Karaoke Opera: Sixteen Favourite Arias and Duets

~ Release by Various Artists (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Carmen: Votre toast je peux vous le rendre (Toreador’s Song)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (from 1992-06-01 until 1992-06-02)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:42
2Carmen: Seguidilla
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1992-06-01 until 1992-06-02)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:56
3Carmen: Habanera
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1992-06-01 until 1992-06-02)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet3:51
4The Pearlfishers: Au fond du temple saint (orchestra only)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (from 1992-06-01 until 1992-06-02)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
ABC Classic 100 (2001) (number: 7)
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet5:02
5The Pearlfishers: Au fond du temple saint (with baritone)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
baritone vocals:
Steven Page (opera baritone) (from 1992-06-01 until 1992-06-02)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (from 1992-06-01 until 1992-06-02)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
ABC Classic 100 (2001) (number: 7)
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet5:00
6The Pearlfishers: Au fond du temple saint (with tenor)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
tenor vocals:
John Oakman (tenor) (from 1992-06-01 until 1992-06-02)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (from 1992-06-01 until 1992-06-02)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
ABC Classic 100 (2001) (number: 7)
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet5:00
7Samson & Delilah: Mon cœur s’ouvre a ta voix (Softly Awakes My Heart)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1992-06-01 until 1992-06-02)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:13
8The Tales of Hoffman: Belle nuit, ô nuit d’amour (Barcarolle) (orchestra only)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta) (from 1992-06-01 until 1992-06-02)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:33
9The Tales of Hoffman: Belle nuit, ô nuit d’amour (Barcarolle) (with mezzo-soprano)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
mezzo-soprano vocals:
Anne‐Marie Owens (mezzo‐soprano) (from 1992-06-01 until 1992-06-02)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta) (from 1992-06-01 until 1992-06-02)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Giacomo Puccini2:33
10The Tales of Hoffman: Belle nuit, ô nuit d’amour (Barcarolle) (with soprano)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
soprano vocals:
Susan McCulloch (soprano) (from 1992-06-01 until 1992-06-02)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta) (from 1992-06-01 until 1992-06-02)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Giacomo Puccini2:33
11Madama Butterfly: Un bel di vedremo (One Fine Day) (intro)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
partial instrumental recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1992-06-01 until 1992-06-02)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini0:04
12Madama Butterfly: Un bel di vedremo (One Fine Day)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1992-06-01 until 1992-06-02)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Gioachino Rossini4:11
13Il barbiere di Siviglia (The Barber of Seville): Largo al factotum
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (from 1992-06-01 until 1992-06-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:59
14La traviata: Brindisi (Drinking Song)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1992-06-01 until 1992-06-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:17
15La Bohème: Che gelida manina (Your Tiny Hand Is Frozen)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (from 1992-06-01 until 1992-06-02)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:27
16La Bohème: Quando m’en vo (Musetta’s Waltz Song)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (from 1992-06-01 until 1992-06-02)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:41
17Rigoletto: La donna è mobile (Women Are Fickle)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (from 1992-06-01 until 1992-06-02)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:14
18Gianni Schicchi: O mio babbino caro (O My Beloved Daddy)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1992-06-01 until 1992-06-02)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:02
19Don Giovanni: Madamina (Catalogue Aria)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1992-06-01 until 1992-06-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:33
20I Pagliacci: Vesti la giubba (On With the Motley)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
instrumental recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (from 1992-06-01 until 1992-06-02)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:49
21Turandot: Nessun dorma (None Shall Sleep)
recording engineer:
Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02)
producer:
Christopher Todd Landor (producer / found of label Musical Concepts)
mixer:
Eric Tomlinson (British recording engineer)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (from 1992-06-01 until 1992-06-02)
orchestra:
Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02)
conductor:
Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02)
chorus master:
Pavel Kühn (from 1992-06-01 until 1992-06-02)
phonographic copyright (℗) by:
Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992)
recorded at:
FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1992-06-01 until 1992-06-02)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:27
2▶CD

Credits

Release

manufactured in:Great Britain
printed in:England, United Kingdom
manufactured by:PDO (Philips DuPont Optical, Blackburn, UK)
phonographic copyright (℗) by:Innovative Music Productions Ltd. (not for release label use!) (in 1992)
licensed to:Innovative Music Productions Ltd. (not for release label use!)
ASIN:UK: B000024K8J [info]