Tracklist

1CD
#TitleArtistRatingLength
1Missa brevis in F major, BWV 233: I. Kyrie
recording engineer:
Stanley Goodall (engineer) and John Pellowe (audio engineer)
producer:
Chris Hazell
choir vocals:
The Richard Hickox Singers (The City of London Sinfonia Chorus) (in 1977-02)
orchestra:
The Richard Hickox Orchestra (in 1977-02)
conductor:
Richard Hickox (conductor) (in 1977-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-02)
recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (in 1977-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach4:34
2Missa brevis in F major, BWV 233: II. Gloria
recording engineer:
Stanley Goodall (engineer) and John Pellowe (audio engineer)
producer:
Chris Hazell
choir vocals:
The Richard Hickox Singers (The City of London Sinfonia Chorus) (in 1977-02)
orchestra:
The Richard Hickox Orchestra (in 1977-02)
conductor:
Richard Hickox (conductor) (in 1977-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-02)
recording of:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (in 1977-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach6:43
3Missa brevis in F major, BWV 233: III. Domine Deus
recording engineer:
Stanley Goodall (engineer) and John Pellowe (audio engineer)
producer:
Chris Hazell
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1977-02)
orchestra:
The Richard Hickox Orchestra (in 1977-02)
conductor:
Richard Hickox (conductor) (in 1977-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-02)
recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (in 1977-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach3:29
4Missa brevis in F major, BWV 233: IV. Qui tollis peccata
recording engineer:
Stanley Goodall (engineer) and John Pellowe (audio engineer)
producer:
Chris Hazell
soprano vocals:
Wendy Eathorne (soprano) (in 1977-02)
orchestra:
The Richard Hickox Orchestra (in 1977-02)
conductor:
Richard Hickox (conductor) (in 1977-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-02)
recording of:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 1977-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach4:46
5Missa brevis in F major, BWV 233: V. Quoniam
recording engineer:
Stanley Goodall (engineer) and John Pellowe (audio engineer)
producer:
Chris Hazell
alto vocals:
Paul Esswood (countertenor) (in 1977-02)
orchestra:
The Richard Hickox Orchestra (in 1977-02)
conductor:
Richard Hickox (conductor) (in 1977-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-02)
recording of:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus" (in 1977-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach4:50
6Missa brevis in F major, BWV 233: VI. Cum Sancto Spiritu
recording engineer:
Stanley Goodall (engineer) and John Pellowe (audio engineer)
producer:
Chris Hazell
choir vocals:
The Richard Hickox Singers (The City of London Sinfonia Chorus) (in 1977-02)
orchestra:
The Richard Hickox Orchestra (in 1977-02)
conductor:
Richard Hickox (conductor) (in 1977-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-02)
recording of:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (in 1977-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach3:04
7Missa brevis in A major, BWV 234: I. Kyrie
recording engineer:
Stanley Goodall (engineer) and John Pellowe (audio engineer)
producer:
Chris Hazell
choir vocals:
The Richard Hickox Singers (The City of London Sinfonia Chorus) (in 1977-02)
orchestra:
The Richard Hickox Orchestra (in 1977-02)
conductor:
Richard Hickox (conductor) (in 1977-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-02)
recording of:
Messe A-Dur, BWV 234: I. Coro "Kyrie eleison" (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach6:48
8Missa brevis in A major, BWV 234: II. Gloria
recording engineer:
Stanley Goodall (engineer) and John Pellowe (audio engineer)
producer:
Chris Hazell
choir vocals:
The Richard Hickox Singers (The City of London Sinfonia Chorus) (in 1977-02)
orchestra:
The Richard Hickox Orchestra (in 1977-02)
conductor:
Richard Hickox (conductor) (in 1977-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-02)
recording of:
Messe A-Dur, BWV 234: II. Coro "Gloria in excelsis Deo" (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach5:24
9Missa brevis in A major, BWV 234: III. Domine Deus
recording engineer:
Stanley Goodall (engineer) and John Pellowe (audio engineer)
producer:
Chris Hazell
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1977-02)
orchestra:
The Richard Hickox Orchestra (in 1977-02)
conductor:
Richard Hickox (conductor) (in 1977-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-02)
recording of:
Messe A-Dur, BWV 234: III. Aria (Bass) "Domine Deus" (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach6:15
10Missa brevis in A major, BWV 234: IV. Qui tollis peccata
recording engineer:
Stanley Goodall (engineer) and John Pellowe (audio engineer)
producer:
Chris Hazell
soprano vocals:
Wendy Eathorne (soprano) (in 1977-02)
orchestra:
The Richard Hickox Orchestra (in 1977-02)
conductor:
Richard Hickox (conductor) (in 1977-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-02)
recording of:
Messe A-Dur, BWV 234: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach5:45
11Missa brevis in A major, BWV 234: V. Quoniam
recording engineer:
Stanley Goodall (engineer) and John Pellowe (audio engineer)
producer:
Chris Hazell
alto vocals:
