Big Bach Set

~ Parution par Johann Sebastian Bach (afficher toutes les versions de cette parution, 1 proposée)

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1Mass in B minor Missa, BWV 232: Kyrie Eleison
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
12:38
2Mass in B minor, BWV 232: Christe Eleison
voix de soprano [Soprano I] :
Felicity Palmer (mezzo-soprano) (le 1973-07)
voix de soprano [Soprano II] :
Helen Watts (contralto) (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
6:07
3Mass in B minor, BWV 232: Kyrie Eleison
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:44
4Mass in B minor, BWV 232: Gloria in Excelsis Deo
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
1:50
5Mass in B minor, BWV 232: Et in Terra Pax
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:32
6Mass in B minor, BWV 232: Laudamus Te
voix de soprano [Soprano II] :
Helen Watts (contralto) (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:19
7Mass in B minor, BWV 232: Gratias Agimus Tibi
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
est basée sur :
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:39
8Mass in B minor, BWV 232: Domine Deus
voix de soprano [Soprano I] :
Felicity Palmer (mezzo-soprano) (le 1973-07)
voix de ténor :
Robert Tear (tenor) (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:58
9Mass in B minor, BWV 232: Qui Tollis Peccata Mundi
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
est basée sur :
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:11
10Mass in B minor, BWV 232: Qui Sedes
voix d’alto :
Helen Watts (contralto) (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:59
11Mass in B minor, BWV 232: Quoniam Tu Solus Sanctus
voix de basse :
Michael Rippon (operatic bass) (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:20
12Mass in B minor, BWV 232: Cum Sancto Spiritu
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:35
13Mass in B minor, BWV 232: Credo in Unum Deum
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
1:49
14Mass in B minor, BWV 232: Patrem Ominpotentem
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
est basée sur :
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:13
15Mass in B minor, BWV 232: Et in Unum Dominum
voix d’alto :
Helen Watts (contralto) (le 1973-07)
voix de soprano [Soprano I] :
Felicity Palmer (mezzo-soprano) (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:30
16Mass in B minor, BWV 232: Et Incarnatus Est
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:48
17Mass in B minor, BWV 232: Crucifixus
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
est basée sur :
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:41
18Mass in B minor, BWV 232: Et Resurrexit
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:50
19Mass in B minor, BWV 232: Et in Spiritum Sanctum
voix de basse :
Michael Rippon (operatic bass) (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
6:01
20Mass in B minor, BWV 232: Confiteor
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:01
21Mass in B minor, BWV 232: Et Expecto
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
est basée sur :
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:29
22Mass in B minor, BWV 232: Sanctus
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
partiel recording of :
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:24
23Mass in B minor, BWV 232: Pleni Sunt Coeli
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
partiel recording of :
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:24
24Mass in B minor, BWV 232: Osanna in Excelsis
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
est basée sur :
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:48
25Mass in B minor, BWV 232: Benedictus
voix de ténor :
Robert Tear (tenor) (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:43
26Mass in B minor, BWV 232: Osanna in Excelsis (reprise)
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
est basée sur :
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:47
27Mass in B minor, BWV 232: Agnus Dei
voix d’alto :
Helen Watts (contralto) (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:33
28Mass in B minor, BWV 232: Dona Nobis Pacem
chœurs :
