The Dark Knight: Original Motion Picture Soundtrack (Limited Edition)

~ Veröffentlichung von Hans Zimmer & James Newton Howard (alle Versionen dieser Veröffentlichung ansehen, 15 vorhanden)

Anmerkung

2 CD Limited Edition Reissue Box Set.

Anmerkung zuletzt geändert am 2011-07-22 09:03 UTC.

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Why So Serious?
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Why So Serious? (The Dark Knight)
Komponist(in):
James Howard (American score composer) und Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
Hans Zimmer3.59:14
2I'm Not a Hero
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
I’m Not a Hero (The Dark Knight)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
Hans Zimmer46:35
3Harvey Two-Face
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Harvey Two-Face (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
James Newton Howard2.856:17
4Aggressive Expansion
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Aggressive Expansion (The Dark Knight)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
Hans Zimmer3.554:36
5Always a Catch
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Always a Catch (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & James Newton Howard31:40
6Blood on My Hands
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Blood on My Hands (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
James Newton Howard2.852:17
7A Little Push
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
A Little Push (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
James Newton Howard2.152:43
8Like a Dog Chasing Cars
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Like a Dog Chasing Cars (The Dark Knight)
Komponist(in):
James Howard (American score composer) und Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
Hans Zimmer3.655:03
9I Am the Batman
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
I Am the Batman (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & James Newton Howard2.52:00
10And I Thought My Jokes Were Bad
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
And I Thought My Jokes Were Bad (The Dark Knight)
Komponist(in):
Lorne Balfe (Scottish score composer) und Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & Lorne Balfe3.12:29
11Agent of Chaos
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Agent of Chaos (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & James Newton Howard3.256:55
12Introduce a Little Anarchy
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Introduce a Little Anarchy (The Dark Knight)
Komponist(in):
James Howard (American score composer) und Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & Lorne Balfe3.453:43
13Watch the World Burn
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Watch the World Burn (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
James Newton Howard3.13:48
14A Dark Knight
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
A Dark Knight (The Dark Knight)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
Hans Zimmer3.516:15
2CD

Nennungen

Veröffentlichung

Mix:Alan Meyerson
Grafikdesign:Steven R. Gilmore (album cover design)
zusätzliche(r) Techniker(in):Chris Barrett (British sound engineer, @AIR Lyndhurst Studios)
Koproduzent(in):Lorne Balfe (Scottish score composer)
Alex Gibson (musician/editor)
leitende(r) Produzent(in):Christopher Nolan
Editing:Alex Gibson (musician/editor)
Bass:Mary Scully (double bassist)
Bratsche / Viola:Peter Lale (violist)
Cello:Anthony Pleeth (cellist)
Horn:Richard Watkins (hornist)
Klavier:Simon Chamberlain (pianist)
James Newton Howard (American score composer)
Posaune:Peter Davis (Trombonist)
Synthesizer:Hans Zimmer (German score composer)
Trompete:Maurice Murphy (trumpet player)
conductor:Matt Dunkley
Gavin Greenaway
Discogs:https://www.discogs.com/release/1591997 [Info]
ASIN:US: B001HXG8PK [Info]