Paul Esswood (countertenor) (in 1977-02)
orchestra:
The Richard Hickox Orchestra (in 1977-02)
conductor:
Richard Hickox (conductor) (in 1977-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-02)
recording of:
Messe A-Dur, BWV 234: V. Aria (Alto) "Quoniam tu solus sanctus" (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach3:43
12Missa brevis in A major, BWV 234: VI. Cum Sancto Spiritu
recording engineer:
Stanley Goodall (engineer) and John Pellowe (audio engineer)
producer:
Chris Hazell
choir vocals:
The Richard Hickox Singers (The City of London Sinfonia Chorus) (in 1977-02)
orchestra:
The Richard Hickox Orchestra (in 1977-02)
conductor:
Richard Hickox (conductor) (in 1977-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-02)
recording of:
Messe A-Dur, BWV 234: VI. Coro "Cum sancto spiritu" (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach3:59
13Cantata no. 130 "Herr Gott, dich loben alle wirr": I. "Herr Gott, dich loben alle wir"
recording engineer and engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
choir vocals:
Chœur Pro Arte de Lausanne (from 1968-08-30 until 1968-09-02)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1968-08-30 until 1968-09-02)
conductor:
Ernest Ansermet (conductor) (from 1968-08-30 until 1968-09-02)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1968-08-30 until 1968-09-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": I. Coro "Herr Gott, dich loben alle wir" (from 1968-08-30 until 1968-09-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach3:43
14Cantata no. 130 "Herr Gott, dich loben alle wirr": II. "Ihr heller Glanz"
recording engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
contralto vocals:
Helen Watts (contralto) (from 1968-08-30 until 1968-09-02)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1968-08-30 until 1968-09-02)
conductor:
Ernest Ansermet (conductor) (from 1968-08-30 until 1968-09-02)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1968-08-30 until 1968-09-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": II. Recitativo (Alt) "Ihr heller Glanz und hohe Weisheit zeigt" (from 1968-08-30 until 1968-09-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:12
15Cantata no. 130 "Herr Gott, dich loben alle wirr": III. Der alte Drache brennt vor Neid"
recording engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-08-30 until 1968-09-02)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1968-08-30 until 1968-09-02)
conductor:
Ernest Ansermet (conductor) (from 1968-08-30 until 1968-09-02)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1968-08-30 until 1968-09-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": III. Aria (Bass) "Der alte Drache brennt vor Neid" (from 1968-08-30 until 1968-09-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach5:08
16Cantata no. 130 "Herr Gott, dich loben alle wirr": IV. Wohl aber uns"
recording engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
soprano vocals:
Elly Ameling (soprano) (from 1968-08-30 until 1968-09-02)
tenor vocals:
Werner Krenn (tenor) (from 1968-08-30 until 1968-09-02)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1968-08-30 until 1968-09-02)
conductor:
Ernest Ansermet (conductor) (from 1968-08-30 until 1968-09-02)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1968-08-30 until 1968-09-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": IV. Recitativo (Sopran, Tenor) "Wohl aber uns, daß Tag und Nacht" (from 1968-08-30 until 1968-09-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:42
17Cantata no. 130 "Herr Gott, dich loben alle wirr": V. Las, o Furst der Cherubinen"
recording engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
solo flute:
André Pépin (flutist) (from 1968-08-30 until 1968-09-02)
tenor vocals:
Werner Krenn (tenor) (from 1968-08-30 until 1968-09-02)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1968-08-30 until 1968-09-02)
conductor:
Ernest Ansermet (conductor) (from 1968-08-30 until 1968-09-02)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1968-08-30 until 1968-09-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": V. Aria (Tenor) "Laß, o Fürst der Cherubinen" (from 1968-08-30 until 1968-09-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach4:36
18Cantata no. 130 "Herr Gott, dich loben alle wirr": VI. "Darum wir billig loben dich"
recording engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
choir vocals:
Chœur Pro Arte de Lausanne (from 1968-08-30 until 1968-09-02)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1968-08-30 until 1968-09-02)
conductor:
Ernest Ansermet (conductor) (from 1968-08-30 until 1968-09-02)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1968-08-30 until 1968-09-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": VI. Choral "Darum wir billig loben dich" (from 1968-08-30 until 1968-09-02)
lyricist:
Paul Eber
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 131)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:09
2CD

Credits

Release

manufactured in:Germany
art direction:Jessica Davies
copyrighted (©) by:Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
phonographic copyright (℗) by:Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1969, in 1976, in 1977)
part of:Double Decca (order: 144)
Discogs:https://www.discogs.com/release/24966010 [info]
ASIN:UK: B00004TTIN [info]