Amor Artis Chorale (le 1973-07)
orchestre :
English Chamber Orchestra (le 1973-07)
conductor :
Johannes Somary (le 1973-07)
recording of :
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (le 1973-07)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1747 au 1749)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
est basée sur :
Dona nobis pacem
partie de :
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:14
29Partita no. 2, BWV 1004: I. Allemande
violon :
Joseph Szigeti (violinist) (du 1955-10-18 au 1955-10-20)
enregistré à :
CBS 30th Street Studio dans Manhattan, New York, New York, États-Unis (du 1955-10-18 au 1955-10-20)
recording of :
Violin Partita no. 2 in D minor, BWV 1004: I. Allemande (du 1955-10-18 au 1955-10-20)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (du 1717 au 1723)
partie de :
Violin Partita no. 2 in D minor, BWV 1004
3:13
30Partita no. 2, BWV 1004: II. Courante
violon :
Joseph Szigeti (violinist) (du 1955-10-18 au 1955-10-20)
enregistré à :
CBS 30th Street Studio dans Manhattan, New York, New York, États-Unis (du 1955-10-18 au 1955-10-20)
recording of :
Violin Partita no. 2 in D minor, BWV 1004: II. Courante (du 1955-10-18 au 1955-10-20)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (du 1717 au 1723)
partie de :
Violin Partita no. 2 in D minor, BWV 1004
3:36
31Partita no. 2, BWV 1004: III. Sarabande
violon :
Joseph Szigeti (violinist) (du 1955-10-18 au 1955-10-20)
enregistré à :
CBS 30th Street Studio dans Manhattan, New York, New York, États-Unis (du 1955-10-18 au 1955-10-20)
recording of :
Violin Partita no. 2 in D minor, BWV 1004: III. Sarabande (du 1955-10-18 au 1955-10-20)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (du 1717 au 1723)
partie de :
Violin Partita no. 2 in D minor, BWV 1004
3:32
32Partita no. 2, BWV 1004: IV. Gigue
violon :
Joseph Szigeti (violinist) (du 1955-10-18 au 1955-10-20)
enregistré à :
CBS 30th Street Studio dans Manhattan, New York, New York, États-Unis (du 1955-10-18 au 1955-10-20)
recording of :
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue (du 1955-10-18 au 1955-10-20)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (du 1717 au 1723)
partie de :
Violin Partita no. 2 in D minor, BWV 1004
4:21
33Partita no. 2, BWV 1004: V. Chaconne
violon :
Joseph Szigeti (violinist) (du 1955-10-18 au 1955-10-20)
enregistré à :
CBS 30th Street Studio dans Manhattan, New York, New York, États-Unis (du 1955-10-18 au 1955-10-20)
recording of :
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (du 1955-10-18 au 1955-10-20)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (du 1717 au 1723)
partie de :
Violin Partita no. 2 in D minor, BWV 1004
16:07
34Harpsichord Concerto no. 1 in D minor, BWV 1052: I. Allegro
clavecin :
Anton Heiller (Austrian organist, composer and conductor)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Keyboard Concerto in D minor, BWV 1052: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
version de :
Harpsichord Concerto No.1 in D minor, BWV 1052a: I. Allegro (early version of BWV 1052)
partie de :
Keyboard Concerto in D minor, BWV 1052
7:45
35Harpsichord Concerto no. 1 in D minor, BWV 1052: II. Adagio
clavecin :
Anton Heiller (Austrian organist, composer and conductor)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Keyboard Concerto in D minor, BWV 1052: II. Adagio
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
version de :
Keyboard Concerto in D minor, BWV 1052a: II. Adagio (early version of BWV 1052)
partie de :
Keyboard Concerto in D minor, BWV 1052
5:44
36Harpsichord Concerto no. 1 in D minor, BWV 1052: III. Allegro
clavecin :
Anton Heiller (Austrian organist, composer and conductor)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Keyboard Concerto in D minor, BWV 1052: III. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
version de :
Keyboard Concerto in D minor, BWV 1052a: III. Allegro (early version of BWV 1052)
partie de :
Keyboard Concerto in D minor, BWV 1052
8:09
37Harpsichord Concerto no. 4 in A major, BWV 1055: I. Allegro
clavecin :
Anton Heiller (Austrian organist, composer and conductor)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Keyboard Concerto no. 4 in A major, BWV 1055: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Keyboard Concerto no. 4 in A major, BWV 1055
