The Complete Clef/Mercury Studio Recordings of the Oscar Peterson Trio (1951–1953)

~ Release by The Oscar Peterson Trio (see all versions of this release, 1 available)

Tracklist

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1Do Nothin’ Till You Hear From Me
recorded in:
Los Angeles, California, United States (from 1952-11 until 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
instrumental recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
2:50
2Don’t Get Around Much Anymore
recorded in:
Los Angeles, California, United States (from 1952-11 until 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
instrumental recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
3:58
3John Hardy’s Wife
recorded in:
Los Angeles, California, United States (from 1952-11 until 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
recording of:
John Hardy's Wife (in 1952)
composer:
Mercer Ellington
3:23
4Always
recorded in:
Los Angeles, California, United States (from 1952-11 until 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
instrumental recording of:
Always (in 1952)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
2:51
5Easter Parade
recorded in:
Los Angeles, California, United States (in 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
instrumental recording of:
Easter Parade (from “Easter Parade”) (in 1952)
lyricist and composer:
Irving Berlin (in 1933)
part of:
Easter Parade (full musical)
3:15
6Alexander’s Ragtime Band
recorded in:
Los Angeles, California, United States (in 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
instrumental recording of:
Alexander’s Ragtime Band (in 1952)
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
2:52
7The Song Is Ended
recorded in:
Los Angeles, California, United States (in 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
instrumental recording of:
The Song Is Ended (but the Melody Lingers On) (in 1952)
lyricist:
Irving Berlin
composer:
Irving Berlin (in 1927)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
3:20
8Say It Isn’t So
recorded in:
Los Angeles, California, United States (in 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
instrumental recording of:
Say It Isn’t So (in 1952)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp.
3:09
9Remember
recorded in:
Los Angeles, California, United States (in 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
instrumental recording of:
Remember (in 1952)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
3:20
10If I Had You
recorded in:
Los Angeles, California, United States (in 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
instrumental recording of:
If I Had You (jazz standard) (in 1952)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
3:12
11How Deep Is the Ocean
recorded in:
Los Angeles, California, United States (in 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
instrumental recording of:
How Deep Is the Ocean? (in 1952)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:06
12I’m Glad There Is You
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
I’m Glad There Is You (on 1953-05-21)
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
2:58
13Polka Dots and Moonbeams
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
Polka Dots and Moonbeams (on 1953-05-21)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:14
14One for My Baby
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
One for My Baby (and One More for the Road) (on 1953-05-21)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
3:17
15I Hear Music
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
I Hear Music (Dancing on a Dime) (on 1953-05-21)
lyricist:
Frank Loesser
composer:
Burton Lane
recording of:
I Hear Music (Dancing on a Dime)
lyricist:
Frank Loesser
composer:
Burton Lane
2:29
16Autumn in New York
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
Autumn in New York (1934) (on 1953-05-21)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
4:01
17I Can’t Give You Anything but Love
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
I Can’t Give You Anything but Love, Baby (on 1953-05-21)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:07
18Spring Is Here
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
Spring Is Here (on 1953-05-21)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
2:49
19The Things We Did Last Summer
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
The Things We Did Last Summer (on 1953-05-21)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
4:04
20Streets Boogie
recorded in:
Los Angeles, California, United States (in 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
3:23
21Booker T. Blues
recorded in:
Los Angeles, California, United States (in 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
3:04
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