Groove Activator (Gota Yashiki)
Sologesang:
Andrea Corr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Noise Club, Inc. (Oliver Leiber production company)
aufgenommen bei:
Ollywood Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
So Young
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr und Sharon Corr
publisher:
Beacon Communications Music Co. (in 1997) und Songs of PolyGram International, Inc. (in 1997)
The Corrs3.53:52
9Stay the Same
Produzent(in):
Walter Afanasieff, Joe Carrier und Dan Shea
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999)
Musikvideos:
Stay the Same von Joey McIntyre
recording of:
Stay the Same
Verfasser(in):
Joe Carrier und Joey McIntyre
publisher:
Cristjen Music und Joseth Music
Joey McIntyre1.53:48
10I Still Believe
assistierende(r) Techniker(in):
Ralf (engineer)
Techniker(in) und Mix:
Dana Jon Chappelle
Produzent(in):
Mariah Carey, Mike Mason (US r&b producer, often works with Stevie J) und Stevie J (US hip-hop producer/songwriter Steven Jordan)
Hintergrundgesang:
Melonie Daniels, Trey Lorenz und Mary Ann Tatum
vocals arranger:
Mariah Carey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei und mixed at:
Doppler Studios in Atlanta, Georgia, Vereinigte Staaten und Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
I Still Believe
Komponist(in):
Antonina Armato und Giuseppe Cantarelli (Italian composer, singer, arranger and producer)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Colgems-EMI Music Inc. und Tom Sturges Music
übersetzte Version von:
I Still Believe/Creo en ti
Mariah Carey43:55
11It's Not Right but It's OK
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1999)
recording of:
It’s Not Right but It’s Okay
Verfasser(in):
LaShawn Daniels (US contemporary R&B songwriter), Toni Estes, Freddie Jerkins, Isaak Phillips und Rodney Jerkins
publisher:
EMI-April Music, Inc., EMI-Blackwood Music Inc., Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Mic'l Publishing
Whitney Houston4:08
12Miami
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
recording of:
Miami
Texter:
Will Smith (US actor aka The Fresh Prince)
Komponist(in):
Leon Sylvers III, Samuel J. Barnes (US rapper & hip‐hop producer, aka Tone), William Shelby, Stephen Shockley und Ryan Toby
publisher:
DP JJ Publishing Co., Jelly’s Jams LLC, Pladid Music, Portrait (publisher), Slamuwell Productions, Solar Songs Inc. und Treyball Music
Will Smith53:19
13Have You Ever
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1998)
recording of:
Have You Ever?
Texter und Verfasser(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Realsongs
Brandy4:11
14Hands
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1998) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
Hands
Verfasser(in):
Jewel Kilcher (singer-songwriter Jewel Kilcher) und Patrick Leonard (producer, songwriter and pianist)
publisher:
No Tomato Music, WB Music Corp. (1929–2019) und Wiggly Tooth Music
Jewel3:48
15True Colors
phonographisches Urheberrecht (℗) von:
Philip Collins Ltd. (in 1998)
cover recording of:
True Colors
Verfasser(in):
Billy Steinberg und Tom Kelly (songwriter)
publisher:
Sony Tunes, Inc. (beendet), Brain Drain Music (work publisher), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Tennman Tunes
Phil Collins33:51
16(God Must Have Spent) A Little More Time on You
phonographisches Urheberrecht (℗) von:
Trans Continental Records, Inc. (in 1998)
recording of:
God Must Have Spent a Little More Time on You
Komponist(in):
Evan Rogers (musician/producer) und Carl Sturken
publisher:
Bayjun Beat Music und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
*NSYNC3.54:02
17Miss You Finally
phonographisches Urheberrecht (℗) von:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1997)
recording of:
Miss You Finally
Verfasser(in):
Dannad, A. Leeds, J. Lizzy und J. Myer
publisher:
Bou-Bou Musikverlag und Gothic Musikverlag GmbH
Trademark3:48
18Until the Time Is Through
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK and Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1998)
recording of:
Until the Time Is Through
Verfasser(in):
Andreas Carlsson (pop songwriter) und Max Martin (Swedish record producer)
publisher:
Grantsville
Five4:14
19Maria
phonographisches Urheberrecht (℗) von:
Beyond Music (US rock label) (in 1999)
recording of:
Maria (Blondie)
Texter und Komponist(in):
Jimmy Destri
publisher:
Dick Johnson Songs
Blondie4:01

Nennungen

Veröffentlichungsgruppe

Teil von:Max (Nummer: 5) (Reihenfolge: 6)
Discogs:https://www.discogs.com/master/1492368 [Info]