4:12
38Harpsichord Concerto no. 4 in A major, BWV 1055: II. Larghetto
clavecin :
Anton Heiller (Austrian organist, composer and conductor)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Keyboard Concerto no. 4 in A major, BWV 1055
5:13
39Harpsichord Concerto no. 4 in A major, BWV 1055: III. Allegretto non tanto
clavecin :
Anton Heiller (Austrian organist, composer and conductor)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Keyboard Concerto no. 4 in A major, BWV 1055: III. Allegro ma non tanto
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Keyboard Concerto no. 4 in A major, BWV 1055
4:34
40Harpsichord Concerto no. 5 in F minor, BWV 1056: I. Allegro
clavecin :
Anton Heiller (Austrian organist, composer and conductor)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
3:19
41Harpsichord Concerto no. 5 in F minor, BWV 1056: II. Largo
clavecin :
Anton Heiller (Austrian organist, composer and conductor)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
2:43
42Harpsichord Concerto no. 5 in F minor, BWV 1056: III. Presto
clavecin :
Anton Heiller (Austrian organist, composer and conductor)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: III. Presto
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
3:58
43Concerto for Two Harpsichords in C minor, BWV 1060: I. Allegro
clavecin :
Anton Heiller (Austrian organist, composer and conductor) et Erna Heiller (harpsichord player)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto in C minor for Two Harpsichords, BWV 1060
5:05
44Concerto for Two Harpsichords in C minor, BWV 1060: II. Adagio
clavecin :
Anton Heiller (Austrian organist, composer and conductor) et Erna Heiller (harpsichord player)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto in C minor for Two Harpsichords, BWV 1060
4:59
45Concerto for Two Harpsichords in C minor, BWV 1060: III. Allegro
clavecin :
Anton Heiller (Austrian organist, composer and conductor) et Erna Heiller (harpsichord player)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto in C minor for Two Harpsichords, BWV 1060: III. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto in C minor for Two Harpsichords, BWV 1060
3:57
46Concerto for Two Harpsichords in C major, BWV 1061: I. Allegro
clavecin :
Anton Heiller (Austrian organist, composer and conductor) et Erna Heiller (harpsichord player)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb) et I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto in C major for Two Harpsichords, BWV 1061: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto in C major for Two Harpsichords, BWV 1061
7:20
47Concerto for Two Harpsichords in C major, BWV 1061: II. Adagio ovvero largo
clavecin :
Anton Heiller (Austrian organist, composer and conductor) et Erna Heiller (harpsichord player)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb) et I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto in C major for Two Harpsichords, BWV 1061: II. Adagio
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto in C major for Two Harpsichords, BWV 1061
recording of :
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto in C minor for Two Harpsichords, BWV 1060
4:43
48Concerto for Two Harpsichords in C major, BWV 1061: III. Fuga
clavecin :
Anton Heiller (Austrian organist, composer and conductor) et Erna Heiller (harpsichord player)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb) et I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto in C major for Two Harpsichords, BWV 1061: III. Vivace
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto in C major for Two Harpsichords, BWV 1061
5:50
49Concerto for Two Harpsichords in C minor, BWV 1062: I. Allegro
clavecin :
Anton Heiller (Austrian organist, composer and conductor) et Erna Heiller (harpsichord player)
instruments :
Kurt Rapf (Austrian composer, conductor, pianist, harpsichordist and organist)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb) et I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto in C minor for Two Harpsichords, BWV 1062: I. [Allegro] (Concerto in C minor for Two Harpsichords, BWV 1062: I. Allegro, sometimes Vivace)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1736)
