Testament van de Eighties

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: 1980
Nr.TitelKünstlerBewertungLänge
1What’s a Matter Baby
recording of:
What’s a Matter Baby
Verfasser(in):
Joy Byers und Clyde Otis (American songwriter and record producer)
Ellen Foley3:37
2Rapper’s Delight
recording of:
Rapper’s Delight (am 1979-08-02)
Verfasser(in):
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson und Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
basiert auf:
Good Times
The Sugarhill Gang3.63:56
3Crying
cover recording of:
Crying
Texter:
Joe Melson (in 1961) und Roy Orbison (in 1961)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd und Acuff-Rose Publications, Inc. (BMI) (am 1961-08-16)
Teil von:
50/50
Don McLean4.653:40
4Que sera mi vida (If You Should Go)
recording of:
Que será mi vida
Texter:
Nelly Byl (Belgian lyricist) und Daniel Vangarde
Komponist(in):
Jean Kluger (Belgian producer, publisher, songwriter) und Daniel Vangarde
publisher:
Bleu Blanc Rouge und Zagora (French label and publisher)
Gibson Brothers3:53
5An Englishman in New York
recording of:
Strange Apparatus (An Englishman in New York)
Texter:
Lol Creme und Kevin Godley
Verfasser(in):
Lol Creme
Komponist(in):
Kevin Godley
publisher:
St. Anne’s Music Ltd.
Godley & Creme53:56
6Hot Shot
Produzent(in):
Tim O'Brien (producer)
phonographisches Urheberrecht (℗) von:
Ariola Benelux B.V. (in 1980)
recording of:
Hot Shot
Texter:
Herman Brood
Komponist(in):
Dany Lademacher (Belgian guitarist)
publisher:
Slezak (publisher) (in 1980)
Herman Brood & His Wild Romance3:30
7Matador
Produzent(in):
Roy Cicala
zusätzliche(r) Produzent(in):
Garland Jeffreys (Sologesang)
recording of:
Matador
Verfasser(in):
Garland Jeffreys
Garland Jeffreys4:41
8With You I’m Born Again
assistierende(r) Techniker(in):
James Warmack
Techniker(in) und Mix:
F. Byron Clark
Produzent(in):
James di Pasquale und David Shire (American score composer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) und Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1979)
recording of:
With You I’m Born Again
Texter:
Carol Connors
Komponist(in):
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) und Jobete Music (UK) Ltd.
Billy Preston & Syreeta3:36
9Ladies Night
recording of:
Ladies’ Night
Verfasser(in):
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens und Claydes Smith
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang3:19
10Sajang E
recording of:
Sajang é
Verfasser(in):
Johnny Manuhutu und Rudy de Queljoe
Massada4:22
11You and Me
Produzent(in):
Martin van Os
phonographisches Urheberrecht (℗) von:
Lark Records (Belgian 1970/80s label) (in 1980)
recording of:
You and Me
Texter und Komponist(in):
Ellert Driessen (Ellert J. M. Driessen)
Spargo4:11
12Stomp!
recording of:
Stomp!
Verfasser(in):
George Johnson (member of Brothers Johnson, guitar), Louis Johnson (bass, member of Brothers Johnson), Valerie Johnson und Rod Temperton
Brothers Johnson4:00
13What I Like About You
Produzent(in):
Peter Solley (English pianist, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) und Nemperor Records, Inc. (in 1979)
aufgenommen bei:
Coconut Recording in Miami, Florida, Vereinigte Staaten (in 1979-10)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 97) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 483)
recording of:
What I Like About You (in 1979-10)
Verfasser(in):
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) und Mike Skill (Singer, bassist, guitarist, songwriter)
publisher:
EMI April Music Inc. und EMI Music Publishing Australia Pty. Limited (not for release label use!)
Teil von:
Freaky Friday (2003)
The Romantics4.552:55
14Funkytown
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
Bearbeitung von:
Funkytown (12″ version) von Lipps, Inc.
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 37)
recording of:
Funkytown
Texter und Komponist(in):
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.13:56
15Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:26
16Relight My Fire
recording of:
Relight My Fire (in 1979)
Texter und Komponist(in):
Dan Hartman
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Dan Hartman4.653:44
17Upside Down
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross43:39
18More Than I Can Say
Produzent(in):
Alan Tarney
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Rhino Entertainment Company (not for release label use!) (in 1980), Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1980) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
cover recording of:
More Than I Can Say (in 1980)
Verfasser(in):
Jerry Allison und Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
recording of:
More Than I Can Say
Verfasser(in):
Jerry Allison und Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
Leo Sayer33:41
19The Winner Takes It All
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bassgitarre:
Mike Watson (English‐Swedish rock musician) (am 1980-06-06)
Bratsche / Viola:
Nils Heie (am 1980-06-16), Håkan Roos (Swedish violist) (am 1980-06-16) und Bo Söderström (Swedish violinist) (am 1980-06-16)
Cello:
Olle Gustafsson (cellist) (am 1980-06-16) und Åke Olofsson (Swedish cellist) (am 1980-06-16)
Geige / Violine:
Martin Bylund (Swedish violinist) (am 1980-06-16), Anders Dahl (Swedish violinist) (am 1980-06-16), Lars Stegenberg (Swedish violinist) (am 1980-06-16), Gunnar Michols (Swedish violinist) (am 1980-06-16), Bernt Nylund (Swedish violinist) (am 1980-06-16), Bertil Orsin (Swedish violinist) (am 1980-06-16), Sixten Strömvall (Swedish violinist) (am 1980-06-16) und Harry Teike (am 1980-06-16)
Gitarre:
Lasse Wellander (am 1980-06-06)
Keyboard und Synthesizer:
Benny Andersson (ABBA) (am 1980-06-06)
Perkussion:
Åke Sundqvist (am 1980-06-06)
Schlagzeug:
Ola Brunkert (am 1980-06-06)
Hintergrundgesang:
Frida (Swedish singer and member of ABBA) (am 1980-06-06)
Sologesang:
Agnetha Fältskog (am 1980-06-06)
Cello, Bratsche / Viola und Geige / Violine arranger:
Rutger Gunnarsson (in 1980)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1980)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-06-06, am 1980-06-16)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-06-18)
Teil von:
The Downloader’s Music Source Book (Nummer: 66)
recording of:
The Winner Takes It All (in 1980-06)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!) (beendet), Universal Music Publishing Group (beendet), Universal/Union Songs Musikförlag AB (beendet), Bocu Music, EMI Waterford Music, Union Songs AB (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Artwork Music Co., Inc. (vom 1980 bis ????) und Countless Songs, Ltd. (vom 1980 bis ????)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.94:55
20A Forest
Produzent(in):
Mike Hedges (UK producer/recording engineer) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Bass:
Simon Gallup
Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Keyboard:
Matthieu Hartley
Schlagzeug:
Lol Tolhurst
vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographisches Urheberrecht (℗) von:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
recording of:
A Forest
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Matthieu Hartley, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Lol Tolhurst
publisher:
APB Music Co.
The Cure3.654:54
2▶CD: 1981
3▶CD: 1982
4▶CD: 1983
5▶CD: 1984
6▶CD: 1985
7▶CD: 1986
8▶CD: 1987
9▶CD: 1988
10▶CD: 1989
11▶DVD-Video: '80-'81
12▶DVD-Video: '82-'83
13▶DVD-Video: '84-'85
14▶DVD-Video: '86-'87
15▶DVD-Video: '88-'89

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