Karaoke Opera

~ Release by Prague Philharmonic Choir, Czech Symphony Orchestra, Julian Bigg (see all versions of this release, 5 available)

Tracklist

1CD
#TitleArtistRatingLength
1Nessun dorma (vocal version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
tenor vocals:
John Oakman (tenor) (from 1992-06-01 until 1992-06-02)
vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1992-06-01 until 1992-06-02)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini?:??
2Nessun dorma (karaoke version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1992-06-01 until 1992-06-02)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini?:??
3The Pearl Fishers’ Duet (vocal version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
baritone vocals:
Steven Page (opera baritone) (from 1992-06-01 until 1992-06-02)
tenor vocals:
John Oakman (tenor) (from 1992-06-01 until 1992-06-02)
vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (from 1992-06-01 until 1992-06-02)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
ABC Classic 100 (2001) (number: 7)
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet?:??
4The Pearl Fishers’ Duet (karaoke version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (from 1992-06-01 until 1992-06-02)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
ABC Classic 100 (2001) (number: 7)
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet?:??
5Barcarolle (vocal version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
mezzo-soprano vocals:
Anne‐Marie Owens (mezzo‐soprano) (from 1992-06-01 until 1992-06-02)
soprano vocals:
Susan McCulloch (soprano) (from 1992-06-01 until 1992-06-02)
vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta) (from 1992-06-01 until 1992-06-02)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach?:??
6Barcarolle (karaoke version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta) (from 1992-06-01 until 1992-06-02)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach?:??
7Largo al factotum (vocal version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
baritone vocals:
Steven Page (opera baritone) (from 1992-06-01 until 1992-06-02)
choir vocals:
Pražský filharmonický sbor (Czech Philharmonic Chorus, Prague Philharmonic Choir)
vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
orchestra:
Tschechisches Symphonieorchester and Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (from 1992-06-01 until 1992-06-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini?:??
8Largo al factotum (karaoke version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (from 1992-06-01 until 1992-06-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini?:??
9Toreador’s Song (vocal version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
baritone vocals:
Steven Page (opera baritone) (from 1992-06-01 until 1992-06-02)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (from 1992-06-01 until 1992-06-02)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet?:??
10Toreador’s Song (karaoke version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (from 1992-06-01 until 1992-06-02)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet?:??
11O mio babbino caro (vocal version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
soprano vocals:
Susan McCulloch (soprano) (from 1992-06-01 until 1992-06-02)
vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1992-06-01 until 1992-06-02)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini?:??
12O mio babbino caro (karaoke version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1992-06-01 until 1992-06-02)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini?:??
13Musetta’s Aria (vocal version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
soprano vocals:
Susan McCulloch (soprano) (from 1992-06-01 until 1992-06-02)
vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (from 1992-06-01 until 1992-06-02)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini?:??
14Musetta’s Aria (karaoke version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (from 1992-06-01 until 1992-06-02)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini?:??
15La donna è mobile (vocal version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
tenor vocals:
John Oakman (tenor) (from 1992-06-01 until 1992-06-02)
vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (from 1992-06-01 until 1992-06-02)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi?:??
16La donna è mobile (karaoke version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (from 1992-06-01 until 1992-06-02)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi?:??
17Habanera (vocal version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
mezzo-soprano vocals:
Anne‐Marie Owens (mezzo‐soprano) (from 1992-06-01 until 1992-06-02)
vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1992-06-01 until 1992-06-02)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet?:??
18Habanera (karaoke version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1992-06-01 until 1992-06-02)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet?:??
19Brindisi (vocal version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
soprano vocals:
Susan McCulloch (soprano) (from 1992-06-01 until 1992-06-02)
tenor vocals:
John Oakman (tenor) (from 1992-06-01 until 1992-06-02)
vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1992-06-01 until 1992-06-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi?:??
20Brindisi (karaoke version)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1992-06-01 until 1992-06-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi?:??