partie de :
Concerto in C minor for Two Harpsichords, BWV 1062
3:51
50Concerto for Two Harpsichords in C minor, BWV 1062: II. Andante
clavecin :
Anton Heiller (Austrian organist, composer and conductor) et Erna Heiller (harpsichord player)
instruments :
Kurt Rapf (Austrian composer, conductor, pianist, harpsichordist and organist)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb) et I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto in C minor for Two Harpsichords, BWV 1062: II. Andante e piano
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1736)
partie de :
Concerto in C minor for Two Harpsichords, BWV 1062
6:04
51Concerto for Two Harpsichords in C minor, BWV 1062: III. Allegro assai
clavecin :
Anton Heiller (Austrian organist, composer and conductor) et Erna Heiller (harpsichord player)
instruments :
Kurt Rapf (Austrian composer, conductor, pianist, harpsichordist and organist)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb) et I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto in C minor for Two Harpsichords, BWV 1062: III. Allegro assai
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1736)
partie de :
Concerto in C minor for Two Harpsichords, BWV 1062
5:03
52Concerto for Three Harpsichords in D minor, BWV 1063: I. Allegro
clavecin :
Anton Heiller (Austrian organist, composer and conductor), Erna Heiller (harpsichord player) et Kurt Rapf (Austrian composer, conductor, pianist, harpsichordist and organist)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb) et I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: I. [no tempo indication]
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063
recording of :
Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: III. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063
5:03
53Concerto for Three Harpsichords in D minor, BWV 1063: II. Alla siciliana
clavecin :
Anton Heiller (Austrian organist, composer and conductor), Erna Heiller (harpsichord player) et Kurt Rapf (Austrian composer, conductor, pianist, harpsichordist and organist)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb) et I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: II. Alla Siciliana
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063
4:48
54Concerto for Three Harpsichords in D minor, BWV 1063: III. Allegro
clavecin :
Anton Heiller (Austrian organist, composer and conductor), Erna Heiller (harpsichord player) et Kurt Rapf (Austrian composer, conductor, pianist, harpsichordist and organist)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: III. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063
5:53
55Concerto for Three Harpsichords C major, BWV 1064: I. Allegro
clavecin :
Anton Heiller (Austrian organist, composer and conductor), Erna Heiller (harpsichord player) et Kurt Rapf (Austrian composer, conductor, pianist, harpsichordist and organist)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb) et I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto in C major for Three Harpsichords, BWV 1064: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto for 3 Harpsichords in C major, BWV 1064
6:31
56Concerto for Three Harpsichords C major, BWV 1064: II. Adagio
clavecin :
Anton Heiller (Austrian organist, composer and conductor), Erna Heiller (harpsichord player) et Kurt Rapf (Austrian composer, conductor, pianist, harpsichordist and organist)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb) et I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto in C major for Three Harpsichords, BWV 1064: II. Adagio
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto for 3 Harpsichords in C major, BWV 1064
5:45
57Concerto for Three Harpsichords C major, BWV 1064: III. Allegro
clavecin :
Anton Heiller (Austrian organist, composer and conductor), Erna Heiller (harpsichord player) et Kurt Rapf (Austrian composer, conductor, pianist, harpsichordist and organist)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb) et I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto in C major for Three Harpsichords, BWV 1064: III. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto for 3 Harpsichords in C major, BWV 1064
4:37
58Concerto for Four Harpsichords in A minor, BWV 1065: I. Allegro
