Best-Loved Classics, Volume 11

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Brandenburg Concerto no. 3 in G, BWV 1048: I. Allegro
sound engineer and balance engineer:
Neville Boyling (engineer)
producer:
Peter Andry (producer)
instruments:
Yehudi Menuhin (violinist)
orchestra:
Bath Festival Orchestra (in 1959-07)
conductor:
Yehudi Menuhin (violinist) (in 1959-07)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (in 1959-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:08
2Euryanthe: Overture
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-02 until 1958-07)
conductor:
Wolfgang Sawallisch (conductor) (from 1958-02 until 1958-07)
balance engineer:
Douglas Larter (from 1958-02 until 1958-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02 until 1958-07)
recording of:
Euryanthe: Ouvertüre (from 1958-02 until 1958-07)
composer:
Carl Maria von Weber (composer)
part of:
Euryanthe (1825 revision)
Carl Maria von Weber8:51
3Plaisir D’Amour
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Rafael Frühbeck de Burgos (conductor)
recording of:
Plaisir d’amour (Romance du chevrier)
lyricist:
Jean-Pierre Claris de Florian
composer:
Jean‐Paul‐Égide Martini (Plaisir d'amour)
publisher:
Warlock Music Ltd.
Jean‐Paul‐Égide Martini3:14
4Eine Musikalische Spaß, K.522: IV. Presto - A Musical Joke | Une Plaisantierie Musicale
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Guido Cantelli (conductor)
recording of:
Divertimento for 2 Horns & Strings in F major, K. 522 “Ein musikalischer Spaß”: IV. Presto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1787)
part of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß" (Divertimento for 2 horns & strings in F major, K. 522 "A musical joke")
Wolfgang Amadeus Mozart4:11
5Gymnopédie no. 1
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Louis Frémaux (conductor)
recording of:
Gymnopédies: I. Lent et grave (Satie’s Gymnopédie no. 3 orchestrated by Debussy)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
part of:
Gymnopédies (orchestrated by Debussy)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie2:56
6Orfée Aux Enfers: Overture
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1960-09-23)
conductor:
Herbert von Karajan (conductor) (on 1960-09-23)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1960-09-23)
recording of:
Orphée aux enfers : Ouverture (Orpheus in the Underworld: Overture) (on 1960-09-23)
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux enfers (Orpheus in the Underworld, opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (Orpheus in the Underworld, opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
Jacques Offenbach9:40
7Lohengrin: Einsam in trüben Tagen (Act I - Elsa’s Dream)
soprano vocals:
Hildegard Behrens (soprano)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Peter Schneider (classical and opera conductor)
recording of:
Lohengrin, WWV 75: Akt I, Scene II. “Seht hin! Sie naht, die hart Beklagte!” (Elsas Traum „Einsam in trüben Tagen”)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt I
Richard Wagner5:01
8Procession of the Nobles (Mlada - Act II)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
Nikolai Rimsky-Korsakov4:42
9Danse Macabre, op. 40
violin:
Michèle Boussinot
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Georges Prêtre (French conductor)
recording of:
Danse macabre, op. 40 (symphonic poem for orchestra)
composer:
Camille Saint‐Saëns (composer) (in 1874)
part of:
Classic 100: Music of France (2012) (number: 16) and Works of Camille Saint-Saëns by opus number (number: op. 40)
is based on:
Danse macabre (song for voice and piano)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Camille Saint‐Saëns7:09
10Candide: Overture
sound engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
producer:
Christopher Bishop (conductor/producer) (on 1971-11-30)
orchestra:
London Symphony Orchestra (on 1971-11-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1971-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (on 1971-11-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-11-30)
recording of:
Candide: Overture (on 1971-11-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein4:18
11Romeo and Juliet: Fantasy Overture
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky18:38

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part of:Best-Loved Classics (number: 11) (order: 11)