clavecin :
Anton Heiller (Austrian organist, composer and conductor), Erna Heiller (harpsichord player), Christa Landon (harpsichord player) et Kurt Rapf (Austrian composer, conductor, pianist, harpsichordist and organist)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: I. [Allegro]
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
3:50
59Concerto for Four Harpsichords in A minor, BWV 1065: II. Largo
clavecin :
Anton Heiller (Austrian organist, composer and conductor), Erna Heiller (harpsichord player), Christa Landon (harpsichord player) et Kurt Rapf (Austrian composer, conductor, pianist, harpsichordist and organist)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: II. Largo
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
0:58
60Concerto for Four Harpsichords in A minor, BWV 1065: III. Allegro
clavecin :
Anton Heiller (Austrian organist, composer and conductor), Erna Heiller (harpsichord player), Christa Landon (harpsichord player) et Kurt Rapf (Austrian composer, conductor, pianist, harpsichordist and organist)
orchestre :
I Solisti di Zagreb (Solistes de Zagreb)
conductor :
Antonio Janigro (cellist)
recording of :
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: III. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
4:58
61Sonata in B minor for Flute and Harpsichord in B minor, BWV 1030: I. Andante
clavecin :
Kenneth Cooper (American harpsichordist, pianist, conductor)
flûte :
Paula Robison (flutist)
recording of :
Sonata for Flute & Keyboard in B minor, BWV 1030: I. Andante
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Sonata for Flute & Keyboard in B minor, BWV 1030
8:18
62Sonata in B minor for Flute and Harpsichord in B minor, BWV 1030: II. Largo e dolce
clavecin :
Kenneth Cooper (American harpsichordist, pianist, conductor)
flûte :
Paula Robison (flutist)
recording of :
Sonata for Flute & Keyboard in B minor, BWV 1030: II. Largo e dolce
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Sonata for Flute & Keyboard in B minor, BWV 1030
4:29
63Sonata in B minor for Flute and Harpsichord in B minor, BWV 1030: III. Presto: Giga
clavecin :
Kenneth Cooper (American harpsichordist, pianist, conductor)
flûte :
Paula Robison (flutist)
recording of :
Sonata for Flute & Keyboard in B minor, BWV 1030: III. Presto - Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Sonata for Flute & Keyboard in B minor, BWV 1030
5:55
64Sonata in E-flat major for Flute and Harpsichord, BWV 1031: I. Allegro moderato
clavecin :
Kenneth Cooper (American harpsichordist, pianist, conductor)
flûte :
Paula Robison (flutist)
recording of :
Flute Sonata in E-flat major, BWV 1031: I. Allegro moderato
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Flute Sonata in E-flat major, BWV 1031
3:58
65Sonata in E-flat major for Flute and Harpsichord, BWV 1031: II. Siciliano
clavecin :
Kenneth Cooper (American harpsichordist, pianist, conductor)
flûte :
Paula Robison (flutist)
recording of :
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Flute Sonata in E-flat major, BWV 1031
2:10
66Sonata in E-flat major for Flute and Harpsichord, BWV 1031: III. Allegro
clavecin :
Kenneth Cooper (American harpsichordist, pianist, conductor)
flûte :
Paula Robison (flutist)
recording of :
Flute Sonata in E-flat major, BWV 1031: III. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Flute Sonata in E-flat major, BWV 1031: III. Allegro (catch-all for arrangements)
partie de :
Flute Sonata in E-flat major, BWV 1031
4:38
67Italian Concerto in F major, BWV 971: 1. (Allegro)
piano :
András Schiff (pianist) (le 1978-06)
enregistré à :
上野学園 石橋メモリアルホール (Uenogakuen Ishibashi Memorial Hall, 1974 - 2007) dans Higashiueno, Taitō (Taitō-ku), Tokyo, Japon (le 1978-06)
recording of :
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (le 1978-06)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1735)
partie de :
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
4:04
68Italian Concerto in F major, BWV 971: 2. Andante
piano :
András Schiff (pianist) (le 1978-06)
enregistré à :
上野学園 石橋メモリアルホール (Uenogakuen Ishibashi Memorial Hall, 1974 - 2007) dans Higashiueno, Taitō (Taitō-ku), Tokyo, Japon (le 1978-06)
recording of :
Italienisches Konzert F-Dur, BWV 971: II. Andante (Italian Concerto in F major, BWV 971: II. Andante) (le 1978-06)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1735)
partie de :
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
4:56
69Italian Concerto in F major, BWV 971: 3. Presto
piano :
András Schiff (pianist) (le 1978-06)
enregistré à :
上野学園 石橋メモリアルホール (Uenogakuen Ishibashi Memorial Hall, 1974 - 2007) dans Higashiueno, Taitō (Taitō-ku), Tokyo, Japon (le 1978-06)
recording of :
Italienisches Konzert F-Dur, BWV 971: III. Presto (Italian Concerto in F major, BWV 971: III. Presto) (le 1978-06)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1735)
partie de :
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
3:29
70French Suite no. 5 in G major, BWV 816: 1. Allemande
piano :
András Schiff (pianist) (le 1978-06)
enregistré à :
上野学園 石橋メモリアルホール (Uenogakuen Ishibashi Memorial Hall, 1974 - 2007) dans Higashiueno, Taitō (Taitō-ku), Tokyo, Japon (le 1978-06)
recording of :
Französische Suite Nr. 5 G-dur, BWV 816: I. Allemande (le 1978-06)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Französische Suite Nr. 5 G-dur, BWV 816 (French Suite No. 5 in G major, BWV 816)
2:58
71French Suite no. 5 in G major, BWV 816: 2. Courante
piano :
András Schiff (pianist) (le 1978-06)
enregistré à :
上野学園 石橋メモリアルホール (Uenogakuen Ishibashi Memorial Hall, 1974 - 2007) dans Higashiueno, Taitō (Taitō-ku), Tokyo, Japon (le 1978-06)
recording of :
Französische Suite Nr. 5 G-dur, BWV 816: II. Courante (le 1978-06)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Französische Suite Nr. 5 G-dur, BWV 816 (French Suite No. 5 in G major, BWV 816)
1:31
72French Suite no. 5 in G major, BWV 816: 3. Sarabande
piano :
András Schiff (pianist) (le 1978-06)
enregistré à :
上野学園 石橋メモリアルホール (Uenogakuen Ishibashi Memorial Hall, 1974 - 2007) dans Higashiueno, Taitō (Taitō-ku), Tokyo, Japon (le 1978-06)
recording of :
Französische Suite Nr. 5 G-dur, BWV 816: III. Sarabande (le 1978-06)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Französische Suite Nr. 5 G-dur, BWV 816 (French Suite No. 5 in G major, BWV 816)
4:30
73French Suite no. 5 in G major, BWV 816: 4. Gavotte
piano :
András Schiff (pianist) (le 1978-06)
enregistré à :
上野学園 石橋メモリアルホール (Uenogakuen Ishibashi Memorial Hall, 1974 - 2007) dans Higashiueno, Taitō (Taitō-ku), Tokyo, Japon (le 1978-06)
recording of :
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte (le 1978-06)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Französische Suite Nr. 5 G-dur, BWV 816 (French Suite No. 5 in G major, BWV 816)
1:12
74French Suite no. 5 in G major, BWV 816: 5. Bourrée
piano :
András Schiff (pianist) (le 1978-06)
enregistré à :
上野学園 石橋メモリアルホール (Uenogakuen Ishibashi Memorial Hall, 1974 - 2007) dans Higashiueno, Taitō (Taitō-ku), Tokyo, Japon (le 1978-06)
recording of :
Französische Suite Nr. 5 G-dur, BWV 816: V. Bourrée (le 1978-06)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Französische Suite Nr. 5 G-dur, BWV 816 (French Suite No. 5 in G major, BWV 816)
1:03
75French Suite no. 5 in G major, BWV 816: 6. Louré
piano :
András Schiff (pianist) (le 1978-06)
enregistré à :
上野学園 石橋メモリアルホール (Uenogakuen Ishibashi Memorial Hall, 1974 - 2007) dans Higashiueno, Taitō (Taitō-ku), Tokyo, Japon (le 1978-06)
recording of :
Französische Suite Nr. 5 G-dur, BWV 816: VI. Loure (le 1978-06)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Französische Suite Nr. 5 G-dur, BWV 816 (French Suite No. 5 in G major, BWV 816)
1:53
76French Suite no. 5 in G major, BWV 816: 7. Gigue
piano :
András Schiff (pianist) (le 1978-06)
enregistré à :
上野学園 石橋メモリアルホール (Uenogakuen Ishibashi Memorial Hall, 1974 - 2007) dans Higashiueno, Taitō (Taitō-ku), Tokyo, Japon (le 1978-06)
recording of :
Französische Suite Nr. 5 G-dur, BWV 816: VII. Gigue (le 1978-06)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Französische Suite Nr. 5 G-dur, BWV 816 (French Suite No. 5 in G major, BWV 816)
3:27
77Orchestral Suite no. 1 in C major, BWV 1066: 1. Overture
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestral Trio in C major, op. 1 no. 1: I. Allegro
compositeur :
Johann Stamitz (composer)
partie de :
Orchestral Trio in C major, op. 1 no. 1
7:34
78Orchestral Suite no. 1 in C major, BWV 1066: 2. Courante
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 1 C-Dur, BWV 1066: II. Courante (Suite for Orchestra No. 1 in C major, BWV 1066: Courante)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
2:03
79Orchestral Suite no. 1 in C major, BWV 1066: 3. Gavotte 1 and 2
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 1 C-Dur, BWV 1066: III. Gavotte I / Gavotte II
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
3:30
80Orchestral Suite no. 1 in C major, BWV 1066: 4. Forlane
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 1 C-Dur, BWV 1066: IV. Forlane
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
1:37
81Orchestral Suite no. 1 in C major, BWV 1066: 5. Menuet 1 and 2
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 1 C-Dur, BWV 1066: V. Menuet I / Menuet II
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
2:47
82Orchestral Suite no. 1 in C major, BWV 1066: 6. Bourrée 1 and 2
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 1 C-Dur, BWV 1066: VI. Bourrée I / Bourrée II
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
2:49
83Orchestral Suite no. 1 in C major, BWV 1066: 7. Passepied 1 and 2
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
3:15
84Orchestral Suite no. 2 in B minor, BWV 1067: 1. Overture
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
orchestration de :
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
partie de :
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
8:57
85Orchestral Suite no. 2 in B minor, BWV 1067: 2. Rondeau
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:35
86Orchestral Suite no. 2 in B minor, BWV 1067: 3. Sarabande
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
2:34
87Orchestral Suite no. 2 in B minor, BWV 1067: 4. Bourrée 1 and 2
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
2:13
88Orchestral Suite no. 2 in B minor, BWV 1067: 5. Polonaise. Double
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
3:03
89Orchestral Suite no. 2 in B minor, BWV 1067: 6. Menuet
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:18
90Orchestral Suite no. 2 in B minor, BWV 1067: 7. Badinerie
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:22
91Orchestral Suite no. 3 in D, BWV 1068: 1. Overture
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
8:44
92Orchestral Suite no. 3 in D, BWV 1068: 2. Air (“On the G String”)
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1730)
partie de :
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
4:39
93Orchestral Suite no. 3 in D, BWV 1068: 3. Gavotte 1 and 2
orchestre :
Vienna State Opera Orchestra (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
partiel recording of :
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuiten (Bach) (numéro : 3) et Bach-Werke-Verzeichnis (numéro : BWV 1068)
recording of :
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
3:30
94Orchestral Suite no. 3 in D, BWV 1068: 4. Bourrée 1 and 2
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:18
95Orchestral Suite no. 3 in D, BWV 1068: 5. Gigue
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
2:58
96Orchestral Suite no. 4 in D, BWV 1069: 1. Overture
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 4 D-Dur, BWV 1069: I. Ouverture
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
9:38
97Orchestral Suite no. 4 in D, BWV 1069: 2. Bourrée 1 and 2
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 4 D-Dur, BWV 1069: II. Bourrée I - alternativement Bourrée II
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
3:28
98Orchestral Suite no. 4 in D, BWV 1069: 3. Gavotte 1 and 2
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 4 D-Dur, BWV 1069: III. Gavotte
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
1:50
99Orchestral Suite no. 4 in D, BWV 1069: 4. Menuet 1 and 2
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 4 D-Dur, BWV 1069: IV. Menuet I - alternativement Menuet II
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
4:14
100Orchestral Suite no. 4 in D, BWV 1069: 5. Réjouissance
orchestre :
Orchester der Wiener Staatsoper (Orchestre de l’Opéra de Vienne)
conductor :
Felix Prohaska (conductor)
recording of :
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
2:40
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